Woven Works


Book Description




Woven Textiles


Book Description

Weaving is an age-old craft but it has boundless potential. The beauty and joy of weaving a finished piece of cloth can be enhanced by creating your own designs and using the latest ideas and techniques. This new book explains to the novice how to start weaving textiles, but also develops techniques for the more experienced so they can learn to appreciate colour, patterns and structures, and thereby design their own richly-textured cloth. As well as practical information on how to get started, Woven Textiles looks at design concepts and how to experiment with ideas, such as mark-making skills on paper and embroidery on fabric. It introduces new weave structures and suggests ways to explore colours and yarns. The author shares her passion for this craft in pages packed with inspiring ideas, exciting examples and lavish illustrations. Her own work is supported by that of other leading contemporary designers, making this book a visual treat. Aimed at all weavers, craftsmen, dyers, feltmakers and interior designers, and lavishly illustrated with 332 colour photographs.




Sheila Hicks Weaving as Metaphor


Book Description

This text examines the small woven and wrought works artist Sheila Hicks has produced over years. Focusing on 100 Hicks miniatures from many public and private collections, it includes three informative essays as well as illustrations of the artist's related drawings, photographs and chronology.




Woven Stone


Book Description

"What I do as a writer, teacher, and storyteller is to demystify language," says Simon Ortiz. Widely regarded as one of the country's most important Native American poets, Ortiz has led a thirty-year career marked by a fascination with language—and by a love of his people. This omnibus of three previous works offers old and new readers an appreciation of the fruits of his dedication. Going for the Rain (1976) expresses closeness to a specific Native American way of life and its philosophy and is structured in the narrative form of a journey on the road of life. A Good Journey (1977), an evocation of Ortiz's constant awareness of his heritage, draws on the oral tradition of his Pueblo culture. Fight Back: For the Sake of the People, For the Sake of the Land (1980)—revised for this volume—has its origins in his work as a laborer in the uranium industry and is intended as a political observation and statement about that industry's effects on Native American lands and lives. In an introduction written for this volume, Ortiz tells of his boyhood in Acoma Pueblo, his early love for language, his education, and his exposure to the wider world. He traces his development as a writer, recalling his attraction to the Beats and his growing political awareness, especially a consciousness of his and other people's social struggle. "Native American writers must have an individual and communally unified commitment to their art and its relationship to their indigenous culture and people," writes Ortiz. "Through our poetry, prose, and other written works that evoke love, respect, and responsibility, Native Americans may be able to help the United States of America to go beyond survival."




Schedule B.


Book Description

Includes changes entitled Public bulletin.




Woven


Book Description

“It’s not often that you read a fantasy that feels as epic and original . . . Clever, well-paced, and full of intrigue, it’s a superb read.” —James Dashner, #1 New York Times–bestselling author All his life, Nels has wanted to be a knight of the kingdom of Avërand. Tall and strong, and with a knack for helping those in need, the people of his sleepy little village have even taken to calling him the Knight of Cobblestown. But that was before Nels died, murdered outside his home by a mysterious figure. Now the young hero has awoken as a ghost, invisible to all around him save one person—his only hope for understanding what happened to him—the kingdom’s heir, Princess Tyra. At first the spoiled royal wants nothing to do with Nels, but as the mystery of his death unravels, the two find themselves linked by a secret, and an enemy who could be hiding behind any face. Nels and Tyra have no choice but to abscond from the castle, charting a hidden world of tangled magic and forlorn phantoms. They must seek out an ancient needle with the power to mend what has been torn, and they have to move fast. Because soon Nels will disappear forever. “Woven reads like a lost classic that was somehow just rediscovered. It has the feel of a comfortable, familiar blanket that’s somehow been newly-made of the brightest, most original material possible, and it is pure pleasure to read.” —James A. Owen, bestselling author & illustrator of Dawn of the Dragons “This brisk adventure from first-time authors Jensen and King is a charming quest tale in classic fantasy tradition.” —Publishers Weekly




Woven


Book Description

Fiction. Children's Literature. Art. Illustrated by Sibba Hartunian. WOVEN centers on two girls who live in a town where everyone's hair is braided together. Their stories are similarly woven together, and the narrative and design reflect that: the book can be opened from either side and the characters' journeys connect at the book's center. In their journeys, Lyla and Phyla reflect on their differing experiences of the world, and the special senses they've gained through them. With vibrant illustrations that jump off the page and a unique concept that addresses conflicts of community versus independence, acceptance versus the desire to transform society, Woven helps us remember that no matter how alone we might sometimes feel, we're all truly connected.




NBS Special Publication


Book Description




Brenton's LXX


Book Description

This edition contains the entire LXX (Septuagint) Old Testament in English translation - including the Apocryphal books. The earliest version (translation) of the Old Testament Scriptures which is extant, or of which we possess any certain knowledge, is the translation executed at Alexandria in the third century before the Christian era: this version has been so habitually known by the name of the SEPTUAGINT, that the attempt of some learned men in modern times to introduce the designation of the Alexandrian version (as more correct) has been far from successful. The fact may, however, be regarded as certain, that prior to the year 285 B.C. the Septuagint version had been commenced, and that in the reign of Ptolemy Philadelphus, either the books in general or at least an important part of them had been completed.




Octateuch: The Original Orit


Book Description

In the mid 3ʳᵈ century BC, King Ptolemy II Philadelphus of Egypt ordered a translation of the ancient Hebrew scriptures for the Library of Alexandria, which resulted in the creation of the Septuagint. The original version, published circa 250 BC, only included the Torah, or in Greek terms, the Pentateuch. The Torah is the five books traditionally credited to Moses, circa 1500 BC: Cosmic Genesis, Exodus, Leviticus, Numbers, and Deuteronomy. The first edition was followed by the second, around 225 BC which added the books of Joshua, Judges, and Ruth, which was later known as the Octateuch. This version of the Septuagint was later carried south into the Kingdom of Kush by the Jews fleeing Egypt in 200 BC when Judea was in revolt and the Ptolemys attempted to exterminate the Jews in Egypt. The Octateuch later became the Torah of the Beta Israel community in Sudan and Ethiopia known as the Orit. A number of stories exist to explain the origin of the Beta Israel community, the 'Ethiopian Jews' indigenous to Ethiopia, Eritrea, and Sudan. The recorded story of the origin of the Ethiopian Jews was reported by Eldad ha-Dani in the late 800s AD. Eldad ha-Dani was a dark-skinned Jew from a country south of Kush, modern northern Sudan, who was captured by pagan Ethiopians, and ultimately sold on the coast of what might be modern Kenya or Tanzania, to a Jew from the Parthian Empire, who took him back to modern Iran. He later traveled through the Middle East and the Mediterranean Sea. He claimed that he was from a country of Jews, south of Kush, who were the descendants of the tribes of Dan, Gad, Naphtali, and Asher, who had left Israel during the civil war that split the Kingdom into Judea and Samaria. Modern secular scholars doubt there was a united kingdom of Israel, however, if the civil war did happen, it would have happened in 922 BC when Jeroboam I and Rehoboam split the kingdom of Solomon. If true, this would make the Ethiopian Jews neither Jews, nor Samaritans, but a third branch of the Judeo-Samaritan religions, and arguably, older than the others. The Christian text Kebra Nagast claims that Judaism entered into Ethiopia slightly earlier when the Ethiopian Queen of Sheba traveled to Israel and was impregnated by King Solomon. Her son Menelik I led a group of Jews to Ethiopia when he stole the Ark of the Covenant. Other than the Ethiopian Orthodox Christians, few consider the Kebra Nagast historically valid. Some members of the Beta Israel community claim the Ethiopian Jews were originally members of the Jewish tribes led by Moses that chose not to enter into Canaan with Joshua, and instead traveled south and settled in the land of Moses' Ethiopian wife, mentioned in Numbers chapter 12. A third story of the origin of the Ethiopian Jews, took place shortly after the Greeks had taken control over Egypt and Judea, when King Ptolemy I resettled Judeans in southern Nubia. This would have taken place between 305 and 282 BC, and later the Jews migrated south for various reasons. However they ended up in Ethiopia, they have traditionally used a variation of the Octateuch, which they call the Orit. The Octateuch is documented as being the version of the Septuagint that was published around 225 BC. Like the Ethiopian Christian Bible, the Orit appears to have had sections 'updated' from Hebrew and Arabic sources over the past two thousand years. Octateuch: The Original Orit is a 21st-century translation aimed at restoring the original Orit.