Women's Writing on the First World War


Book Description

Covering every genre of writing about World War I from the period 1914 to 1930, this anthology collects letters, diary entries, reportage, and essays, as well as polemical texts, novels and short stories by well-known women authors.




Lines of Fire


Book Description

In works by well-known authors like Rebecca West and Edith Wharton, as well as writers from India, Armenia, Hungary, and the Cameroons, we hear women speaking out on such issues as politics, economic justice, and social reform."--BOOK JACKET.




Women Writing War


Book Description

Recent scholarship has broadened definitions of war and shifted from the narrow focus on battles and power struggles to include narratives of the homefront and private sphere. To expand scholarship on textual representations of war means to shed light on the multiple theaters of war, and on the many voices who contributed to, were affected by, and/or critiqued German war efforts. Engaged women writers and artists commented on their nations' imperial and colonial ambitions and the events of the tumultuous beginning of the twentieth century. In an interdisciplinary investigation, this volume explores select female-authored, German-language texts focusing on German colonial wars and World War I and the discourses that promoted or critiqued their premises. They examine how colonial conflicts contributed to a persistent atmosphere of Kriegsbegeisterung (war enthusiasm) that eventually culminated in the outbreak of World War I, or a Kriegskritik (criticism of war) that resisted it. The span from German colonialism to World War I brings these explosive periods into relief and challenges readers to think about the intersection of nationalism, violence and gender and about the historical continuities and disruptions that shape such events.




Women Writers of the First World War: An Annotated Bibliography


Book Description

'They also serve who only stand and wait' The idea of there being a 'women's writing' during the First World War is often dismissed. The war, the story goes, was a masculine domain, and as women did not fight, it is also assumed that they were excluded from a war experience. This bibliography challenges that view by listing and annotating hundreds of published books, articles, memoirs, diaries and letters written by women during the First World War. Included are: * Virginia Woolf * Katherine Mansfield * G.B Stern * Brenda Girvin * known and unknown autobiographers and diarists * writers of pro and anti-war propaganda * journal and magazine articles * literary, cultural and historical criticism




Loving Arms


Book Description

Loving Arms examines the war-related writings of five British women whose words explore the connections among gender, war, and story-telling. While not the first study to relate the subjects of gender and war, it is the first within a growing body of criticism to focus specifically on British culture during and after World War II. How a story is narrated and by whom are matters of no small importance. As widely defined and accepted, war stories are men's stories. If we are to hear another story of war, then we must listen to the stories women tell. Many of the war stories written by women insist that war is not the condition of men but rather the condition of humanity, beginning with relations between the sexes. For the five women whose work is examined in Loving Arms - Stevie Smith, Katharine Burdekin, Virginia Woolf, Elizabeth Bowen, and Doris Lessing - this last point was particularly relevant. Their positions as women within a patriarchal, militarist culture that was externally threatened by an overtly fascist one led to an acute ambivalence, says Schneider. Though all five women perceived the war from substantially different perspectives, each in her own way exposed and critiqued the seductive power of war and war stories, with their densely interwoven tropes of masculinity and nationalism. Yet these writers' conflicting impulses of loyalty to England and resistance to the war betray their ambivalence.




The Second Battlefield


Book Description

This book investigates the connection between women's writing about WWI and the development of literary modernisms, focusing on issues of gender which remain topical today. Drawing on a wealth of unpublished diaries and letters, the book examines the way in which the new roles undertaken by women triggered a search for new forms of expression. Blending literary criticism and history, the book contributes to the scholarship of women and expands our definition of modernisms.




The Cambridge Companion to the Literature of the First World War


Book Description

The Great War of 1914–1918 marks a turning point in modern history and culture. This Companion offers critical overviews of the major literary genres and social contexts that define the study of the literatures produced by the First World War. The volume comprises original essays by distinguished scholars of international reputation, who examine the impact of the war on various national literatures, principally Great Britain, Germany, France and the United States, before addressing the way the war affected Modernism, the European avant-garde, film, women's writing, memoirs, and of course the war poets. It concludes by addressing the legacy of the war for twentieth-century literature. The Companion offers readers a chronology of key events and publication dates covering the years leading up to and including the war, and ends with a current bibliography of further reading organised by chapter topics.




The Correspondents


Book Description

The riveting, untold history of a group of heroic women reporters who revolutionized the narrative of World War II—from Martha Gellhorn, who out-scooped her husband, Ernest Hemingway, to Lee Miller, a Vogue cover model turned war correspondent. "Thrilling from the first page to the last." —Mary Gabriel, author of Ninth Street Women "Just as women are so often written out of war, so it seems are the female correspondents. Mackrell corrects this omission admirably with stories of six of the best…Mackrell has done us all a great service by assembling their own fascinating stories." —New York Times Book Review On the front lines of the Second World War, a contingent of female journalists were bravely waging their own battle. Barred from combat zones and faced with entrenched prejudice and bureaucratic restrictions, these women were forced to fight for the right to work on equal terms with men. The Correspondents follows six remarkable women as their lives and careers intertwined: Martha Gellhorn, who got the scoop on Ernest Hemingway on D-Day by traveling to Normandy as a stowaway on a Red Cross ship; Lee Miller, who went from being a Vogue cover model to the magazine’s official war correspondent; Sigrid Schultz, who hid her Jewish identity and risked her life by reporting on the Nazi regime; Virginia Cowles, a “society girl columnist” turned combat reporter; Clare Hollingworth, the first English journalist to break the news of World War II; and Helen Kirkpatrick, the first woman to report from an Allied war zone with equal privileges to men. From chasing down sources and narrowly dodging gunfire to conducting tumultuous love affairs and socializing with luminaries like Eleanor Roosevelt, Picasso, and Man Ray, these six women are captured in all their complexity. With her gripping, intimate, and nuanced portrait, Judith Mackrell celebrates these courageous reporters who risked their lives for the scoop.




Fighting Forces, Writing Women


Book Description

Fighting Forcesoffers an in-depth feminist reading of the traumatic nature of women's experience during the First World War and illuminates the complex ideological structures within which women sought an identity during the war. In this period of both idealism and devastation, women often found themselves wanting to join their male compatriots in the trenches. Instead, they gained temporary powers of citizenship, privileges which were again exclusive to men after the Armistice. Fighting Forcesranges over the works of several women writers of the period: from Jeannie Maitland, author ofWoman's Own, to Virginia Woolf. Unpublished memoirs, diaries and stories by both famous and little-known writers provide a fascinating spectrum of female responses to the war. Propaganda and institutional directives inspire the work of Vera Brittain; pacifist rhetoric emerges in the writings of Rose Maculay, while Virginia Woolf contests the propagandist discourse ofher male contemporaries.




Behind the Lines


Book Description

Essays analyze the two world wars in respect to gender politics and reassesses the differences between men and women in relation to war