The Mothers


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The Edge of Time


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Disorderly Sisters


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Historians and literary critics have long understood the crucial significance of the family to the nineteenth-century middle-class sensibility, but almost all critical analyses to date have concentrated on the "vertical" pole of the familial axis - the parent-child relationship - and very little on the "horizontal" pole - the sibling bond. This book looks beyond these analyses to show that at the core of nineteenth-century domestic ideology is the figure of the sister."--BOOK JACKET.




Vicissitudes


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Vicissitudes confronts the transformative power of love in black romance and relationships when we dare to question conventional ideas about gender and sexuality and who we consider worthy of our love and commitment. Narrated through various character perspectives, Vicissitudes explores the intricacies and complexities of being black, queer and trans and boldly confronts the barriers (within and without) that we face when we dare live to love with authenticity, dignity and integrity. Kim Green challenges readers to reconsider the meaning of love, struggle and liberation in a world that clings to labels out of fear of change and the unexpected. Exceedingly relevant for today’s rapidly changing world, this morality play of trial and triumph shines a bright light on the enormous power of love to transform us anew and reinvent the world.




Men, Women, and Books


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Men, Women and Books


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Women’s Tanci Fiction in Late Imperial and Early Twentieth-Century China


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In Women’s Tanci Fiction in Late Imperial and Early Modern China, Li Guo presents the first book-length study in English of women’s tanci fiction, the distinctive Chinese form of narrative written in rhymed lines during the late imperial to early modern period (related to, but different from, the orally performed version also called tanci) She explores the tradition through a comparative analysis of five seminal texts. Guo argues that Chinese women writers of the period position the personal within the diegesis in order to reconfigure their moral commitments and personal desires. By fashioning a “feminine” representation of subjectivity, tanci writers found a habitable space of self-expression in the male-dominated literary tradition.Through her discussion of the emergence, evolution, and impact of women’s tanci, Guo shows how historical forces acting on the formation of the genre serve as the background for an investigation of cross-dressing, self-portraiture, and authorial self-representation. Further, Guo approaches anew the concept of “woman-oriented perspective” and argues that this perspective conceptualizes a narrative framework in which the heroine (s) are endowed with mobility to exercise their talent and power as social beings as men’s equals. Such a woman-oriented perspective redefines normalized gender roles with an eye to exposing women’s potentialities to transform historical and social customs in order to engender a world with better prospects for women.