Women's Life Writing and the Practice of Reading


Book Description

This collection of essays offers a stimulating insight into the practice of reading and the relationship between reading and writing in women's life writing texts such as memoirs, autobiographies, diaries, travel logs, and graphic memoirs. It covers a great variety of writers from literary classics such as Virginia Woolf to the authors of slave narratives. Some essays focus on how literary texts help frame a narrative of the self, acting as models and counter models; others insist on the role of literature in resisting imposed gendered and ethnic identities. The essays also show that female writers use reading to deepen their relationship to the rest of the world. While reading is often represented as central to life and aesthetic experience, the collection stresses that there is no single or universal approach to reading in women's life writing. Taking into account debates about life writing, the collection opens new fields of investigation and fully participates in current scholarly conversations in the field.




Repossessing the World


Book Description

Annotation A critical inquiry into women's use of the memoir, a form that has often been dismissed as less significant than autobiography, less professional than the novel, and less intellectual than the essay. Buss (aka Margaret Clarke; English, U. of Calgary) argues that the memoir "bridges the typical strategies of historical and literary discourses in order to establish necessary connections between the private and the public, the personal and political ... The memoir is increasingly used (by women) to interrogate the private individual's relationship to a history and/or a culture from which she finds her experience of her self and her life excluded." Annotation c. Book News, Inc., Portland, OR (booknews.com).




Becoming a Woman in the Age of Letters


Book Description

In 18th century France, letter writing became extremely fashionable, particularly amongst women. In this work, Dena Goodman opens up the world of these women though the letters which they wrote. Concentrating on the letters of four women from different social backgrounds, she shows how they came to womanhood through their writing.




Women, Autobiography, Theory


Book Description

The first comprehensive guide to the burgeoning field of women's autobiography. Essays from 39 prominent critics and writers explore narratives across the centuries and from around the globe. A list of more than 200 women's autobiographies and a comprehensive bibliography provide invaluable information for scholars, teachers, and readers.




Romantic Women's Life Writing


Book Description

Explores how the publication of women's life writing influenced the reputation of its writers and of the genre itself during the long nineteenth century




Women's Life Writing and Imagined Communities


Book Description

Recognising the great legacy of women's life writings, this book draws on a wealth of sources to critically examine the impact of these writings on our communities.




Text and Image in Women's Life Writing


Book Description

This book examines the relationship between words and images in various life-writing works produced by nineteenth to twenty-first century American and British women. It addresses the politics of images in women’s life writing, contending that the presence or absence of images is often strategic. Including a range of different forms of life writing, chapters draw on traditional (auto)biographies, travel narratives, memoirs, diaries, autofiction, cancer narratives, graphic memoirs, artistic installations, quilts and online performances, as life writing moves from page to screen and other media. The book explores a wide range of women who have crossed the boundary between text and image: painters who have become writers, novelists who have become painters, writers who hesitate between images and words, models who seize the camera, and artists who use the frame as a page.




Women, Writing, Theology


Book Description

Women's theology has traditionally been pushed to the margins; it is "spirituality" or "mysticism" rather than theology proper. Theology from women has been transmitted orally, recorded by men as sayings or in hagiographies, or passed on as "stealth theology" in poems, hymns, or practices. In the past forty years, women have claimed theology for themselves and others as womanists, feminists, mujeristas, Asian, third-world, disabled, and queer women. Yet in most academic and ecclesial theology, the contributions of women skirt the borders of the written tradition. This unique volume asks about the conditions of women writing theology. How have women historically justified their writing practices? What internal and external constraints shape their capacity to write? What counts as theology, and who qualifies as a theologian? And what does it mean for women to enter a tradition that has been based, in part, on their exclusion? These essays explore such questions through historical investigations, theoretical analyses, and contemporary constructions.




Women's Lives/Women's Times


Book Description

Women's Lives/Women's Times reflects the growing interest in life-writing as a basis for both feminist theorizing and women-centered education. It discusses the many ways in which the study of autobiography can contribute to the theory, practice, and politics of women's studies as curriculum, and to feminist theory more generally. This volume is concerned with the application of theory to text—particularly with the assumptions and discourses of postmodernism—but also in exploring how general theories of the subject do not always fit comfortably with the specifics of autobiographical writing. It also recognizes the challenge women's autobiography offers to theory, taking us, in its complex weave of the personal, the political, and the theoretical, beyond the usual generic and disciplinary boundaries.




Contemporary Feminist Life-Writing


Book Description

Contemporary Feminist Life-Writing is the first volume to identify and analyse the 'new audacity' of recent feminist writings from life. Characterised by boldness in both style and content, willingness to explore difficult and disturbing experiences, the refusal of victimhood, and a lack of respect for traditional genre boundaries, new audacity writing takes risks with its author's and others' reputations, and even, on occasion, with the law. This book offers an examination and critical assessment of new audacity in works by Katherine Angel, Alison Bechdel, Marie Calloway, Virginie Despentes, Tracey Emin, Sheila Heti, Juliet Jacques, Chris Krauss, Jana Leo, Maggie Nelson, Vanessa Place, Paul Preciado, and Kate Zambreno. It analyses how they write about women's self-authorship, trans experiences, struggles with mental illness, sexual violence and rape, and the desire for sexual submission. It engages with recent feminist and gender scholarship, providing discussions of vulnerability, victimhood, authenticity, trauma, and affect.