Book Description
Taking the form of two long poems, "Interro-Porn" and "Chenille," _Womonster_ explores the often monstrous and buffoonish impossibility of a coherent self, even as its speakers take great pleasure in the performance of selves. Everywhere absorbing and leaking other media, _Womonster_ is a "sloppy" text, at once nauseating and thrilling, psychedelic and domestic. "Olivia Cronk's Womonster is a performative feat, a book that makes being out of pretending.... I was thrilled and moved by this wild book, which moves from an explosive rejection of narrative to the creation of a theater of home, that shabby, beautiful structure built with girly hope, our fortification against loss." (Suzanne Scanlon) "With _Womonster_, Olivia Cronk shows that we are other people as much as we are our various selves. We are the people who share our lives; we are our loved ones and our aggressors. If this makes us monsters, then everyone's a monster." (Jay Besemer) "Cronk's writing is forensically spooky.... We are brought closer to Cronk's territory of occult sadomasochistic desire. _Womonster_ is both a hyper-abject soap opera of beige underwear, dusty crystal, sinks full of bloodied dishes, and a redemptive horror story about the power of becoming the monster." (Laura Ellen Joyce) "Olivia Cronk is one of my favorite US poets over the past 15 years. _Womonster_ is something like Lars Noren's Revolver rewritten with Ouija board." (Johannes Göransson)
