Book Description




The Artist in the Cloister


Book Description

Each year, visitors from all parts of the globe find their way to a sequestered Benedictine monastery in the hills of Mission, BC, and view the art and sculptures that beautify the abbey and its walls. But the man responsible for this work rarely ventures outside the monastery, never mind the province. He is an artist who has seen few of the masterpieces of Western art that inspire him in person; he is a musician who has seldom attended a concert; and he is an intellectual who, at his own insistence, dropped out of high school as early as he could. Acknowledged by some as one of the major British Columbian artists of his generation, Dunstan Massey could have developed a successful public career in Vancouver or Toronto as an artist or musician—or perhaps even as an actor or academic. But none of this happened because at the age of 18 he renounced every one of these possibilities and dedicated his life to God. Daphne Sleigh introduces both the artist and his art in this fascinating and lavishly illustrated new biography.




The Mystic Mountain


Book Description

Using imagery from fields as far apart as the Gospels, classic mythology, and modern astrophysics, in his book The Mystic Mountain, Dunstan Massey explores what some might call the chimerical hope of a risen life. Nevertheless, one is allowed to ask, will the Mourner, bereaved by the sudden death of Miriam, his wife, and his young son Jonathan, ever know consolation for their loss, or even see them again? In his desolation edging on despair, the Mourner is accompanied by three mysterious voices. He asks them at the sill of the grave, “Shall they rise, these dead?” As if in reply, the consolers lead him on a long visual search for the transcendent answer: will it be here, where death’s inevitability and finality have shattered his hopes? Or, could it be beyond death? The cry, the craving of the human heart, will never rest, save in a deathless state of infinite joy. We strive for it here, but find it not. Only the Infinite One who chose to die for love can give it when he calls us—so come as I call thee, my sister and brother and mother, unto me.




Hollow Palaces


Book Description

The ‘country house poem’ was born in the seventeenth century as a fruitful way of flattering potential patrons. But the genre’s popularity faded – ironically, just as ‘country house society’ was emerging. It was only when the power and influence of the landed classes had all but ebbed away that poets returned to the theme, attracted perhaps by the buildings’ irresistible dereliction, but equally by their often very personal histories. This is the first complete anthology of modern country house poems, and it shows just how far (as Simon Jenkins points out in his Foreword) poems can ‘penetrate the souls of buildings’. Over 160 distinguished poets representing a diversity of class, race, gender, and generation offer fascinating perspectives on stately exteriors and interiors, gardens both wild and cultivated, crumbling ruins and the extraordinary secrets they hide. There are voices of all kinds, whether it’s Edith Sitwell recreating her childhood, W. B. Yeats and Wendy Cope pondering Lissadell, or Simon Armitage’s labourer confronting the Lady who’s ‘got the lot’. We hear from noble landowners and loyal (or rebellious) servants, and from many an inquisitive day-tripper. The book’s dominant note is elegiac, yet comedy, satire, even strains of Gothic can be heard among these potent reflections. Hollow Palaces reminds us how poets can often be the most perceptive of guides to radical changes in society. The book is illustrated by Rosie Greening.




The Pocket Guide to Poets & Poetry


Book Description

A concise history and guide to poetry, with short biographies of approximately 250 poets from Homer to Heaney and Dickinson to Dylan. Starting with a history of poetry and discussions of poets and their work in the context of their times, and overviews of such topics as verse forms and genres, this book goes on to review an extensive list of individual poets, with biographical information and notes on their best works. In addition, a variety of photos and a glossary are included. A delight for anyone interested in poetry, The Pocket Guide to Poets & Poetry is also useful for those who want to discover new favorites. Those featured include: Sylvia Plath * Sappho * Geoffrey Chaucer * the Beowulf poet * John Dunne * John Milton * Andrew Marvell * Percy Bysshe Shelley * Edgar Allan Poe * Emily Bronte * Edward Lear * W.B. Yeats * Hilaire Belloc * Marianne Moore * Dylan Thomas * Joseph Brodsky * and many more




Africans on Stage


Book Description

Ethnological show business has a very long history in Europe. It became increasingly common after advances in navigational technology put Europeans in touch with human communities all over the globe.In the 19th and 20th centuries some of the most interesting individuals and groups exhibited in Europe and America came from Africa. What did the average spectator think of such representatives from the "Dark Continent"? If the display was a dramatic one -- that is, if the Africans sang, danced or acted out events -- what opinions did observers form of them as performers and as human beings? How was the spectacle staged, and who organized and managed the show? How authentic were these performances? Where did the performers actually come from? What notions about Africa and Africans were these exhibitions meant to convey?Africans on Stage is a book about how these three groups -- players, promoters, and spectators -- helped to shape European and American perceptions of Africans. Copyright © Libri GmbH. All rights reserved.




A Dictionary of Writers and their Works


Book Description

Over 3,200 entries An essential guide to authors and their works that focuses on the general canon of British literature from the fifteenth century to the present. There is also some coverage of non-fiction such as biographies, memoirs, and science, as well as inclusion of major American and Commonwealth writers. This online-exclusive new edition adds 60,000 new words, including over 50 new entries dealing with authors who have risen to prominence in the last five years, as well as fully updating the entries that currently exist. Each entry provides details of a writer's nationality and birth/death dates, followed by a listing of their titles arranged chronologically by date of publication.




The Collected Works G.K. Chesterton, Vol. 21


Book Description

This volume contains Chesterton's commentaries and reflections on what he saw on his travels in America and Rome, plus an appendix on how America saw Chesterton. On January 10, 1921, Gilbert and Frances Chesterton began a three month tour of the United States. During their first stop in the City of New York, Chesterton examined the lights of Broadway and proclaimed: "What a glorious garden of wonders this would be to anyone who was lucky enough to be unable to read." In his writing on America, Chesterton shows a remarkable ability for sympathetic appreciation of the principle traits of America. He would acquire an uncanny clear-sightedness about many things in America that it would not be an exaggeration to call clairvoyant. One greatness recognized another greatness, and one can say that Chesterton truly knew something profound about America. Throughout the 1920's and 1930's, Chesterton's travels included Jerusalem, Ireland, North America and Rome. This volume contains his reflections on his 1921 and 1930-31 tour of North America and his 1929 trip to Rome. Readers will enjoy the great man's impressions of city skyscrapers, rural America, the politics of Washington, as well as his views of Pope Pius XI, the Eternal City, Mussolini and Fascism. The introduction to this volume was written by Dr. Robert Royal, Vice President of the Ethics and Public Policy Center, Washington, D.C. The appendix was compiled by the late Chairman of the Northeastern Chapter of the G.K. Chesterton Society, Mr. Robert Knille. The appendix gives the newspaper accounts of Chesterton's 1921 trip to America. It contains generous excerpts of the speeches, interviews and comments G.K.C. made during his tour. Most of the material provided has never appeared in book form.







The Many Facades of Edith Sitwell


Book Description

"A fascinating book that takes us deep into Edith Sitwell's world of artifice, disguise, high camp, and verbal ingenuity. In these essays, Sitwell emerges as a central figure in an alternative avant-garde in early twentieth-century Britain."--Faye Hammill, author of Sophistication: A Literary and Cultural History Establishing Edith Sitwell at the center of British modernism, this volume showcases her many achievements in poetry, autobiography, novel writing, criticism, art, and performance. Forgoing the gossip about her eccentric appearance and self-fashioned persona that has too often overshadowed serious writing about her work, the contributors explore how Sitwell combined persona and poetry to foster an outpouring of iconoclastic creativity. The Many Facades of Edith Sitwell argues that Sitwell was crucial to the development of a British avant-garde that operated alongside the conventionally accepted transatlantic modernism of Ezra Pound and T. S. Eliot. With Sitwell as an influential literary player and social architect, the British interwar arts scene was not an ascetic escape from personality--as the modernism of Pound and Eliot has often been characterized--but an alternative space of flamboyant, extravagant, and ornate performance. Allan Pero is associate professor of English at the University of Western Ontario. Gyllian Phillips is associate professor of English studies at Nipissing University.