The Pixels of Paul Cézanne


Book Description

The Pixels of Paul Cezanne is a collection of essays by Wim Wenders in which he presents his observations and reflections on the fellow artists who have influenced, shaped, and inspired him. "How are they doing it?" is the key question that Wenders asks as he looks at the dance work of Pina Bausch, the paintings of Cezanne, Edward Hopper, and Andrew Wyeth, as well as the films of Ingmar Bergman, Michelanelo Antonioni, Ozu, Anthony Mann, Douglas Sirk, and Sam Fuller. He finds the answer by trying to understand their individual perspectives, and, in the process revealing his own art of perception in texts of rare poignancy.




Written in the West


Book Description

In preparation for shooting the film Paris, Texas in late 1983, director Wim Wenders traveled the West equipped with a 5 x 6 medium format camera searching out subjects and locations that would bring that desolate landscape to life. For several months he drove the empty highways of Texas, Arizona, New Mexico and California, transfixed by the vastness of a country saturated with light and color and energized by the American cowboy mystique. Even in the twentieth century, it was a landscape that had lost none of its evocative, mythic power. This collection of lush, colorful photographs magnificently displays what Wenders' practiced eye sought out: dramatic and visually arresting images, haunting vistas, and the poetic dilapidation of a country touched by man but ruled by nature. An enlightening interview with the photographer reveals the many ways that Wenders, a European traveling in a distinctly American landscape, was both moved by and bemused by what he considers the heartland of the American Dream. It is this sensibility, along with Wenders enormous photographic talents, that lend this collection a unique quality, and that allow us to experience the West in a whole new, brilliantly colorful light.




Once


Book Description

Wim Wenders ranks among the greatest artistic minds of contemporary film: over the past thirty years his films have displayed such wisdom, creativity, and sensitivity that they have transcended boundaries of language and nationality. Wenders brings to this collection of photographic essays the same literary and cinematic talents, the same command of the art of storytelling that we find in his films. In the tradition of Paris, Texas and Faraway, So Close, the texts and pictures in Once weave ambiguous and moving narratives in fits of rhythmic prose and inventive imagery. Prefaced by Wenders' poetic meditations on the metaphysics of photography and film, Once consists of short, autobiographical sketches relating Wenders' experiences--both meaningful and apparently trivial--on his trips across the world scouting locations for his films, as well as photographs taken during these excursions. The resulting book is at once travel diary, photo album, and a series of short films or short stories--revealing the views and sentiments of an auteur inspired by the poetry of the eye and the melody of speech. Fascinating and revelatory, Once gives us a unique look at the universe Wenders has created out of the hidden pieces of everyday life.




Pina


Book Description

Pina Bausch (1940-2009) became a cult figure in the international dance scene with her "Tanztheater Wuppertal" which she both founded and directed. In her choreographies she combined classical dance with elements of performance art, mime, acrobatics, sports, acting, and song, thereby creating a new art genre that both suited the spirit of the times and, by the artistic radicality of her productions, set the parameters for the future of dance theater. Wim Wenders dedicates his remarkable documentary Pina to her oeuvre. The film won the Deutscher Filmpreis 2011 for best documentary and was nominated for the 2012 Oscar for best documentary. Donata Wenders' still camera accompanied the shooting of Wim Wenders' congenial homage to Pina Bausch and her celebrated ensemble. This book offers a unique view of both the film and the stunning oeuvre of revolutionary choreographer Pina Bausch and her legendary dance company.




Inventing Peace


Book Description

Inventing Peace revolves around the question of how we look at the world, but do not see it when there is so much war, injustice, suffering and violence. What are the ethical and moral consequences of looking, but not seeing, and, most of all, what has become of the notion of peace in all this? In the form of a written dialogue, Wim Wenders and Mary Zournazi consider this question as one of the fundamental issues of our times as well as the need to reinvent a visual and moral language for peace. Inspired by various cinematic, philosophical, literary and artistic examples, Wenders and Zournazi reflect on the need for a change of perception in the everyday as well as in the creation of images. In its unique style and method, Inventing Peace demonstrates an approach to peace through sacred, ethical and spiritual means, to provide an alternative to the inhumanity of war and violence. Their book might help to make peace visible and tangible in new and unforeseen ways.




Wim Wenders


Book Description

Wim Wenders: Making Films That Matter is the first book in 15 years to take a comprehensive look at Wim Wenders's extensive filmography. In addition to offering new insights into his cult masterpieces, the 10 essays in this volume highlight the thematic and aesthetic continuities between his early films and his latest productions. Wenders's films have much to contribute to current conversations on intermediality, whether it be through his adaptations of important literary works or his filmic reinventions of famous paintings by Edward Hopper or Andrew Wyeth. Wenders has also positioned himself as a decidedly transnational and translingual filmmaker taking on the challenge of representing peripheral spaces without falling into the trap of a neo-colonial gaze. Making Films That Matter argues that Wenders remains a true innovator in both his experiments in 3D filmmaking and his attempts to define a visual poetics of peace.




Emotion Pictures


Book Description

Essays discuss movies and movie directors, including Truffaut, Hitchcock, Ford, Lang, Altman, and Leone




The Logic of Images


Book Description

This book is the companion volume to Emotion Pictures. In the book Wenders moves from a contemplation of pure cinema, to a consideration and analysis of his own films. Beginning with the question: Why do you make films?, Wenders expresses his own unique approach to cinema.




The Cinema of Wim Wenders


Book Description

The Cinema of Wim Wenders: The Celluloid Highway is a new study of the films of this most prominent of German directors, and penetrates the seductive sounds and images for which he is best known. The book analyses the individual films in the context of a preoccupation central to all of Wenders' work and writings: why modern cinema - a recording art, solely composed of sounds and images - naturally developed into a primarily narrative medium, a domain traditionally associated with words and sentences? With its emphasis on analysing the films themselves, this book identifies and critically elucidates Wenders' chief artistic motivation: that the act of seeing can constitute a creative act in its own right.




Written in the West


Book Description

In late 1983, looking for the subjects and locations that would bring the desolate landscape of the American West to life for his iconic film Paris, Texas, German filmmaker Wim Wenders took his Makina Plaubel 6 x 7 camera on the road. Driving through Texas, Arizona, New Mexico and California, Wenders was captivated by the unique, saturated, colorful light of the vast, wild landscape of the American West--even in the 20th century, a land associated with cowboys and outlaws, and suffused with the mythology of the frontier. The series he produced, Written in the West, was first exhibited in 1986 at the Centre Pompidou in Paris, and first published in 2000. Roughly three decades later, in this expanded edition, Wenders adds 15 new images of the sleepy town that gave the movie its name--though no footage was ever actually shot there. Made with a Fuji 6 x 4.5 camera, the new photographs are poetic documents of an abiding fascination and a search for personal memories. Together, they add an essential new chapter to Wenders' classic Written in the West, now Revisited. Over the past four decades, through films like Paris, Texas (1984), Wings of Desire (1987), Buena Vista Social Club (1999) and Pina (2011), Wim Wenders (born 1945) has distinguished himself as one of the leading lights of New German Cinema and one of the great directors in contemporary film. Wenders has had an equally distinguished career in photography; his photographs are exhibited and collected internationally.