Wrestling Literacy. The Diegetic World of World Wrestling Entertainment


Book Description

Examination Thesis from the year 2009 in the subject American Studies - Miscellaneous, grade: 1,0, TU Dortmund, language: English, comment: up-to-date in 2014, abstract: This book gives an up-to-date insight into the world of professional wrestling, its history, its mechanisms, and its cultural importance both globally and nationally in the US. The author depicts the diegetic world of the WWE as a genre of its own, a genre that requires expertise from the viewer in order to be interpreted accurately. Accordingly, this paper analyses the way the WWE makes use of semiotic tools and narrative elements. Moreover key issues concerning gender, sexuality, authenticity, politics, ideology, and the fans' role and perspective are addressed. There is also a special focus on how the WWE has been playfully dealing with reality / real events within its fictional, diegetic world since the legendary Montral Screwjob from 1997 - the latter being an aspect which sets professional wrestling, which is widely regarded as part of postmodern "trash culture," apart from other, similar sorts of entertainment. All in all, "Wrestling Literacy" is a wonderful guide for anyone who happens to switch to one of WWE's weekly TV shows (such as Raw, Smackdown, or NXT) without having the slightest idea of what he sees. "Wrestling Literacy" is also a good read for all academics of culture and media studies in general. But "Wrestling Literacy" is a must-read for all wrestling fans, especially those with some degree of academic interest in the subject matter.




Sports Plays


Book Description

Sports Plays is a volume about sports in the theatre and what it means to stage sports. The chapters in this volume examine sports plays through a range of critical and theoretical approaches that highlight central concerns and questions both for sports and for theatre. The plays cut across boundaries and genres, from Broadway-style musicals to dramas to experimental and developmental work. The chapters examine and trouble the conventions of staging sports as they open possibilities for considering larger social and cultural issues and debates. This broad range of perspectives make the volume a compelling resource for students and scholars of sport, theatre, and performance studies whose interests span feminism, sexuality, politics, and race.




As Larp Grows Up


Book Description




Movies and Tone


Book Description

'Colse-Up 02' is a collection of three individual studies specialising in close readings of films and TV. Each issue is devoted to the practice of detailed textual analysis of film and visual media.




Street Fighter X G. I. JOE


Book Description

On a hidden island in international waters, 16 combatants enter a secret tournament... one that pits Street Fighter vs. G.I. JOE! M. Bison and Destro have joined forces, and taking them down will require the world's finest warriors: Ryu, Snake Eyes, Guile, Scarlett, Chun-Li, and Duke.




Sex, Lies, and Headlocks


Book Description

“Current fans and recovering Hulkamaniacs alike should find [Sex, Lies, and Headlocks] as gripping as the Camel Clutch.” —Maxim Sex, Lies, and Headlocks is the ultimate behind-the-scenes look at the backstabbing, scandals, and high-stakes gambles that have made wrestling an enduring television phenomenon. The man behind it all is Vince McMahon, a ruthless and entertaining visionary whose professional antics make some of the flamboyant characters in the ring look tame by comparison. Throughout the book, the authors trace McMahon’s rise to power and examine the appeal of the industry’s biggest stars—including Ed “Strangler” Lewis, Gorgeous George, Bruno Sammartino, Ric Flair, and, most recently, Stone Cold Steve Austin and The Rock. In doing so, they show us that while WWE stock is traded to the public on Wall Street, wrestling remains a shadowy world guided by a century-old code that stresses secrecy and loyalty. With a new afterword, this is the definitive book about the history of pro wrestling. “Reading this excellent behind-the-scenes look at wrestling promoter McMahon . . . is almost as entertaining and shocking as watching the most extreme antics of McMahon’s comic-book style creations such as Steve Austin and The Rock.” —Publishers Weekly “A quintessentially American success story of a cocky opportunist defying the odds and hitting it big . . . Sparkling cultural history from an author wise enough to let the facts and personalities speak for themselves.”—Kirkus Reviews




The Cambridge Companion to Nineteen Eighty-Four


Book Description

The Cambridge Companion to Nineteen Eighty-Four is aimed at undergraduates, postgraduates, and academics. Situating the novel in multiple frameworks, including contextual considerations and literary histories, the book asks new questions about the novel's significance in an age in which authoritarianism finds itself freshly empowered.




Talkies, Road Movies and Chick Flicks


Book Description

The representation of gender in film remains an intensely debated topic, particularly in academic considerations of US mainstream cinema where it is often perceived as perpetuating rigid, binary views of gender, and reinforcing patriarchal, dominant notions of masculinity and femininity. While previous scholarly discussion has focused on visual or narrative portrayals of gender, this book considers the ways that film sound "e; music, voice, sound effects and silence "e; is used to represent gender. Taking a socio-historical approach, Heidi Wilkins investigates a range of popular US genres including screwball comedy, the road movie and chick flicks to explore the ways that film sound can reinforce traditional assumptions about masculinity and femininity, impart ambivalent meanings to them, or even challenge and subvert the notion of gender itself. Case studies include His Girl Friday, Easy Rider and Bridesmaids.




Wrestling and Hypermasculinity


Book Description

Professional wrestling revels in its exaggeration of masculinity. This hyper-masculinity is evident in the physical appearance of wrestlers, the sexuality-charged and violent moves used in and out of the ring, the role assigned to women and the extensive use of weapons such as chains, barbed wire and steel folding chairs. This study explores the link between watching televised wrestling matches and increases in verbal aggression, rebellion and propensity toward violence and retaliation. Wrestling is placed within the larger context of popular culture and other hyper-masculine entertainment. The book begins with a brief history of professional wrestling, a summary of the criticisms of the sport, and a discussion of the author's research methods. One chapter discusses how gender socialization plays a part in the effects of wrestling on its viewers, arguing that wrestling goes beyond the image of physically violent acts to models of interpersonal behavior. The expansion of wrestling into storylines outside the ring includes problem situations involving class, race, homophobia and nationality, to which violence is often presented as a solution. The book concludes with an investigation of the attractiveness of wrestling and its ability to lure fans back year after year.




To the Distant Observer


Book Description