Women Defining Women in Contemporary Art of the Middle East and Beyond


Book Description

"This exhibition presents 75 works by women artists who were born or live in what can broadly be termed Islamic societies. Frequently perceived as voiceless and invisible, they are neither. Each through her unique vision is fashioning not only her own definition of self but also helping to redefine and empower women everywhere and to challenge still-persistent stereotypes. Their art depicts a breadth of inventively and often ideologically conceived women's imagery, bearing witness to rapidly shifting political developments and often accelerated social transformations taking place in lands extending from Africa to Western and Central Asia, as well as in diasporic communities. Their powerful narratives are embedded in their art, expressing both personal and universal concerns. Across generations and working in different media, the artists share a common sense of identity not exclusively 'Middle Eastern' but certainly female, which is evident in their work"--




Contemporary Art from the Middle East


Book Description

How is home-grown contemporary art viewed within the Middle East? And is it understood differently outside the region? What is liable to be lost when contemporary art from the Middle East is 'transferred' to international contexts - and how can it be reclaimed? This timely book tackles ongoing questions about how 'local' perspectives on contemporary art from the Middle East are defined and how these perspectives intersect with global art discourses. Inside, leading figures from the Middle Eastern art world, western art historians, art theorists and museum curators discuss the historical and cultural circumstances which have shaped contemporary art from the Middle East, reflecting on recent exhibitions and curatorial projects and revealing how artists have struggled with the label of 'Middle Eastern Artist'. Chapters reflect on the fundamental methodologies of art history and cultural studies - considering how relevant they are when studying contemporary art from the Middle East - and investigate the ways in which contemporary, so-called 'global', theories impact on the making of art in the region. Drawing on their unique expertise, the book's contributors offer completely new perspectives on the most recent cultural, intellectual and socio-political developments of contemporary art from the Middle East.




Women and Contemporary Art in the Gulf


Book Description

Women and Contemporary Art in the Gulf offers a unique focus on the roles of women in contemporary art, cultural production and arts institutions in the Gulf. Drawing on in-person experiences of the art and sites discussed, as well as research on regional artists and arts institutions, DeTurk argues that the Gulf Cooperation Council (GCC) countries of Bahrain, Kuwait, Oman, Qatar, Saudi Arabia and the United Arab Emirates have been largely excluded from the critical discourse about, and display of, contemporary Middle Eastern art. The book addresses this oversight by providing an examination of the work of several contemporary women artists from the Gulf region. DeTurk also discusses the role of women in museums and cultural institutions in the region, as well as the education systems available to emerging women artists. The discussion and analysis at the heart of the book connect to a range of larger themes, including the visual culture of patriarchy, connection to material culture and heritage, religious beliefs, trade and migration, rapid development, and the need to envision and create a post-oil economy. Women and Contemporary Art in the Gulf, with its examination of the critical role women play in the formation of the cultural landscape of the Gulf, is an important contribution to discourse around the changing role of the GCC. It will be essential reading for scholars and students engaged in the study of art history, visual culture, museums and heritage, and women and gender studies.







Contemporary Arab Women's Art


Book Description

This book offers the unique opportunity to look at contemporary art enriched by a multicultural experience and framed by a shared Arab identity.




Contemporary Art in the Middle East


Book Description

This is the first in the cutting-edge ARTWORLD series which opens up the most challenging and underexposed art scenes in the world, which contains a collection of essays and art works, showcasing artists from the Middle East, in a collection that defies fixed categories, shifting instead through different artistic registers according to more subtle themes.




Art of the Middle East


Book Description

Artistic expression in the Middle East is experiencing something of a renaissance. Domestic patronage is flourishing, and an impressive array of new museums and art fairs across the region is helping to stimulate international interest in an increasingly influential movement. Art of the Middle East is an accessible overview of modern and contemporary art of the Middle East and Arab world from 1945 to the present, with an emphasis on artists active today. The featured works are divided into seven themed sections - including literature, portraiture and the body, and politics, conflict and war - while extended captions provide an engaging commentary on each artwork and the artist behind its creation. Lavishly illustrated throughout, this landmark publication is an authoritative guide to a challenging and exciting body of work.




Women and Power in the Middle East


Book Description

Women and Power in the Middle East Edited by Suad Joseph and Susan Slyomovics "An excellent summary of the best recent innovative scholarship on gender in the Middle East."--NWSA Journal "Challenges many current theories about women's political participation in the Middle East and North Africa, and how the countries of the MENA region have dealt with women striving to make their voices heard."--Middle East Journal The seventeen essays in Women and Power in the Middle East analyze the social, political, economic, and cultural forces that shape gender systems in the Middle East and North Africa. Published at different times in Middle East Report, the journal of the Middle East Research and Information Project, the essays document empirically the similarities and differences in the gendering of relations of power in twelve countries--Morocco, Algeria, Tunisia, Egypt, Sudan, Palestine, Lebanon, Turkey, Kuwait, Saudi Arabia, Yemen, and Iran. Together they seek to build a framework for understanding broad patterns of gender in the Arab-Islamic world. Challenging questions are addressed throughout. What roles have women played in politics in this region? When and why are women politically mobilized, and which women? Does the nature and impact of their mobilization differ if it is initiated by the state, nationalist movements, revolutionary parties, or spontaneous revolt? And what happens to women when those agents of mobilization win or lose? In investigating these and other issues, the essays take a look at the impact of rapid social change in the Arab-Islamic world. They also analyze Arab disillusionment with the radical nationalisms of the 1950s and 1960s and with leftist ideologies, as well as the rise of political Islamist movements. Indeed the essays present rich new approaches to assessing what political participation has meant for women in this region and how emerging national states there have dealt with organized efforts by women to influence the institutions that govern their lives. Designed for courses in Middle East, women's, and cultural studies, Women and Power in the Middle East offers to both students and scholars an excellent introduction to the study of gender in the Arab-Islamic world. Suad Joseph is Professor of Anthropology and Women's Studies at the University of California, Davis. She is the author of Intimate Selving in Arab Families: Gender, Self and Identity and Gender and Citizenship in the Middle East, general editor of the Encyclopedia of Women and Islamic Cultures and editor of Gender and Citizenship in the Middle East. Susan Slyomovics is Genevieve McMillan-Reba Stewart Professor of the Study of Women in the Developing World and Professor of Anthropology at the Massachusetts Institute of Technology. She is the author of The Object of Memory: Arab and Jew Narrate the Palestinian Village (also available from the University of Pennsylvania Press), winner of the 1999 Albert Hourani Book Award given by the Middle East Studies Association, and the 1999 Chicago Folklore Prize. 2000 - 256 pages - 6 x 9 - 22 illus. ISBN 978-0-8122-1749-0 - Paper - $27.50s - 18.00 World Rights - Anthropology, Women's/Gender Studies




Arab Women's Revolutionary Art


Book Description

This book examines the ways in which women in the contemporary Middle East and North Africa have re-imagined revolutionary discourses through creativity and collective action as a means of resistance. Encompassing a stunning array of forms and genres, such as graffiti, street performance, photography, phototexts, novels, and comics, the book draws from a vast spectrum of artistic production in revolutionary periods between 2011 and 2022 in Egypt, Tunisia, Morocco, and Algeria. El Nossery sheds light on women’s postrevolutionary artistic output by engaging an interdisciplinary approach: the book is divided into three sections which foreground the unique relationship between textual, visual, and performative modes as they intertwine with art and politics. Arab Women’s Revolutionary Art thereby aims to demonstrate how art, as always oriented towards an open future, can preserve the revolutionary spirit that was sparked in 2011 by documenting what happened and determining which stories would be told. The revolution, therefore, continues.




Women in Middle Eastern History


Book Description

This history of Middle Eastern women is the first to survey gender relations in the Middle East from the earliest Islamic period to the present. Outstanding scholars analyze a rich array of sources ranging from histories, biographical dictionaries, law books, prescriptive treatises, and archival records, to the Traditions (hadith) of the Prophet and imaginative works like the Thousand and One Nights, to modern writings by Middle Eastern women and by Western writers. They show that gender boundaries in the Middle East have been neither fixed nor immutable: changes in family patterns, religious rituals, socio-economic necessity, myth and ideology—and not least, women’s attitudes—have expanded or circumscribed women’s roles and behavior through the ages.