William Gilpin’s Letter-Writer


Book Description

Among the numerous letter-writing manuals which were printed in eighteenth-century Britain, a few were authored by such famous novelists as Samuel Richardson or Daniel Defoe. The present volume is a first-time edition of an autograph manual devised by William Gilpin, commonly known as one of the theoreticians of the picturesque, which he intended either for individual use in the schools he was teaching or for publication. The manual was exclusively devised for boys and men. Although its primary purpose was to provide models of letters on various occasions (at school, in apprenticeship, in debts, in mourning), its content is also partly fictional, since several groups of letters provide short stories about the lives of young soldiers writing home, reformed rakes making a fortune in India or fathers trying to correct their sons’ misdemeanours. The whole tone is highly moral, since the manual was also conceived as a work of edification. As such, it is an excellent counterpart to the correspondence which William Gilpin exchanged with his grandson, William Writes to William: The Correspondence of William Gilpin (1724–1804) and his Grandson William (1789–1811) (Cambridge Scholars Publishing, 2014). The manual is presented with an introduction, notes, index and appendix of a list of eighteenth-century letter-writing manuals, focusing on the issues of sources, society and epistolary writing.




The Ladies Complete Letter-Writer (1763)


Book Description

How did people learn to write letters in the eighteenth century? Among other books, letter-writing manuals provided a possible solution. Although more than 160 editions can be traced for the eighteenth century, most manuals were largely intended for men. As a consequence, when The Ladies Complete Letter-Writer was released in London in 1763, it was the first manual to be exclusively destined for women in eighteenth-century Britain. Even though it was published anonymously, several elements tend to show that it must have been edited by Edward Kimber. It was reprinted in Dublin in 1763 and in London in 1765 and largely circulated. The reasons for its success may have come from its concern in epistolary rhetoric, its original organisation, or the entertainment provided by examples coming from different sources, among which letters by Eliza Haywood, Samuel Richardson, Mary Collier, or the Marquise de Lambert. It also provided women with a variety of subjects which were supposed to be part of their sphere of interest, and others which were not, thus questioning a number of pre-conceived ideas on women and their way of writing with or without propriety. Unedited since 1765, the manual is now presented with introduction, notes and two indices focusing on the issues of sources, society and epistolary writing.










William Gilpin and Letter Writing


Book Description

William Gilpin and Letter Writing: Vol. 1 William Gilpin's Letter-Writer Among the numerous letter-writing manuals which were printed in eighteenth-century Britain, a few were authored by such famous novelists as Samuel Richardson or Daniel Defoe. The present volume is a first-time edition of an autograph manual devised by William Gilpin, commonly known as one of the theoreticians of the picturesque, which he intended either for individual use in the schools he was teaching or for publication. The manual was exclusively devised for boys and men. Although its primary purpose was to provide models of letters on various occasions (at school, in apprenticeship, in debts, in mourning), its content is also partly fictional, since several groups of letters provide short stories about the lives of young soldiers writing home, reformed rakes making a fortune in India or fathers trying to correct their sons' misdemeanours. The whole tone is highly moral, since the manual was also conceived as a work of edification. As such, it is an excellent counterpart to the correspondence which William Gilpin exchanged with his grandson, William Writes to William: The Correspondence of William Gilpin (1724-1804) and his Grandson William (1789-1811) (Cambridge Scholars Publishing, 2014). The manual is presented with an introduction, notes, index and appendix of a list of eighteenth-century letter-writing manuals, focusing on the issues of sources, society and epistolary writing. William Gilpin and Letter Writing: Vol. 2 William Writes to William: The Correspondence of William Gilpin (1724-1804) and his Grandson William (1789-1811) William Gilpin (1724-1804) is commonly known as one of the originators of the idea of the picturesque. He was also an Anglican clergyman, a schoolmaster with modern educational ideas and the author of several biographies, tours and essays. The present edition provides a first insight into his more personal writings, since it is made of the correspondence he exchanged with his grandson between 1794 and 1803. It is teeming with personal, intimate detail on his daily life, domestic and aesthetic concerns. The letters also deal with such various topics as nature, architecture and religion. The relationship is highly pleasurable and discloses the art of being a grand-father, as well as illustrating the first steps of a young boy's writing of letters. The tone of some of William Gilpin's letters is highly moral, since the grand-father's aim was also obviously to educate and edify his grandson. As such, the present book is an excellent counterpart to William Gilpin's letter-writing manual, William Gilpin's Letter-Writer (Cambridge Scholars Publishing, 2014). The correspondence is presented with an introduction, notes and index, focusing on the issues of sources, society and epistolary writing.




William Gilpin


Book Description

William Gilpin (1815–1894) has been called “America’s first geopolitician.” Regarded today as both scientist and quack, Gilpin was in his own time a recognized authority whose maps were accepted by Congress as the most accurate available, and his description of trails and land in the West were read by pioneer and scientist alike as inspiration and guide. His writings first introduced to the American public the treasures of the Great Plains (to Gilpin probably belongs the credit for introducing this well-known term) and the mountain plateaus of the Rockies. He advertised the future of the lush valleys of Oregon and the mineral riches that, he was sure, the American West contained. Gilpin was a cultured, educated man; his studies and his hours of lonely observation on many trips across the American prairies had resulted in the theory—in part true, in part fallacious—about the importance of the Mississippi Valley to world trade and world peace. To his contemporaries and a few later historians he was “a man of rare genius and advanced thought, a prophet and pioneer of civilization,” “one of the wonderful and gifted men of the age, and to him are the citizens of the Republic, in general, and the West, in particular, immeasurably indebted.” In this biography Thomas L. Karnes traces the life of William Gilpin from the quiet comfort of his wealthy Quaker boyhood home through an exciting and turbulent career as Indian fighter, pioneer, newspaper editor, explorer, land promoter, and first governor of Colorado Territory. But throughout his varied career there was one task to which Gilpin was always devoted: he was a publicizer of the West, first in letters to family and friends; then in newspaper articles, books, and speeches; and finally in reports that became part of the Congressional Record and that influenced the actions of Presidents.




William Writes to William


Book Description

William Gilpin (1724–1804) is commonly known as one of the originators of the idea of the picturesque. He was also an Anglican clergyman, a schoolmaster with modern educational ideas and the author of several biographies, tours and essays. The present edition provides a first insight into his more personal writings, since it is made of the correspondence he exchanged with his grandson between 1794 and 1803. It is teeming with personal, intimate detail on his daily life, domestic and aesthetic concerns. The letters also deal with such various topics as nature, architecture and religion. The relationship is highly pleasurable and discloses the art of being a grand-father, as well as illustrating the first steps of a young boy’s writing of letters. The tone of some of William Gilpin’s letters is highly moral, since the grand-father’s aim was also obviously to educate and edify his grandson. As such, the present book is an excellent counterpart to William Gilpin’s letter-writing manual, William Gilpin’s Letter-Writer (Cambridge Scholars Publishing, 2014). The correspondence is presented with an introduction, notes and index, focusing on the issues of sources, society and epistolary writing.




Australian Joint Copying Project Handbook


Book Description




British Literary Manuscripts: From 1800 to 1914


Book Description

19th-century British culture in the autograph hand. Original manuscripts of Scott, Coleridge, Austen, Yeats, Joyce, etc. Commentary.




The Life and Work of William Gilpin


Book Description