Wilde Between the Sheets


Book Description

Wilde Between the Sheets: Oscar Wilde, Mail Bondage and De Profundis argues that Oscar Wilde’s narrative strategies reveal a quick-witted, ingenious fighter—an active agent who tested boundaries and recognized the dangers of doing so, adopting essentialist or anti-essentialist strategies according to whatever shifting purpose he is writing with. David Walton challenges the one-dimensional view of Wilde as a tragic victim defeated by the penal system, arguing that Wilde constructed a self by weaving complex networks of time and paradoxical notions of space, along with a network of literary references and other intertexts. Walton goes on to claim that Wilde fashions a self while simultaneously being shaped by those he fashions, creating a critical dialogue which shows that, by constructing Wilde through interpretive acts, he has already been partially fashioned by Wilde himself.




Writers Between the Covers


Book Description

What happened off the page was often a lot spicier than what was written on it... Why did Norman Mailer stab his second wife at a party? Who was Edith Wharton’s secret transatlantic lover? What motivated Anaïs Nin to become a bigamist? Writers Between the Covers rips the sheets off these and other real-life love stories of the literati—some with fairy tale endings and others that resulted in break-ups, breakdowns, and brawls. Among the writers laid bare are Agatha Christie, who sparked the largest-ever manhunt in England as her marriage fell apart; Arthur Miller, whose jaw-dropping pairing with Marilyn Monroe proved that opposites attract, at least initially; and T.S. Eliot, who slept in a deckchair on his disastrous honeymoon. From the best break-up letters to the stormiest love triangles to the boldest cougars and cradle-robbers, this fun and accessible volume—packed with lists, quizzes and in-depth exposés—reveals literary history’s most titillating loves, lusts, and longings.




Fifty Shades of Dorian Gray


Book Description

Meet artist Rosemary Hall and follow her inevitable downfall brought by her lust for the famous Dorian Gray—a tale both familiar and new in this brilliant erotic mash up of one of the world’s most beloved novels. With a mix of old fashioned Victorian debauchery and erotic 21st century lust this cleverly sexed-up classic will leave you wanting more!First published to sensational scandal amidst accusations that the novel was hedonist, unclean, and depicted distorted views of morality The Picture of Dorian Gray was a hit back in the day. In 1890 the Daily Chronicle wrote that Wilde's novel “will taint every young mind that comes in contact with it.” Well Victorian critics, gird your loins and prepare to meet Audrey Ember’s Fifty Shades of Dorian Gray: hotter, lewder, sexier, steamier, and more morally corrupt than Oscar Wilde’s original story! Rediscover this celebrated novel as it traces the moral degeneration of a beautiful young Londoner seduced by art and beauty into a cruel and reckless pursuer of pleasure. Meet artist Rosemary Hall and follow her inevitable downfall brought by her lust for the famous Dorian Gray—a tale both familiar and new in this brilliant erotic mash up of one of the world’s most beloved novels. With a mix of old fashioned Victorian debauchery and erotic 21st century lust this cleverly sexed-up classic will leave you wanting more!




Queer Between the Covers


Book Description

Queer Between the Covers presents a history of radical queer publishing and literature from 1880 to the modern day. Chronicling the gay struggle for acceptance and liberation, the book demonstrates how the fight for representation was often waged between the covers of books in a world where spaces for queer expression were taboo. The chapters provide an array of voices and histories from the famous, Derek Jarman and Oscar Wilde, to the lesser known and underappreciated, such as John Wieners and Valerie Taylor. It includes firsthand accounts of seminal moments in queer history, including the birth of Hazard Press and the Defend Gay's the Word Bookshop campaign in the 1980s. Queer Between the Covers demonstrates the importance of the book and how the queer community could be brought together through shared literature. The works discussed show the imaginative and radical ways in which queer texts have fought against censorship and repression and could be used as a political tool for organization and production. This study follows key moments in queer literary history, from the powerful community wide demonstrations for Gay's the Word during their battle with the British government, to the mapping of Chicago's queer spaces within Valerie Taylor's pulp novels, or the anonymous but likely shared authorship of the nineteenth century queer text Teleny. Queer publishing also often involved fascinating creative tactics for beating the censor, from the act of self-publishing to anonymous authorship as part of a so-called "cloaked resistance." Collage and repurposing found images and texts were key practices for many queer publishers and authors, from Derek Jarman to the artworks created by the Hazard Press. This is a fascinating and topical book on publishing history for those interested in how queer people throughout modernity have used literature as an important forum for self-expression and self-actualization when spaces and sites for queer expression were outlawed. 




Making Oscar Wilde


Book Description

Witty, inspiring, and charismatic, Oscar Wilde is one of the Greats of English literature. Today, his plays and stories are beloved around the world. But it was not always so. His afterlife has given him the legitimacy that life denied him. Making Oscar Wilde reveals the untold story of young Oscar's career in Victorian England and post-Civil War America. Set on two continents, this book tracks a larger-than-life hero on an unforgettable adventure to make his name and gain international acclaim. 'Success is a science,' Wilde believed, 'if you have the conditions, you get the result.' Combining new evidence and gripping cultural history, Michèle Mendelssohn dramatizes Wilde's rise, fall, and resurrection as part of a spectacular transatlantic pageant. With superb style and an instinct for story-telling, she brings to life the charming young Irishman who set out to captivate the United States and Britain with his words and ended up conquering the world. Following the twists and turns of Wilde's journey, Mendelssohn vividly depicts sensation-hungry Victorian journalism and popular entertainment alongside racial controversies, sex scandals, and the growth of Irish nationalism. This ground-breaking revisionist history shows how Wilde's tumultuous early life embodies the story of the Victorian era as it tottered towards modernity. Riveting and original, Making Oscar Wilde is a masterful account of a life like no other.




Wilde’s WWW


Book Description

This book provides readers with comprehensive details on how the WWW works, complete with definitions and standards. It discusses the latest versions of the transfer protocol (HTTP 1.1), the description language (HTML 4.0), the foundations of the description language (SGML and XML), style sheets (CSS1), web servers, and security (SSL and CGI). Issues of importance for the future development of the WWW are discussed, including virtual reality (VRML), portable network graphics (PNG), and MathML.




Catholic Figures, Queer Narratives


Book Description

This study examines the relationship between Catholicism and homosexuality and between historical homophobia and contemporary struggles between the Church and the homosexual? Moving from the Gothic to the late Twentieth-century, from Europe to America, it interrogates what is queer about Catholicism and what is modern about homosexuality.




The Complete Works of Oscar Wilde


Book Description

This volume presents for the first time the complete textual history of one of the most famous love letters ever written. Addressed to Wilde's lover, Lord Alfred Douglas, and composed in Reading Gaol, it was later given the title 'De Profundis' by Wilde's friend and literary executor, RobertRoss. It was Ross's severely abridged and sanitized version, published in 1905 and again 1908, which inaugurated the tradition of seeing De Profundis as the apologia pro sua vita of a broken man. This edition takes account of this complex heritage by arguing that Wilde's prison document may be seennot just as the basis of a letter (a typed copy of which may have been sent to Douglas) but also as an unfinished literary work which he intended for public consumption at some future date. Such a case is made by placing in the public domain, often for the first time, a number of different works,derived from different texts, each of which bears witness to Wilde's multiple intentions for his prison document. These texts comprise: the manuscript held in the British Library; the version of Wilde's letter published by his son, Vyvyan Holland, from a typescript bequeathed to him by Robert Ross;hitherto unpublished witnesses to that typescript; and Ross's editions, collated with each other. The commentary to this edition - again for the first time - sets Wilde's story of his own life in 'De Profundis' against the testimony of other players in his drama, including, most importantly, that ofDouglas. In so doing it exposes the partial nature of Wilde's narrative, as well as the personal obsessions which animated it. The commentary also demonstrates a hitherto unnoticed element of Wilde's work, the extent and nature of its richly layered intertextuality and its similarity, in itscompositional practices, to many of his earlier works.




The Complete Works of Oscar Wilde


Book Description

Volume IV of the Oxford English Texts Complete Works of Oscar Wilde is the first variorum edition of Wilde's major critical writing; it includes the critical essays which were re-published in book-form in his life-time - that is, those anthologised in Intentions and The Soul of Man - as well as his graduate essay usually known by the title The Rise of Historical Criticism, but which this volume titles Historical Criticism. The Introduction gives a detailed account of the composition of each of the essays: it gives a new explanation for the relationship between the 'The Decay of Lying' and 'Pen, Pencil, and Poison' (arguing that they are best understood as companion pieces); it provides the first concrete demonstration that Wilde did, on occasions, knowingly 'copy' his own work; and it reveals that substantial cuts were made to some of Wilde's essays (without his full consent) by the periodical editors with whom he worked. The edition also provides, for the first time, a full collation of the textual variants between the published versions of Wilde's essays (that is, both book and periodical), and all extant manuscripts; in addition it establishes a new, authoritative text for Historical Criticism, based on an examination of the original manuscript, which differs significantly from that printed by Robert Ross in his 1908 Collected Edition (and subsequently reprinted in the Collins Complete Works). The annotation to the edition reveals the full extent of Wilde's 'borrowings' both from his own work, and from other writers; it also reveals that much of Historical Criticism is in fact paraphrasing or translating well-known classical texts, and that the some of denseness of the argument is due to ellipses in Wilde's text that were disguised by earlier editors.




Oscar Wilde in the 1990s


Book Description

An examination of the most significant literary criticism on Wilde at the turn of the century. In 1891, Oscar Wilde defined 'the highest criticism' as 'the record of one's own soul, and insisted that only by 'intensifying his own personality' could the critic interpret the personality and work of others. This book exploreswhat Wilde meant by that statement, arguing that it provides the best standard for judging literary criticism about Wilde a century after his death. Melissa Knox examines a range of Wilde criticism in English -- including the work of Lawrence Danson, Michael Patrick Gillespie, Ed Cohen, and Julia Prewitt Brown. Applying Wilde's standards to his critics, Knox discovers that the best of them take to heart Wilde's idea of the aim of criticism -- 'to see theobject as in itself it really is not.' By this, Wilde appreciates Walter Pater's profound observation that everyone sees through a 'thick wall of personality' and that, therefore, objectivity as conceived by Matthew Arnold does not exist. Admiring Pater, Wilde became a prophet for Freud, his exact contemporary. Their intellectual sympathies, made obvious in Knox's exegesis, help to make the case for Wilde as a modern, not a Victorian. Melissa Knox's book Oscar Wilde: A Long and Lovely Suicide was published in 1994. She teaches at the University of Duisburg-Essen, Germany.