Short Mean Fiction


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Short Mean Fiction limited edition of 20 autographed sets includes: 1 hardback first edition and 1 print portfolio, in cloth clamshell.




William Dunlap


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A History of the American Theatre from Its Origins to 1832


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As America passed from a mere venue for English plays into a country with its own nationally regarded playwrights, William Dunlap lived the life of a pioneer on the frontier of the fledgling American theatre, full of adventures, mishaps, and close calls. He adapted and translated plays for the American audience and wrote plays of his own as well, learning how theatres and theatre companies operated from the inside out. Dunlap's masterpiece, A History of American Theatre was the first of its kind, drawing on the author's own experiences. In it, he describes the development of theatre in New York, Philadelphia, and South Carolina as well as Congress's first attempts at theatrical censorship. Never before previously indexed, this edition also includes a new introduction by Tice L. Miller.







DDT, Silent Spring, and the Rise of Environmentalism


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No single event played a greater role in the birth of modern environmentalism than the publication of Rachel Carson'sSilent Springand its assault on insecticides. The documents collected by Thomas Dunlap trace shifting attitudes toward DDT and pesticides in general through a variety of sources: excerpts from scientific studies and government reports, advertisements from industry journals, articles from popular magazines, and the famous "Fable for Tomorrow" fromSilent Spring. Beginning with attitudes toward nature at the turn of the twentieth century, the book moves through the use and early regulation of pesticides; the introduction and early success of DDT; the discovery of its environmental effects; and the uproar overSilent Spring. It ends with recent debates about DDT as a potential solution to malaria in Africa. "A superb collection. Included here are the texts that galvanized Rachel Carson to writeSilent Springand inspired her to insist on a new vision of cooperation between man and nature. Dunlap's book provides the context for one of the defining debates of our time and shows us why a resolution remains so elusive." - Linda Lear, biographer and author ofRachel Carson: Witness for Nature "To understand how DDT could win its developer a Nobel Prize and then be banned just decades later, read this book. Read it, too, if you want to understand the modern environmental movement. In these pages, those who helped make history tell you, in their own words, what happened." - Edmund P. Russell, University of Virginia "This thought-provoking and occasionally surprising collection of readings brings needed attention to Rachel Carson and her work. Dunlap's book will prove valuable for classes in environmental studies and American environmental history and for historians studying conflicts over pesticides." - Nancy Langston, Professor, University of Wisconsin-Madison "A fascinating and thought-provoking collection of texts that will give readers whole new perspectives on this critical controversy in the history of environmental thought." - William Cronon, University of Wisconsin-Madison "Students can use this collection to gain greater understanding of the development of the environmental movement, changing ideas about progress, science, and technology, as well as changing ideas about the role of nature in the modern world." - David Stradling, University of Cincinnati Thomas R. Dunlapis professor of history at Texas A & M University. He is the author of four books includingFaith in Nature: Environmentalism as Religious QuestandDDT: Scientists, Citizens, and Public Policy.




International Humanitarian Law


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In three distinct volumes the editors bring together a distinguished group of contributors whose essays chart the history, practice, and future of international humanitarian law. At a time when the war crimes of recent decades are being examined in the International Criminal Tribunals for Former Yugoslavia and Rwanda and a new International Criminal Court is being created as a permanent venue to try such crimes, the role of international humanitarian law is seminal to the functioning of such attempts to establish a just world order. The intent of these volumes is to help to inform where humanitarian law had its origins, how it has been shaped by world events, and why it can be employed to serve the future. The other volumes in this set are International Humanitarian Law: Origins and International Humanitarian Law: Prospects Published under the Transnational Publishers imprint.




International Humanitarian Law: Challenges


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International humanitarian law is seminal to the functioning of attempts to establish a just world order. This title is part of a three volume set which charts the history, practice and future of international humanitarian law.







The Beautiful Mysterious


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Contributions by Megan Abbott, Michael Almereyda, Kris Belden-Adams, Maude Schuyler Clay, William Dunlap, W. Ralph Eubanks, William Ferris, Marti A. Funke, Lisa Howorth, Amanda Malloy, Richard McCabe, Emily Ballew Neff, Robert Saarnio, and Anne Wilkes Tucker The Beautiful Mysterious: The Extraordinary Gaze of William Eggleston is an examination of the life and work of the artist widely considered to be the father of color photography. William Eggleston was born in 1939 and grew up in the Mississippi Delta town of Sumner. His innovative 1976 exhibition at the Museum of Modern Art in New York helped establish color photography as an artistic medium and has inspired photographers and artists around the world. Edited by Ann J. Abadie, the catalog contains fifty-five Eggleston photographs, thirty-six that were featured in The Beautiful Mysterious exhibition at the University of Mississippi Museum from September 2016 to February 2017. Eggleston’s longtime friend William Ferris, a celebrated folklorist, donated all the photographs to the Museum. The photographs range from 1962 into the 1980s, representing each of Eggleston’s projects during that time. Some of the photographs are inscribed with Eggleston’s rare handwritten notes about location, people, dates, and projects. Eight of Eggleston’s early dye transfers are in the collection. Many of these works had not been on public display before this exhibition, including black-and-white images that are unique-copy single prints. This is a penetrating examination of the influence of the Mississippi Delta and the American South on Eggleston’s work and of Eggleston’s influence on photography and other creative fields.




André


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