Irish Literature


Book Description

Irish literature's roots have been traced to the 7th-9th century. This is a rich and hardy literature starting with descriptions of the brave deeds of kings, saints and other heroes. These were followed by generous veins of religious, historical, genealogical, scientific and other works. The development of prose, poetry and drama raced along with the times. Modern, well-known Irish writers include: William Yeats, James Joyce, Sean Casey, George Bernard Shaw, Oscar Wilde, John Synge and Samuel Beckett.




Woman and Nation


Book Description

By focusing on the religio-political dimension of the Gospel of John and using a postcolonial framework, Kim reads the Gospel of John as a Jewish nationalist discourse that develops at the expense of its female characters.




Irish Nationalist Women, 1900–1918


Book Description

This is a major new history of the experiences and activities of Irish nationalist women in the early twentieth century, from learning and buying Irish to participating in armed revolt. Using memoirs, reminiscences, letters and diaries, Senia Pašeta explores the question of what it meant to be a female nationalist in this volatile period, revealing how Irish women formed nationalist, cultural and feminist groups of their own as well as how they influenced broader political developments. She shows that women's involvement with Irish nationalism was intimately bound up with the suffrage movement as feminism offered an important framework for women's political activity. She covers the full range of women's nationalist activism from constitutional nationalism to republicanism, beginning in 1900 with the foundation of Inghinidhe na hÉireann (Daughters of Ireland) and ending in 1918 with the enfranchisement of women, the collapse of the Irish Party and the ascendancy of Sinn Fein.




A History of Modern Irish Women's Literature


Book Description

This book offers the first comprehensive survey of writing by women in Ireland from the seventeenth century to the present day. It covers literature in all genres, including poetry, drama, and fiction, as well as life-writing and unpublished writing, and addresses work in both English and Irish. The chapters are authored by leading experts in their field, giving readers an introduction to cutting edge research on each period and topic. Survey chapters give an essential historical overview, and are complemented by a focus on selected topics such as the short story, and key figures whose relationship to the narrative of Irish literary history is analysed and reconsidered. Demonstrating the pioneering achievements of a huge number of many hitherto neglected writers, A History of Modern Irish Women's Literature makes a critical intervention in Irish literary history.




Irish Women Playwrights, 1900-1939


Book Description

Irish Women Playwrights 1900-1939 is the first book to examine the plays of five fascinating and creative women, placing their work for theatre in co-relation to suggest a parallel tradition that reframes the development of Irish theatre into the present day. How these playwrights dramatize violence and its impacts in political, social, and personal life is a central concern of this book. Augusta Gregory, Eva Gore-Booth, Dorothy Macardle, Mary Manning, and Teresa Deevy re-model theatrical form, re-structuring action and narrative, and exploring closure as a way of disrupting audience expectation. Their plays create stage spaces and images that expose relationships of power and authority, and invite the audience to see the performance not as illusion, but as framed by the conventions and limits of theatrical representation. Irish Women Playwrights 1900-1939 is suitable for courses in Irish theatre, women in theatre, gender and performance, dramaturgy, and Irish drama in the twentieth century as well as for those interested in women's work in theatre and in Irish theatre in the twentieth century.




The Female and the Species


Book Description

Describing the Irish as 'female' and 'bestial' is a practice dating back to the twelfth century, while for women, inside and outside of Ireland, their association with children, animals and other 'savages' has had a long history. A link among systems of oppression has been asserted in recent decades by some feminists, but linking women's rights with animal advocacy can be controversial. This strategy responds to the fact that women's inferiority has been alleged and justified by appropriating them to nature, an appropriation that colonialism has also practiced on its racial and cultural others. Nineteenth-century feminists braved such associations, for instance, often asserting vegetarianism as a form of rebellion against the dominant culture. Vegetarianism and animal advocacy have uniquely Irish implications. This study examines a tradition of Irish women writers deploying the 'natural' as a gesture of resistance to paternalist regulation of female energies and as a self-consciously elaborated stage for the performance of Irish identity. They call into question the violent dislocations and disavowals required by figurative practices, particularly when utilizing Irish topography, an already 'unnatural' cultural construct shaped by conflict and suffering.




In Search of Ireland


Book Description

In Search of Ireland argues that Ireland's political problems are created by conflicts and confusions of identity. It brings together a number of distinguished contributors, each of whom examines a particular aspect of Ireland's diverse cultural geography and history. Issues covered include: the changing definitions of Irishness the roles of class and gender in constructing traditional alignments of identity the role of ethnicity in Irish society the invention and imagining of Irish 'place' the political implications of a pluralistic Ireland The contributors demonstrate that many people both inside and outside of Ireland continue to define themselves and their conflicts through simple sectarian stereotypes. The authors argue that politicians and others must reject these outdated either/or representations and accommodate instead the fluidity of Irish identity. James Anderson, University of Newcastle-Upon-Tyne S.J. Connolly, Queens's University, Belfast Neville Douglas, Queen's University, Belfast Brian Graham, University of Ulste




Ireland on Show


Book Description

Looking past the apparent lack of a sustainable Irish display culture, this book demonstrates that there is a very full story to tell of the way Ireland displayed its art from the late eighteenth to the early twentieth century. Ireland on Show analyzes the impact of the display of art as a significant political and cultural feature in the make-up of nineteenth-century Ireland - and in how Ireland was viewed beyond its own shores, in particular in Great Britain and the United States. Fintan Cullen directs much-needed critical attention and analysis to a subject that has been largely overlooked from an Irish perspective. This study moves beyond museums, to address the range of art institutions in Irish cities that displayed art, from the Royal Hibernian Academy, founded in the 1820s, to Hugh Lane's Municipal Art Gallery, opened in Dublin in 1908. Throughout, the book explores the battle between the display of a unionist ethos and a nationalist point of view, a constant that resurfaces over the period. By highlighting the tension between unionist and nationalist viewpoints, Cullen uses the display of art to investigate the complexities of Irish cultural life before the founding of the Free State.




Irish Women and Nationalism


Book Description

Studies of Irish nationalism have been primarily historical in scope and overwhelmingly male in content. Too often, the ‘shadow of the gunman’ has dominated. Little recognition has been given to the part women have played, yet over the centuries they have undertaken a variety of roles – as combatants, prisoners, writers and politicians. In this exciting new book the full range of women’s contribution to the Irish nationalist movement is explored by writers whose interests range from the historical and sociological to the literary and cultural. From the little known contribution of women to the earliest nationalist uprisings of the 1600s and 1700s, to their active participation in the republican campaigns of the twentieth century, different chapters consider the changing contexts of female militancy and the challenge this has posed to masculine images and structures. Using a wide range of sources, including textual analysis, archives and documents, newspapers and autobiographies, interviews and action research, individual writers examine sensitive and highly complex debates around women’s role in situations of conflict. At the cutting edge of contemporary scholarship, this is a major contribution to wider feminist debates about the gendering of nationalism, raising questions about the extent to which women’s rights, demands and concerns can ever be fully accommodated within nationalist movements.