Women, Madness, and Spiritualism: Georgina Weldon and Louisa Lowe


Book Description

This set reproduces seminal writings by three exceptional nineteenth-century women. Georgina Weldon, Louisa Lowe and Susan Willis Fletcher were certified as insane by the Victorian medical establishment and were threatened with incarceration for their eccentric and transgressive behaviour. All three were remarkably resourceful and very successfully manipulated the sensationalist press to expose the 'lunacy laws' to the late-Victorian public. In doing this, they contributed to the emerging feminist critique of medicine and science. Each volume is devoted to the work of one of these exceptional women. New introductions by the editors and the late Roy Porter provide context and discussion of the pieces included, pointing to the themes and issues that they raise. With an extensive index, this collection provides an invaluable resource for those studying the role of feminism in the history of medicine and the power of the medical profession in the Victorian era.




Women, Madness, and Spiritualism: Susan Willis Fletcher


Book Description

This set reproduces seminal writings by three exceptional nineteenth-century women. Georgina Weldon, Louisa Lowe and Susan Willis Fletcher were certified as insane by the Victorian medical establishment and were threatened with incarceration for their eccentric and transgressive behaviour. All three were remarkably resourceful and very successfully manipulated the sensationalist press to expose the 'lunacy laws' to the late-Victorian public. In doing this, they contributed to the emerging feminist critique of medicine and science. Each volume is devoted to the work of one of these exceptional women. New introductions by the editors and the late Roy Porter provide context and discussion of the pieces included, pointing to the themes and issues that they raise. With an extensive index, this collection provides an invaluable resource for those studying the role of feminism in the history of medicine and the power of the medical profession in the Victorian era.










Women and Madness


Book Description

Feminist icon Phyllis Chesler's pioneering work, Women and Madness, remains startlingly relevant today, nearly fifty years since its first publication in 1972. With over 2.5 million copies sold, this landmark book is unanimously regarded as the definitive work on the subject of women's psychology. Now back in print, this completely revised and updated edition adds perspectives on eating disorders, postpartum depression, biological psychology, important feminist political findings, female genital mutilation, and more.







Spiritualism, Mesmerism and the Occult, 1800–1920 Vol 3


Book Description

This edition provides an insight into the dark areas between Victorian science, medicine and religion. The rare reset source material in this collection is organized thematically and spans the period from initial mesmeric experiments at the beginning of the nineteenth century to the decline of the Society for Psychical Research in the 1920s.




Trance Speakers


Book Description

Few people know that Susanna Moodie participated in spiritual séances with her husband, Dunbar, and her sister, Catharine Parr Traill. Moodie, like many other women, found in her communications with the departed an important space to question her commitment to authorship and her understanding of femininity. Retracing the history of possession and mediumship among women following the emergence of spiritualism in mid-nineteenth-century Canada – and unearthing a vast collection of archival documents and photographs from séances – Claudie Massicotte pinpoints spiritualism as a site of conflict and gender struggle and redefines modern understandings of female agency. Trance Speakers offers a new feminist and psychoanalytical approach to the religious and creative practice of trance, arguing that by providing women with a voice for their conscious and unconscious desires, this phenomenon helped them resolve their inner struggles in a society that sought to confine their lives. Drawing attention to the fascinating history of spiritualism and its persistent appeal to women, Massicotte makes a strong case for moving this practice out of the margins of the past. A compelling new reading of spiritual possession as a response to conflicting interpretations of authorship, agency, and gender, Trance Speakers shines a much-needed light on women’s religious practices and on the history of spiritualist traditions and travels across North America and Europe.




Out of the Shadows


Book Description

Queen Victoria's reign was an era of breathtaking social change, but it did little to create a platform for women to express themselves. But not so within the social sphere of the séance--a mysterious, lamp-lit world on both sides of the Atlantic, in which women who craved a public voice could hold their own. Out of the Shadows tells the stories of the enterprising women whose supposedly clairvoyant gifts granted them fame, fortune, and most important, influence as they crossed rigid boundaries of gender and class as easily as they passed between the realms of the living and the dead. The Fox sisters inspired some of the era’s best-known political activists and set off a transatlantic séance craze. While in the throes of a trance, Emma Hardinge Britten delivered powerful speeches to crowds of thousands. Victoria Woodhull claimed guidance from the spirit world as she took on the millionaires of Wall Street before becoming America’s first female presidential candidate. And Georgina Weldon narrowly escaped the asylum before becoming a celebrity campaigner against archaic lunacy laws. Drawing on diaries, letters, and rarely seen memoirs and texts, Emily Midorikawa illuminates a radical history of female influence that has been confined to the dark until now.




Performing Hysteria


Book Description

We seem to be living in hysterical times. A simple Google search reveals the sheer bottomless well of “hysterical” discussions on diverse topics such as the #metoo movement, Trumpianism, border wars, Brexit, transgender liberation, Black Lives Matter, COVID-19, and climate change, to name only a few. Against the backdrop of such recent deployments of hysteria in popular discourse––particularly as they emerge in times of material and hermeneutic crisis––Performing Hysteria re-engages the notion of “hysteria”. Performing Hysteria rigorously mines late 20th- and early 21st-century (primarily visual) culture for signs of hysteria. The various essays in this volume contribute to the multilayered and complex discussions that surround and foster this resurgent interest in hysteria––covering such areas as art, literature, theatre, film, television, dance; crossing such disciplines as cultural studies, political science, philosophy, history, media, disability, race and ethnicity, and gender studies; and analysing stereotypical images and representations of the hysteric in relation to cultural sciences and media studies. Of particular importance is the volume's insistence on taking the intersection of hysteria and performance seriously.