Woven


Book Description

“It’s not often that you read a fantasy that feels as epic and original . . . Clever, well-paced, and full of intrigue, it’s a superb read.” —James Dashner, #1 New York Times–bestselling author All his life, Nels has wanted to be a knight of the kingdom of Avërand. Tall and strong, and with a knack for helping those in need, the people of his sleepy little village have even taken to calling him the Knight of Cobblestown. But that was before Nels died, murdered outside his home by a mysterious figure. Now the young hero has awoken as a ghost, invisible to all around him save one person—his only hope for understanding what happened to him—the kingdom’s heir, Princess Tyra. At first the spoiled royal wants nothing to do with Nels, but as the mystery of his death unravels, the two find themselves linked by a secret, and an enemy who could be hiding behind any face. Nels and Tyra have no choice but to abscond from the castle, charting a hidden world of tangled magic and forlorn phantoms. They must seek out an ancient needle with the power to mend what has been torn, and they have to move fast. Because soon Nels will disappear forever. “Woven reads like a lost classic that was somehow just rediscovered. It has the feel of a comfortable, familiar blanket that’s somehow been newly-made of the brightest, most original material possible, and it is pure pleasure to read.” —James A. Owen, bestselling author & illustrator of Dawn of the Dragons “This brisk adventure from first-time authors Jensen and King is a charming quest tale in classic fantasy tradition.” —Publishers Weekly




Woven


Book Description

Does the Bible feel confusing and complicated to you? Perhaps some of it feels familiar, but overall, does it feel impossible to navigate? Maybe you recognize the stories, but you just don’t know how they all fit together. Yet they do fit together. In her unique and remarkably readable way, Angie Smith—bestselling author of What Women Fear, Mended, I Will Carry You, and Seamless—helps you tie together all the loose, disconnected threads you find in the Bible, weaving them into a beautifully crafted storyline. After reading Woven, when it comes to reading Scripture, you’ll go: From confused to confident From lost to knowledgeable From separate stories to the One they are all about Because once you see the big picture, you’ll see it on every page. Every time.




A Woven Book of Knowledge


Book Description

Known for their intricate textiles, the Q'ero are a traditional Quechua-speaking Peruvian highland people. Their weavings are full of symbolic elements and motifs that encode specific cultural information and their textiles are the repositories for knowledge that has been passed down through generations. Based on ethnographic fieldwork undertaken between 1979 and 1991, A Woven Book of Knowledge examines and compares regional weaving styles and discusses the general texture of highland life. The author's long involvement with members of the Q'ero community has provided unique opportunities for insight into their ideas about weaving, iconography, and spatial and temporal concepts. But A Woven Book of Knowledge is more than an ethnographic study. If the warp of the book is the academic rigor of anthropology and linguistics, the weft is Silverman's love for the textiles themselves and for the Q'ero people. It is a result of a passion that has kept her in Cuzco for years, dedicating her career to the study of the local textile tradition.




Woven in Moonlight


Book Description

One of Time magazine's 100 Best Fantasy Books of All Time! A lush tapestry of magic, romance, and revolución, drawing inspiration from Bolivian politics and history. “A vibrant feast of a book.” – Margaret Rogerson, NYT bestselling author of An Enchantment of Ravens “Pure magic.” – Shelby Mahurin, NYT bestselling author of Serpent & Dove “A wholly unique book for the YA shelf.” – Adrienne Young, NYT bestselling author of Sky in the Deep “A spellbinding, vivid debut.” – Rebecca Ross, author of Queen's Rising Ximena is the decoy Condesa, a stand-in for the last remaining Illustrian royal. Her people lost everything when the usurper, Atoc, used an ancient relic to summon ghosts and drive the Illustrians from La Ciudad. Now Ximena’s motivated by her insatiable thirst for revenge, and her rare ability to spin thread from moonlight. When Atoc demands the real Condesa’s hand in marriage, it’s Ximena’s duty to go in her stead. She relishes the chance, as Illustrian spies have reported that Atoc’s no longer carrying his deadly relic. If Ximena can find it, she can return the true aristócrata to their rightful place. She hunts for the relic, using her weaving ability to hide messages in tapestries for the resistance. But when a masked vigilante, a warm-hearted princesa, and a thoughtful healer challenge Ximena, her mission becomes more complicated. There could be a way to overthrow the usurper without starting another war, but only if Ximena turns her back on revenge—and her Condesa.




Seamless Bible Study Book


Book Description

Member Book provides personal study segments and includes 6 weeks of homework with additional helps such as maps, timelines, and word studies.




Woven Textiles


Book Description

Woven Textiles: Principles, Technologies and Applications, Second Edition, is an essential guide to woven textiles. This new edition is updated and expanded to include major new application areas, as well as the latest developments and innovations in terms of fibers, yarns, fabrics, machinery and technology. Sections cover fibers and yarns used for weaving, key preparatory techniques, the fundamentals of weaving technology, the characteristics of woven structures, the use of computer assisted design (CAD) systems, techniques for modelling the structure of woven fabrics, methods for the manufacture of 3D woven structures, and the application of woven textiles in a range of technologies. With its distinguished editor and international team of expert contributors, this second edition will be an indispensable guide for all designers, engineers and technicians involved in the design, manufacture and use of woven textiles, as well as for academics and researchers in the field of textiles. Provides extensive coverage of woven textiles, including their preparation, manufacture, woven structures and characteristics Presents the latest technical applications of woven textiles, such as transportation, geotextiles, medical applications, sports and leisure, filtration, and composite structures Enables the reader to understand the latest technological advances in the area of woven textiles




Woven Treasures


Book Description

With weaving enjoying a resurgence in popularity among crafters and cottage industries worldwide, this guide enables novice weavers to explore basic folk techniques and styles to produce beautiful and evocative handcrafted works of art. From creative conception to completion, aspiring fiber artists are given accessible yet in-depth instructions on hand-manipulating weaving techniques, such as soumak, twining, cut pile, cardweaving, inkle weaving, and plain weave. Containing six easy-to-follow weaving tutorials and projects for eight exquisite hand-woven bags, this manual encourages personal, creative distinctions and promotes understanding and appreciation of the color and textural components of traditional folk weaving style. Designed to instill a sense of creativity and accomplishment through the learned techniques and finished product, this delightful guide is certain to become an essential reference for those starting out in the rewarding and inspirational field of fiber arts.







Woven Stone


Book Description

"What I do as a writer, teacher, and storyteller is to demystify language," says Simon Ortiz. Widely regarded as one of the country's most important Native American poets, Ortiz has led a thirty-year career marked by a fascination with language—and by a love of his people. This omnibus of three previous works offers old and new readers an appreciation of the fruits of his dedication. Going for the Rain (1976) expresses closeness to a specific Native American way of life and its philosophy and is structured in the narrative form of a journey on the road of life. A Good Journey (1977), an evocation of Ortiz's constant awareness of his heritage, draws on the oral tradition of his Pueblo culture. Fight Back: For the Sake of the People, For the Sake of the Land (1980)—revised for this volume—has its origins in his work as a laborer in the uranium industry and is intended as a political observation and statement about that industry's effects on Native American lands and lives. In an introduction written for this volume, Ortiz tells of his boyhood in Acoma Pueblo, his early love for language, his education, and his exposure to the wider world. He traces his development as a writer, recalling his attraction to the Beats and his growing political awareness, especially a consciousness of his and other people's social struggle. "Native American writers must have an individual and communally unified commitment to their art and its relationship to their indigenous culture and people," writes Ortiz. "Through our poetry, prose, and other written works that evoke love, respect, and responsibility, Native Americans may be able to help the United States of America to go beyond survival."




Woven Stories


Book Description

The Quechua people of southern Peru are both agriculturalists and herders who maintain large herds of alpacas and llamas. But they are also weavers, and it is through weaving that their cultural traditions are passed down over the generations. Owing to the region's isolation, the textile symbols, forms of clothing, and technical processes remain strongly linked to the people's environment and their ancestors. Heckman's photographs convey the warmth and vitality of the Quechua people and illustrate how the land is intricately woven into their lives and their beliefs. Quechua weavers in the mountainous regions near Cuzco, Peru, produce certain textile forms and designs not found elsewhere in the Andes. Their textiles are a legacy of their Andean ancestors. Andrea Heckman has devoted more than twenty years to documenting and analyzing the ways Andean beliefs persist over time in visual symbols embedded in textiles and portrayed in rituals. Her primary focus is the area around the sacred peak of Ausangate, in southern Peru, some eighty-five miles southeast of the former Inca capital of Cuzco. The core of this book is an ethnographic account of the textiles and their place in daily life that considers how the form and content of Quechua patterns and designs pass stories down and preserve traditions as well as how the ritual use of textiles sustain a sense of community and a connection to the past. Heckman concludes by assessing the influences of the global economy on indigenous Quechua, who maintain their own worldview within the larger fabric of twentieth-century cultural values and hence have survived everything from Latin American militarism to a tidal wave of post-modern change.