Woodstock Then and Now:: A 50th Anniversary Celebration


Book Description

Woodstock Then and Now is a first-hand transcription of a series of roundtable discussions and interviews with "Woodstock luminaries" held at the Berklee College of Music in April 2019. Here, the words of Michael Lang (Woodstock cofounder) Chip Monck (emcee, stage and lighting designer), Bill Hanley (audio engineer), Henry Diltz and Elliott Landy (photographers), Rona Elliot (public relations), and Gerardo Velez (percussionist for Jimi Hendrix) are presented for scholars and fans alike. Meeting all together for the first time since 1969, these luminaries shared Woodstock stories, talking about the impact of the festival on their careers and on society as a whole.




Woodstock Then and Now


Book Description

In August of 1969, a dairy farm in the state of New York hosted a pivotal moment in the history of pop music. Taking place only two years after the “Summer of Love” and one year after the tumultuous events of 1968, the Woodstock Music and Art Fair put an exclamation point on the transformational decade of the 1960s. Joni Mitchell did not attend Woodstock, but her song of the same name captures an opposition inherent to the turbulent and divisive era. “We are stardust . . . caught in the devil’s bargain,” Mitchell sings, “and we’ve got to get ourselves back to the garden.” In order to celebrate the 50th anniversary of Woodstock, Berklee College of Music hosted a week-long celebration that included conversations with luminaries from the era. Participants included Woodstock co-founder, Michael Lang; emcee, stage and lighting designer, Chip Monck; audio engineer, Bill Hanley; photographers Henry Diltz and Elliott Landy; public relations officer, Rona Elliot; and Gerardo Velez, drummer for Jimi Hendrix. Woodstock Then and Now commemorates the discussion between these Woodstock luminaries, making available the transcripts of this historic event.




Woodstock


Book Description




Woodstock 1969


Book Description

As the fiftieth anniversary of the Woodstock festival nears, Woodstock 1969 stands out for its singular voice. Photojournalist Jason Lauré followed his unerring instinct for being in the right place at the crucial moment. He and coauthor Ettagale Blauer trace the historic events that preceded the festival and then envelop the reader with photographs of the headliner rock stars that performed during the landmark three-day concert including the Who, Janis Joplin, Grace Slick of Jefferson Airplane, and Santana. Threading his way back and forth from the stage, through a sea of happy audience members, Jason Lauré photographed the communal life that was an essential part of the phenomenon that was Woodstock. Never intrusive, yet working close-up, he managed to capture these innocent moments in the pond and in the woods with the same compassion and intimacy he brought to his coverage of all the crucial events of the era. After Woodstock, he photographed such legends as Jimi Hendrix, Tina Turner, and Jim Morrison of the Doors. Woodstock 1969 gives the reader an appreciation of the lasting impact of the festival, showing the way it changed the lives of all who experienced it. It served as the high point of the counterculture that started in earnest in the Summer of Love, and also as a leading influence in the decades that followed. The book concludes with a look at Woodstock's lasting legacy, from Greenwich Village and the rock scene of the Fillmore East to the establishment of Earth Day and the burgeoning environmental movement.




The Woodstock Story Book


Book Description

For three days in the summer of 1969, 500,000 people spontaneously gathered like no others had before or since then, bringing together peace, love, aromatic smoke and the sounds of the greatest rock 'n' roll show in history. Sounds and smells wafted through the air, making this legendary event one that has never been duplicated. Barry Z Levine, a member of the Academy Award-winning Woodstock documentary film team, captured this entire event. Levine arrived days before the crowds when Woodstock was still a green, grassy pasture and continued to photograph long after the last person had departed the debris-strewn mud hole. Over the course of that tumultuous week, Levine had taken so many pictures, he had blisters on his index finger and thumb from clicking the shutter and advancing the film. Levine stopped only once, for a 45 minute nap on top of a piano cover that was on stage while Blood, Sweat & Tears performed. Along with 240 full-color photographs, the text by Linanne G. Sacket presents a chronological account of this historical event, capturing the performers, personalities, audience, excitement, mood, and actions. The Woodstock Story Book is a must for anyone who was at Woodstock, wishes they had gone, or just wanted a bird's eye view at the greatest historical event of the 1960s.




Music and Social Movements


Book Description

Building on their studies of sixties culture and theory of cognitive praxis, Ron Eyerman and Andrew Jamison examine the mobilization of cultural traditions and formulation of new collective identities through the music of activism. They combine a sophisticated theoretical argument with historical-empirical studies of nineteenth-century populists and twentieth-century labour and ethnic movements, focusing on the interrelations between music and social movements in the United States and the transfer of those experiences to Europe. Specific chapters examine folk and country music, black music, music of the 1960s movements, and music of the Swedish progressive movement. This highly readable book is among the first to link the political sociology of social movements to cultural theory.




What Was Woodstock?


Book Description

On August 15, 1969, a music festival called "Woodstock" transformed one small dairy farm in upstate New York into a gathering place for over 400,000 young music fans. Concert-goers, called "hippies," traveled from all over the country to see their favorite musicians perform. Famous artists like The Grateful Dead played day and night in a celebration of peace, love, and happiness. Although Woodstock lasted only three days, the spirit of the festival has defined a generation and become a symbol of the "hippie life." American Association of University Women Award for Juvenile Literature 2016 Nominee.




The Pied Piper of Woodstock


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Mothers Before


Book Description

Who was your mother before she was a mother? Essays and photos from Brit Bennett, Jennifer Egan, Danzy Senna, Laura Lippman, Jia Tolentino, and many more. In this remarkable collection, New York Times–bestselling novelist Edan Lepucki gathers more than sixty original essays and favorite photographs to explore this question. The daughters in Mothers Before are writers and poets, artists and teachers, and the images and stories they share reveal the lives of women in ways that are vulnerable and true, sometimes funny, sometimes sad, and always moving. Contributors include: Brit Bennett * Jennine Capó Crucet * Jennifer Egan * Angela Garbes * Annabeth Gish * Alison Roman * Lisa See * Danzy Senna * Dana Spiotta * Lan Samantha Chang * Laura Lippman * Jia Tolentino * Tiffany Nguyen * Charmaine Craig * Maya Ramakrishnan * Eirene Donohue * and many others




Woodstock


Book Description

Giftable 50th anniversary commemorative with never-before-seen images and original interviews. Hear from performers and attendees in their own voices! Featuring Janis Joplin, Jimi Hendrix, and The Grateful Dead, as well as unsung audience members and folks behind the scenes. This compendium remembers all the people who made the three days of peace and music an impossible success. The world today feels far removed from the one in which Woodstock was possible, where half a million strangers congregated peacefully for three days. Longtime music writer Daniel Bukszpan offers insights on how the festival is still making an impact on pop culture, while candid interviews, set lists, and beautiful photographs relive the beautiful chaos and once-in-a-lifetime performances at Yasgur's farm. With images by renowned photographers, including Amalie R. Rothschild and Elliott Landy, including the cover photo of Janis Joplin.