Women's Rites of Passage


Book Description

Women's Rites of Passage grew out of Abigail Brenner s desire to answer some fundamental questions about the role of rites of passage in contemporary women s lives. Relying on a research study involving over 50 women, Brenner shows how women today understand the need to take responsibility for their lives and for directing their own paths, and are beginning to do so by creating their own very personal rites of passage.




Women's Rites, Women's Mysteries


Book Description

There are physical and psychological experiences and rites of passage common to all women's lives, crossing the boundaries of age, class, culture, race, sexual orientation, and religion. While women have a great hunger for ritual to reflect the events in their lives, they often do not know how to begin. For many, the very thought of creating their own rituals is too intimidating, and instead wait for others to take the lead, or simply suppress their own needs, desires, and dreams. Consequently, many women lead lives that too often are physically, emotionally, and spiritually unfulfilled. Finally, comes an author who seeks to provide women with the tools to address and fulfill their own needs for meaning that is sourced from their own intuitive knowing. Together, with open minds and hearts, we can learn to shape chaos and human needs into works of great power and beauty. Women's Rites, Women's Mysteries is a practical and magical, one-of-a-kind guide and resource for both creating and facilitating Goddess and female-centered rituals. Written for individuals and groups, both beginners and experienced ritualists alike, Dianic High Priestess and seasoned ritualist Ruth Barrett guides women through a unique step-by-step process, with practices that weaves personal need with an individual or group's intuitive creativity. Barrett demystifies the components of how to design and facilitate an effective ritual for any significant occasion, seasonal holy day, or life-cycle event. Unique from other books on ritual, Barrett emphasizes energetics for ritual, delving into the awareness and conscious working of energy to intentionally align, support, and carry out the ritual's purpose. From personal energetic preparation, preparation for group ritual facilitators and participants, Barrett provides practices and suggestions for this important and often overlooked aspect of the ritual experience. Women's Rites, Women's Mysteries is specifically not a didactic ritual "cookbook," that tells the reader exactly what to do, but rarely explains the reason or motivation behind a given enactment or symbol. Ruth Barrett teaches women how to think like a ritualist and develop the inner tools needed to create meaningful rituals for themselves and with others. Beginning with a discussion on the power of women's ritual and the importance of women creating their own ritual experiences, Barrett proceeds with how to use intuition to develop a ritual's purpose, how to work with energy that supports the ritual theme, creating enactments, appropriate structure, creating invocations, and an overview of a female-centered Wheel of the Year for seasonal celebrations. Barrett brings four decades of experience providing ritual facilitation, to discuss the personal and practical skills needed when creating, preparing for, and facilitating small or large group rituals that open to the public - a must for women drawn to providing rituals for others. Rarely addressed in print before is the topic of how to evaluate a ritual in order to constantly learn and improve them. A variety of magical techniques with applications for ritual and spellcraft are woven throughout the book that enhance and deepen a woman's relationship with herself and the powers of nature. Barrett substantially discusses her perspective on the roles and responsibilities of the Priestess in ancient and contemporary times, the herstory and cosmology of the feminist Dianic tradition, its foundational spiritual tenants based on female embodiment, spiritual service, and as a spiritual feminist tool for women to heal from internalized patriarchal oppression.




Women, Ritual, and Power


Book Description

Many Christians do not know the Bible contains female images of God because they have never heard nor seen them in church. In Women, Ritual, and Power, Elizabeth Ursic gives the reader insight into four Christian communities that worship God with female imagery, both as a worship focus and a community identity. These Methodist, Presbyterian, Lutheran, and Catholic congregations operate within their established church denominations and are led by either ordained Protestant ministers or vowed Catholic sisters. Because expressing God-as-She can expose strident claims for maintaining God-as-He, this book shows not only how patriarchy continues to operate in churches today, but also how it is being successfully challenged through liturgy.




Casting the Circle


Book Description

Learn how to create a sacred space and use ritual for empowerment in everyday life, with this classic from Diane Stein.




The Holy Book of Women's Mysteries


Book Description

A women's spirituality classic now back in print! The Holy Book of Women's Mysteries is essential for Pagans, feminists, and women seeking to learn more about the spiritual path as it relates to the feminine and the Goddess aspects of witchcraft and Wicca. This book is not about reinstating a matriarchy or tearing down patriarchy; it is about women's spirituality and its relationship with politics and lifestyle. Z. Budapest is one of the founding mothers of modern women's witchcraft, beginning with the establishment of Susan B. Anthony Coven in Los Angeles in 1971. She catapulted herself into the media spotlight when she was tried as a witch and found guilty in 1975 after being arrested on Venice Beach for reading tarot cards. She fought the charges and, after a nine year battle, won the right for every tarot reader to do so legally. The Holy Book of Women's Mysteries is a seminal text that contains invaluable information on Dianic witchcraft and spells, including everyday magick, sabbat rituals, and divination methods; a section on how vegetarian theories and politics relate to witchcraft and the feminine aspect; and a good deal of information on goddesses and how the patriarchal religions distorted old myths to serve their own needs. There are several unique and beautiful Rites of Passage for women and men that you don't often find, and Budapest's personal life stories are an equally valuable read, from her escape across the mountains from Communist Hungary to her fight for women's religious freedom upon moving to America. * This reprint features a new introduction by Z. Budapest, in addition to essays by luminaries such as Starhawk and Merlin Stone.




Women, Rites, and Ritual Objects in Premodern Japan


Book Description

Women, Rites, and Ritual Objects in Premodern Japan, edited by Karen M. Gerhart, is a multidisciplinary examination of rituals featuring women, in which significant attention is paid to objects produced for and utilized in these rites as a lens through which larger cultural concerns, such as gender politics, the female body, and the materiality of the ritual objects, are explored. The ten chapters encounter women, rites, and ritual objects in many new and interactive ways and constitute a pioneering attempt to combine ritual and gendered analysis with the study of objects. Contributors include: Anna Andreeva, Monica Bethe, Patricia Fister, Sherry Fowler, Karen M. Gerhart, Hank Glassman, Naoko Gunji, Elizabeth Morrissey, Chari Pradel, Barbara Ruch, Elizabeth Self.




Women's Rites


Book Description




Daily Rituals: Women at Work


Book Description

More of Mason Currey's irresistible Daily Rituals, this time exploring the daily obstacles and rituals of women who are artists--painters, composers, sculptors, scientists, filmmakers, and performers. We see how these brilliant minds get to work, the choices they have to make: rebuffing convention, stealing (or secreting away) time from the pull of husbands, wives, children, obligations, in order to create their creations. From those who are the masters of their craft (Eudora Welty, Lynn Fontanne, Penelope Fitzgerald, Marie Curie) to those who were recognized in a burst of acclaim (Lorraine Hansberry, Zadie Smith) . . . from Clara Schumann and Shirley Jackson, carving out small amounts of time from family life, to Isadora Duncan and Agnes Martin, rejecting the demands of domesticity, Currey shows us the large and small (and abiding) choices these women made--and continue to make--for their art: Isak Dinesen, "I promised the Devil my soul, and in return he promised me that everything I was going to experience would be turned into tales," Dinesen subsisting on oysters and Champagne but also amphetamines, which gave her the overdrive she required . . . And the rituals (daily and otherwise) that guide these artists: Isabel Allende starting a new book only on January 8th . . . Hilary Mantel taking a shower to combat writers' block ("I am the cleanest person I know") . . . Tallulah Bankhead coping with her three phobias (hating to go to bed, hating to get up, and hating to be alone), which, could she "mute them," would make her life "as slick as a sonnet, but as dull as ditch water" . . . Lillian Hellman chain-smoking three packs of cigarettes and drinking twenty cups of coffee a day--and, after milking the cow and cleaning the barn, writing out of "elation, depression, hope" ("That is the exact order. Hope sets in toward nightfall. That's when you tell yourself that you're going to be better the next time, so help you God.") . . . Diane Arbus, doing what "gnaws at" her . . . Colette, locked in her writing room by her first husband, Henry Gauthier-Villars (nom de plume: Willy) and not being "let out" until completing her daily quota (she wrote five pages a day and threw away the fifth). Colette later said, "A prison is one of the best workshops" . . . Jessye Norman disdaining routines or rituals of any kind, seeing them as "a crutch" . . . and Octavia Butler writing every day no matter what ("screw inspiration"). Germaine de Staƫl . . . Elizabeth Barrett Browning . . . George Eliot . . . Edith Wharton . . . Virginia Woolf . . . Edna Ferber . . . Doris Lessing . . . Pina Bausch . . . Frida Kahlo . . . Marguerite Duras . . . Helen Frankenthaler . . . Patti Smith, and 131 more--on their daily routines, superstitions, fears, eating (and drinking) habits, and other finely (and not so finely) calibrated rituals that help summon up willpower and self-discipline, keeping themselves afloat with optimism and fight, as they create (and avoid creating) their creations.




Women's Medicine Ways


Book Description

Covers rituals for women who are interested in a feminist spiritual path, following the woman's life cycle from puberty to death.




Rites of Passage in Postcolonial Women's Writing


Book Description

This volume brings a variety of new approaches and contexts to modem and contemporary women's writing. Contributors include both new and well-established scholars from Europe, Australia, the USA , and the Caribbean. Their essays draw on, adapt, and challenge anthropological perspectives on rites of passage derived from the work of Arnold van Gennep and Victor Turner. Collectively, the essays suggest that women's writing and women's experiences from diverse cultures go beyond any straightforward notion of a threefold structure of separation, transition, and incorporation. Some essays include discussion of traditional rites of passage such as birth, motherhood, marriage, death, and bereavement; others are interested in exploring less traditional, more fluid, and/or problematic rites such as abortion, living with HI V/AIDS, and coming into political consciousness. Contributors seek ways of linking writing on rites of passage to feminist, postcolonial, and psychoanalytic theories which foreground margins, borders, and the outsider. The three opening essays explore the work of the Zimbabwean writer Yvonne Vera, whose groundbreaking work explored taboo subjects such as infanticide and incest. A wide range of other essays focus on writers from Africa, the Americas, Asia, Australia, and Europe. including Jean Rhys, Bharati Mukherjee, Arundhati Roy, Jean Arasanayagam, Victoria Nalani Kneubuhl, and Eva Sallis. Rites of Passage in Postcolonial Women's Writing will be of interest to scholars working in the fields of postcolonial and modern and contemporary women's writing, and to students on literature and women's studies courses who want to study women's writing from a cross-cultural perspective and from different theoretical positions. Pauline Dodgson-Katiyo is Head of Humanities at Sheffield Hallam University. Her research focus is on African literature (particularly Zimbabwean), contemporary women's writing, and postcolonial cinemas. Gina Wisker is Professor of Higher Education and Contemporary Literature at the University of Brighton, where she teaches literature, is the head of the centre for learning and teaching, and pursues her research interests in postcolonial women's writing.