The Hundred Years' War on Palestine


Book Description

A landmark history of one hundred years of war waged against the Palestinians from the foremost US historian of the Middle East, told through pivotal events and family history In 1899, Yusuf Diya al-Khalidi, mayor of Jerusalem, alarmed by the Zionist call to create a Jewish national home in Palestine, wrote a letter aimed at Theodore Herzl: the country had an indigenous people who would not easily accept their own displacement. He warned of the perils ahead, ending his note, “in the name of God, let Palestine be left alone.” Thus Rashid Khalidi, al-Khalidi’s great-great-nephew, begins this sweeping history, the first general account of the conflict told from an explicitly Palestinian perspective. Drawing on a wealth of untapped archival materials and the reports of generations of family members—mayors, judges, scholars, diplomats, and journalists—The Hundred Years' War on Palestine upends accepted interpretations of the conflict, which tend, at best, to describe a tragic clash between two peoples with claims to the same territory. Instead, Khalidi traces a hundred years of colonial war on the Palestinians, waged first by the Zionist movement and then Israel, but backed by Britain and the United States, the great powers of the age. He highlights the key episodes in this colonial campaign, from the 1917 Balfour Declaration to the destruction of Palestine in 1948, from Israel’s 1982 invasion of Lebanon to the endless and futile peace process. Original, authoritative, and important, The Hundred Years' War on Palestine is not a chronicle of victimization, nor does it whitewash the mistakes of Palestinian leaders or deny the emergence of national movements on both sides. In reevaluating the forces arrayed against the Palestinians, it offers an illuminating new view of a conflict that continues to this day.







Why I Write


Book Description

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times




200 Years of American Worklife


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The Last Lecture


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The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.




The Barrios of Manta


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In February 1962, Earle and Rhoda Brooks, a young sales engineer and his schoolteacher wife, left home and friends in Illinois to serve as members of the Peace Corps in Manta, Ecuador. This book is an account of their life in the Peace Corps. The first book ever written by Peace Corps volunteers, it is a revealing chronicle of personal involvement, of people from vastly different cultures learning to know one another on the level of their common humanity. Earle and Rhoda begin their story with their decision to enlist as trainees in President Kennedy's people-to-people grassroots aid program. They describe their jubilation at being accepted, the initial testing in Chicago, and the briefings in New York. With warmth and humor, they recount their experiences during the four-month training period in Puerto Rico. This was a time of trials and learning, of physical exertion and mental and emotional challenge. Of the 100 men and women who had formed their original group, 61, including Earle and Rhoda Brooks, graduated from trainees to volunteers. Earle and Rhoda were assigned to a community development project in Manta, a small fishing village on the coast of Ecuador. Here they would spend two years, working with the people, helping them to help themselves. The Brookses' story of Peace Corps life in Ecuador is no simple success story, no tale of triumph over staggering odds, rather it is one of beginnings, as these two young Americans put all their skills, knowledge, compassion, and ingenuity into an effort to provide humanitarian grassroots help in alleviating poverty and disease. Their story also shares what they learned from their humble fisher-people friends and neighbors. From their rich and varied experience emerges a picture of Latin American life far different in focus, and in many respects, far truer, than that of learned economists and political pundits. It is an intimate, human picture of a land filled with paradoxes and beset by problems that yield no easy solutions. It is a picture of a quest for learning and sharing, not on a soapbox or in the press, but in the hearts and minds of the common people. Now, in 2012, on the 50th anniversary of the founding of the Peace Corps and fifty years after their decision to join the Peace Corps, Rhoda Brooks has created a new Foreward and Afterword, to highlight the intervening years during which she and her husband adopted two Ecuadorian youngsters, ages 2 and 4, and brought them home to Minnesota. She tells of the growing up years of Carmen and Koki (Ricardo) in a suburban community west of Minneapolis, the birth of their biological son and the adoption of a mixed race daughter three years later. Brooks explores the challenges and opportunities presented in the raising of their bi-racial family, the pain and sorrow of the untimely deaths of her husband Earle and their daughter, Josie, as well as the excitement and apprehension generated by the return to Manta for a visit when the children were in their teens. Brooks continues the Afterword with the return to Manta of her five Ecuadorian grandchildren who, then in their teens, went to explore their roots and meet their own biological grandparents, aunts, uncles, and cousins. She concludes the final part of her story with an update into the lives of her seven grandchildren and the arrival of new great grandson, Brooks.







The Occult Sciences


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The Queen of Tears


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In 'The Queen of Tears' a former Korean movie star unravels the tangled lives of her family in Hawaii. Chris McKinney is also the author of 'The Tattoo'.




Works


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