Writing Ghana, Imagining Africa


Book Description

This book makes Africa the centerpiece of an intercultural investigation of modern colonial power and its resistance, focusing on the writings of Ghanaian intellectuals.




Writing African History


Book Description

A comprehensive evaluation of how to read African history. Writing African History is an essential work for anyone who wants to write, or even seriously read, African history. It will replace Daniel McCall's classic Africa in Time Perspective as the introduction to African history for the next generation and as a reference for professional historians, interested readers, and anyone who wants to understand how African history is written. Africa in Time Perspective was written in the 1960s, when African history was a new field of research. This new book reflects the development of African history since then. It opens with a comprehensive introduction by Daniel McCall, followed by a chapter by the editor explainingwhat African history is [and is not] in the context of historical theory and the development of historical narrative, the humanities, and social sciences. The first half of the book focuses on sources of historical data while thesecond half examines different perspectives on history. The editor's final chapter explains how to combine various sorts of evidence into a coherent account of African history. Writing African History will become the most important guide to African history for the 21st century. Contributors: Bala Achi, Isaac Olawale Albert, Diedre L. Badéjo, Dorothea Bedigian, Barbara M. Cooper, Henry John Drewal, Christopher Ehret, Toyin Falola, David Henige, Joseph E. Holloway, John Hunwick, S. O. Y. Keita, William G. Martin, Daniel McCall, Susan Keech McIntosh, Donatien Dibwe Dia Mwembu, Kathleen Sheldon, John Thornton, and Masao Yoshida. John Edwards Philips is professor of international society, Hirosaki University, and author of Spurious Arabic: Hausa and Colonial Nigeria [Madison, University of Wisconsin African Studies Center, 2000].




Re-imagining African Christologies


Book Description

"Who do you say that I am" (Mark 8:29) is the question of Christology. By asking this question, Jesus invites his followers to interpret him from within their own contexts-history, experience, and social location. Therefore, all responses to Jesus's invitation are contextual. But for too long, many theologians particularly in the West have continued to see Christology as a universal endeavor that is devoid of any contextual influences. This understanding of Christology undermines Jesus's expectations from us to imagine and appropriate him from within our own contexts. In Re-imagining African Christologies, Victor I. Ezigbo presents a constructive exposition of the unique ways that many African theologians and lay Christians from various church denominations have interpreted and appropriated Jesus Christ in their own contexts. He also articulates the constructive contributions that these African Christologies can make to the development of Christological discourse in non-African Christian communities.




Writers and Social Thought in Africa


Book Description

Social theory and social theorizing about Africa has largely ignored African literature. However, because writers are some of the continent’s finest social thinkers, they have produced – and continue to produce – works which constitute potential sources for the analysis of social thought, and for constructing social theory, in and beyond the continent. This comprehensive collection examines the relationship between African literature and African social thought. It explores the evolution and aesthetics of social thought in African fiction, and African writers’ conceptions of power and authority, legitimacy, history and modernity, gender and sexuality, culture, epistemology, globalization, and change and continuity in Africa. This book was originally published as a special issue of the Journal of Contemporary African Studies.




The Abongo Abroad


Book Description

Blending African social history with US foreign relations, John V. Clune documents how ordinary people experienced a major aspect of Cold War diplomacy. The book describes how military-sponsored international travel, especially military training abroad and United Nations peacekeeping deployments in the Sinai and Lebanon, altered Ghanaian service members and their families during the three decades after independence in 1957. Military assistance to Ghana included sponsoring training and education in the United States, and American policymakers imagined that national modernization would result from the personal relationships Ghanaian service members and their families would forge. As an act of faith, American military assistance policy with Ghana remained remarkably consistent despite little evidence that military education and training in the United States produced any measurable results. Merging newly discovered documents from Ghana's armed forces and declassified sources on American military assistance to Africa, this work argues that military-sponsored travel made individual Ghanaians' outlooks on the world more international, just as military assistance planners hoped they would, but the Ghanaian state struggled to turn that new identity into political or economic progress.




Daily Graphic


Book Description




The Predicament of Blackness


Book Description

What is the meaning of blackness in Africa? This title tackles the question of race in West Africa through its post-colonial manifestations. Pierre examines key facets of contemporary Ghanaian society, from the pervasive significance of 'whiteness' to the practice of chemical skin-bleaching to the government's active promotion of Pan-African 'heritage tourism'.




African Intellectuals


Book Description

This title provides a study of the African intelligentsia in Africa and the diaspora.




African City Textualities


Book Description

The stereotype of Africa as a predominantly 'natural' space ignores the existence of vibrant and cosmopolitan urban environments on the continent. Far from merely embodying backwardness and lack, African cities are sites of complex and diverse cultural productions which participate in modernity and its dynamics of global flows and exchanges. This volume merges the concerns of urban, literary and cultural studies by focusing on the flows and exchanges of texts and textual elements. By analysing how texts such as popular and canonical fiction, popular music, self-help pamphlets, graffiti, films, journalistic writing, rumours and urban legends engage with the problems of citizenship, self-organisation and survival, the collection shows that despite all the problems of Africa, its cities continue to engender forward-looking creativity and hope. The texts collected here belong to several different genres themselves, and they are authored by both distinguished and younger scholars, based in and outside of Africa. The volume explores the textualities emerging from the cities of Senegal, Nigeria, Ghana, Uganda, Kenya, Zambia, Zimbabwe and South Africa. Above all, it calls for an end to disabling hierarchical categorisations of both texts and cities. This book was published as a special issue of the Journal of Postcolonial Writing.




Modernization as Spectacle in Africa


Book Description

For postcolonial Africa, modernization was seen as a necessary outcome of the struggle for independence and as crucial to the success of its newly established states. Since then, the rhetoric of modernization has pervaded policy, culture, and development, lending a kind of political theatricality to nationalist framings of modernization and Africans' perceptions of their place in the global economy. These 15 essays address governance, production, and social life; the role of media; and the discourse surrounding large-scale development projects, revealing modernization's deep effects on the expressive culture of Africa.