Word as Image


Book Description

"Challenge: Create an image out of a word, using only the letters in the word itself. Rule: Use only the graphic elements of the letters without adding outside parts. Word as Image invites you to see letters beyond their utilitarian dullness. It's about discovering the magic behind the unique shapes and infinite possibilities of letters and words. This book showcases nearly 100 of Ji Lee's head-scratching word images, along with tips to help you create your own and share them at www.wordasimage.com."--Page 4 of cover.




Between Word and Image


Book Description

Engagement with the image has played a decisive role in the formulation of the very idea of philosophy since Plato. Identifying pivotal moments in the history of philosophy, Dennis J. Schmidt develops the question of philosophy's regard of the image in thinking by considering painting—where the image most clearly calls attention to itself as an image. Focusing on Heidegger and the work of Paul Klee, Schmidt pursues larger issues in the relationship between word, image, and truth. As he investigates alternative ways of thinking about truth through word and image, Schmidt shows how the form of art can indeed possess the capacity to change its viewers.




Image to Word


Book Description

CD-ROM contains the digitized images found in the book.




Word and Image in the Book of Kells


Book Description

"[The Book of Kells' contains almost 2000 decorated initials, the majority of which are formed by human figures, beasts, birds and fish. This title offers an in-depth examination of the smaller decorated initials, script layout, and marginalia of this book]"--Jacket cover.




Art, Word and Image


Book Description

A highly illustrated survey of the use of words (or language) in art. Art, Word and Image asks what it means when a painting is 'invaded' by language - how do the two forms converse and combine, and what messages are intended for the viewer?




Art and Science in Word and Image


Book Description

Art and Science in Word and Image investigates the theme of ‘riddles of form’, exploring how discovery and innovation have functioned inter-dependently between art, literature and the sciences. Using the impact of evolutionary biologist D’Arcy Thompson’s On Growth and Form on Modernist practices as springboard into the theme, contributors consider engagements with mysteries of natural form in painting, photography, fiction, etc., as well as theories about cosmic forces, and other fields of knowledge and enquiry. Hence the collection also deals with topics including cultural inscriptions of gardens and landscapes, deconstructions of received history through word and image artworks and texts, experiments in poetic materiality, graphic re-mediations of classic fiction, and textual transactions with animation and photography. Contributors are: Dina Aleshina, Márcia Arbex, Donna T. Canada Smith, Calum Colvin, Francis Edeline, Philippe Enrico, Étienne Février, Madeline B. Gangnes, Eric T. Haskell, Christina Ionescu, Tim Isherwood, Matthew Jarron, Philippe Kaenel, Judy Kendall, Catherine Lanone, Kristen Nassif, Solange Ribeiro de Oliveira, Eric Robertson, Frances Robertson, Cathy Roche-Liger, David Skilton, Melanie Stengele, Barry Sullivan, Alice Tarbuck, Frederik Van Dam.




Eloquent Images


Book Description

Essays on the enduring complex relationship between word and image, from hieroglyphics to new media.




India


Book Description

This is a portrait of India from the spectacle and colours of the Festival of Elephants to roadside portraits which uncovers the culture of India's vast landscape. The book includes the words of Indian authors including Amit Chaudhuri, Amta Desai, Salman Rushdie, and many others.




Word and Image


Book Description

This up-to-date, reliable introductory account and interpretation of early medieval art combines art, history, and ideas from around 600 to 1050. Diebold describes diversity and complexity of early medieval art by examining the relationship of word and image. The concept of word and image is broad enough to encompass the Anglo-Saxon art and oral cu




Psychologists in Word and Image


Book Description

These perceptual portraits of more than 100 thinkers who have fashioned our understanding of mind and behavior provide an alternative view of the history of psychology. Francis Bacon, René Descartes, Pierre Broca, Sigmund Freud, Carl Jung, Ruth Benedict, Allen Newell, David Marr and scores of others whose ideas have made psychology an empirical discipline emerge from motifs specifically drawn by the author or derived from a figure or text in one of the portrayed person's books, or an apparatus he or she invented. The treatment of portrait/motifs often challenges the viewer to discern the faces embedded in them and always tells us more than how these students of mind looked: these portraits reflect their thoughts and lead us to forage further into their lives and legacies. The portraits and motifs have been manipulated in a variety of ways, using graphic and photographic procedures. They are arranged in order of birth date in a format of one page of descriptive text facing a full-page perceptual portrait. The text presents a brief synopsis of the person portrayed, that person's ideas, and the source of both the portrait and the motif. Interrelations between people are stressed, bringing to light common threads that run through the work of particular groups. --From publisher's description.