[With Bonus Episode !]SEDUCING HIS ENEMY'S DAUGHTER


Book Description

[With Bonus Episode !] Including 4 special pages of additional story.Ella can’t believe her domineering father has ordered her to marry Australian businessman Donato Salazar. Her father orchestrated the marriage in order to receive financial support to save his company from the brink of bankruptcy. Now that her gorgeous older sister has run away, Ella is being made to take her place. She thinks there’s no way a billionaire like him would ever accept plain Ella after being promised her sister. But as soon as Donato meets her, he falls head over heels and wants to make her his wife! Surprised and bewildered, Ella soon uncovers his dark, hidden past, a past that will change her life forever!




Daughter of No Worlds


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Writing the Blockbuster Novel


Book Description

Albert Zuckerman, legendary literary agent, has worked with many bestselling authors, including Ken Follett, Olivia Goldsmith, Antoinette Van Heugten, Michael Lewis, and F. Paul Wilson. Zuckerman is a master at teaching writers the skills necessary to crack the bestseller list. For this revised edition of Writing the Blockbuster Novel, Zuckerman has added an analysis of Nora Roberts's The Witness, which he uses along with classic books like Gone With the Wind and The Godfather, to illustrate his points. Zuckerman's commentary on Ken Follett's working outlines for The Man From St. Petersburg provide a blueprint for building links between plot and character. A new introduction discusses social media and self-publishing. Writing the Blockbuster Novel is an essential tool for any aspiring author. As Dan Brown said in an interview: "Not long ago, I had an amusing experience meeting the author of a book I received as a gift nearly two decades ago a book that in many ways changed my life. I was halfway through writing my first novel when I was given a copy of Writing the Blockbuster Novel. [Zuckerman's] book helped me complete my manuscript and get it published. [When] I met Mr. Zuckerman for the first time. I gratefully told him that he had helped me. He jokingly replied that he planned to tell everyone that he had helped me write The Da Vinci Code." At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.




Clara M. Thompson’s Professional Evolution and Legacy


Book Description

Beginning in 1933, after Sandor Ferenczi’s death, this volume draws extensively from interviews, personal correspondence, and scholarly essays to explore the latter part of Clara Thompson’s life and professional career. The reader is afforded an understanding of Thompson's development with the luminaries who influenced her, and who she, in turn, influenced, including Harry Stack Sullivan, Erich Fromm, and other "cultural" social scientists. Building on her collaborative work with Ferenczi, and influenced by Sullivan, Thompson’s pioneering essays expand the psychoanalytic perspective to embrace the dynamic interpersonal encounter between patient and analyst. Critical of Freud's views on women, Thompson also argues against the inequality of women and men in society, reflecting her own moral compass. This volume clarifies Thompson’s role in psychoanalytic history, reclaiming her numerous and valuable contributions to both the interpersonal psychoanalytic tradition and to the field of psychoanalysis as we know it today. D’Ercole’s artfully woven account of Thompson’s life will prove essential reading for psychoanalysts, psychotherapists, psychologists, and anyone interested in the history of psychoanalysis.




Oh, we are not gonna go there


Book Description

I have seen this.. (this is the lawyer speaking: ) a RUDE to someway unscate way to intervening the 'pipes' of the internets.. & in Rea. THIS: A io.lo.ji.lo.lo.P (in hrvr.l.) So.. and a seance with Chapman.. (never knew he was actually dead..) And that... piece, that last piece.. (looks back.. whats it called again? Oh, Nonsense!) Well.




Arv


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Doug Pratt's DVD


Book Description

The ultimate guide to DVD by the world's leadding authority on the medium.




Son of Superman


Book Description

Son Of Superman is a sitcom created & produced in Atlanta, Georgia about a young man who starts from rock bottom, with big Dreams & even bigger obstacles, who amazingly climbs his way up from ex-con to icon. You are allowed to see the good, the bad, & the humor in a mans quest to go from local hero, to $20 billion dollar Super Hero. This literary masterpiece combines the comedy of urban life, with the responsibility of raising socio-economical & socio-political awareness. The storyline gets interesting when the audience realizes Tyreal, his dad Tyroy, & his son Tyreign, each have superpowers that only they know about. They werent born with them, but they were born with the ability to develop them individually over time. They didnt get them all at the same time. They had to earn them over time. Whenever they do good deeds, they receive super credits. After theyve accumulated a non-specific amount of super credits, it triggers a powerful shockwave that unlocks a brand new superpower. Their superpowers are broken down into 3 categories- Offense, Defense, & Special Teams. In addition to the superpowers, they also have special abilities known as apps. Each episode is another creative example of how life in the hood can either destroy you, or make you stronger. And whichever outcome you allow, through whatever struggle you experience, life in the hood can always make you laugh. The very first episode documents Tyreal Norths first day out on parole as he starts from the bottom & begins his landmark journey to work his way up to the top with 25 superpowers for a secret weapon against the forces of evil trying to stop him. In subsequent episodes, they will earn, develop, & unlock more superpowers & apps. Tyreal is already on the borderline of unlocking new unprecedented superpowers during season one. In spite of the many obstacles & challenges Tyreal has to face, he continues to shine, & remind the world why he is the Son Of Superman.




The Anthropology of Love and Anger


Book Description

The Anthropology of Love and Anger questions the very foundations of western sociological thought. In their examination of indigenous peoples from across the South American continent, the contributors to this volume have come to realise that western thought does not possess the vocabulary to define even the fundamentals of indigenous thought and practice. The dualisms of public and private, political and domestic, individual and collective, even male and female, in which western anthropology was founded cannot legitimately be applied to peoples whose 'sociality' is based on an 'aesthetics of community'. For indigenous people success is measured by the extent to which conviviality, (all that is peaceful, harmonious and sociable) has been attained. Yet conviviality is not just reliant on love and good but instead on an even balance between all that is constructive, love, and all that is destructive, anger. With case studies from across the South American region, ranging from the (so-called) fierce Yanomami of Venezuela and Brazil to the Enxet of Paraguay, and with discussions on topics from the efficacy of laughter, the role of language, anger as a marker of love and even homesickness, The Anthropology of Love and Anger is a seminal, fascinating work which should be read by all students and academics in the post-colonial world.




Thought Outdanced


Book Description

Dancing is as old as humanity. It has always been a way of expressing intense emotions and indicating the influence of transcendental powers. At the beginning of human history the individual and the world formed an organic unity, but as a result of social development this original state ceased to exist. Dancing can restore that unity and reabsorb the Dancer into the Universe. For William Butler Yeats and James Joyce, who differ from one another in so many respects, dancing and the figure of the dancer became important symbols. Apart from the detailed analysis of the works, this book offers a cultural-historical access to the characteristic productions of the fin-de-sicle period, recalling the performances of Loie Fuller, Isadora Duncan, Vaslav Nijinski, Anna Pavlova, and the other famous or ill-famed dancers. For the two Irish artists the dancer, balancing on the borderlines of everyday reality and the transcendental world, of body and soul, of the relationship of the masses and the a