In Manchuria


Book Description

Explores the change most of rural China is undergoing via the story of a privately held rice company that has built new roads, introduced organic farming, and constructed apartments for farmers in exchange for their land rights.




Writing Manchuria: The Lives and Literature of Zhu Ti and Li Zhengzhong


Book Description

Writing Manchuria details the lives and translates a selection of fiction from one of the mid-twentieth century’s "four famous husband-wife writers" of China’s Northeast, who lived in the Japanese puppet state of Manchukuo: Li Zhengzhong (1921–2020) and Zhu Ti (1923–2012). The writings herein were published from the late 1930s to the mid-1940s, in Manchukuo, north China, and Japan; their writings appeared in the most prominent Japanese-owned, Chinese-language journals and newspapers. This volume includes materials that were censored or banned by the Manchukuo authorities: Li Zhengzhong’s "Temptation" and "Frost Flowers," and Zhu Ti’s "Cross the Bo Sea" and "Little Linzi and her Family." Li Zhengzhong has been characterized as "an angry youth" while Zhu Ti’s work questioned contemporary gender ideals and the subjugation of women. Their writings – those that were censored or banned and those published – shed important light on Japanese imperialism and the Chinese literature that was produced in different regions, reflecting both official support and suppression. Writing Manchuria is the first English-language translation of their writings, and it will appeal to those interested in Chinese wartime literature, as well as contribute to understandings of imperialism and the varied forms it took across Japan’s vast war-time empire.




Writing Manchuria


Book Description

"Writing Manchuria details the lives and translates a selection of fiction from one of the mid-twentieth century's 'four famous husband-wife writers' of China's Northeast, who lived in the Japanese puppet state of Manchukuo: Li Zhengzhong (1921-2020) and Zhu Ti (1923-2012). The writings herein were published from the late 1930s to the mid-1940s, in Manchukuo, north China and Japan; their writings appeared in the most prominent Japanese-owned, Chinese language journals and newspapers. This volume includes materials that were censored or banned by the Manchukuo authorities: Li Zhengzhong's "Temptation" and "Frost Flowers," and Zhu Ti's "Cross the Bo Sea" and "Little Linzi and her Family." Li Zhengzhong has been characterized as "an angry youth" while Zhu Ti's work questioned contemporary gender ideals and the subjugation of women. Their writings - those that were censored or banned and those published - shed important light on Japanese imperialism and the Chinese literature that was produced in different regions, reflecting both official support and suppression. Writing Manchuria is the first English-language translation of their writings, and it will appeal to those interested in Chinese wartime literature, as well as contribute to understandings of imperialism and the varied forms it took across Japan's vast war-time empire"--




Writing Manchuria


Book Description

"Writing Manchuria details the lives and translates a selection of fiction from one of the mid-twentieth century's 'four famous husband-wife writers' of China's Northeast, who lived in the Japanese puppet state of Manchukuo: Li Zhengzhong (1921-2020) and Zhu Ti (1923-2012). The writings herein were published from the late 1930s to the mid-1940s, in Manchukuo, north China and Japan; their writings appeared in the most prominent Japanese-owned, Chinese language journals and newspapers. This volume includes materials that were censored or banned by the Manchukuo authorities: Li Zhengzhong's "Temptation" and "Frost Flowers," and Zhu Ti's "Cross the Bo Sea" and "Little Linzi and her Family." Li Zhengzhong has been characterized as "an angry youth" while Zhu Ti's work questioned contemporary gender ideals and the subjugation of women. Their writings - those that were censored or banned and those published - shed important light on Japanese imperialism and the Chinese literature that was produced in different regions, reflecting both official support and suppression. Writing Manchuria is the first English-language translation of their writings, and it will appeal to those interested in Chinese wartime literature, as well as contribute to understandings of imperialism and the varied forms it took across Japan's vast war-time empire"--




Representing Empire


Book Description

In Representing Empire Ying Xiong examines Japanese-language colonial literature written by Japanese expatriate writers in Taiwan and Manchuria. Drawing on a wide range of Japanese and Chinese sources, Representing Empire reveals not only a nuanced picture of Japanese literary terrain but also the interplay between imperialism, nationalism, and Pan-Asianism in the colonies. While the existing literature on Japanese nationalism has largely remained within the confines of national history, by using colonial literature as an example, Ying Xiong demonstrates that transnational forces shaped Japanese nationalism in the twentieth century. With its multidisciplinary and comparative approach, Representing Empire adds to a growing body of literature that challenges traditional interpretations of Japanese nationalism and national literary canon. “Representing Empire is an outstanding accomplishment, at once making clearer and complicating our understandings of the literary worlds of Manchuria and Taiwan, and the greater imperial empire within which all were transformed. ... add[s] substantially to the ways in which Japan’s empire and twentieth century East Asian history more generally might be interpreted.” Norman Smith, University of Guelph, Modern Chinese Literature and Culture Resource Center Publication (February, 2015)




Manchuria


Book Description

Manchuria is a historical region, which roughly corresponds to Northeast China. The Manchu people, who established the last dynasty of Imperial China (the Qing, 1644–1911) originated there, and it has been the stage of turbulent events during the twentieth century: the Russo-Japanese war, Japanese occupation and establishment of the puppet state of Manchukuo, Soviet invasion, and Chinese civil war. This innovative and accessible historical survey both introduces Manchuria to students and general readers and contributes to the emerging regional perspective in the study of China.




Resisting Manchukuo


Book Description

The first book in English on women’s history in twentieth-century Manchuria, Resisting Manchukuo adds to a growing literature that challenges traditional understandings of Japanese colonialism. Norman Smith reveals the literary world of Japanese-occupied Manchuria (Manchukuo, 1932-45) and examines the lives, careers, and literary legacies of seven prolific Chinese women writers during the period. He shows how a complex blend of fear and freedom produced an environment in which Chinese women writers could articulate dissatisfaction with the overtly patriarchal and imperialist nature of the Japanese cultural agenda while working in close association with colonial institutions.




Manchukuo Perspectives


Book Description

This groundbreaking volume critically examines how writers in Japanese-occupied northeast China negotiated political and artistic freedom while engaging their craft amidst an increasing atmosphere of violent conflict and foreign control. The allegedly multiethnic utopian new state of Manchukuo (1932–1945) created by supporters of imperial Japan was intended to corral the creative energies of Chinese, Japanese, Koreans, Russians, and Mongols. Yet, the twin poles of utopian promise and resistance to a contested state pulled these intellectuals into competing loyalties, selective engagement, or even exile and death—surpassing neat paradigms of collaboration or resistance. In a semicolony wrapped in the utopian vision of racial inclusion, their literary works articulating national ideals and even the norms of everyday life subtly reflected the complexities and contradictions of the era. Scholars from China, Korea, Japan, and North America investigate cultural production under imperial Japan’s occupation of Manchukuo. They reveal how literature and literary production more generally can serve as a penetrating lens into forgotten histories and the lives of ordinary people confronted with difficult political exigencies. Highlights of the text include transnational perspectives by leading researchers in the field and a memoir by one of Manchukuo’s last living writers. “This first-rate collection offers the most comprehensive overview of Manchukuo literature in any language. Containing an abundance of very original research and analysis, with relevant references to diverse sources in Chinese, English, Japanese, Korean, and Russian, the essays will be welcomed by scholars dealing with literary, historical, political, and colonization issues in Manchukuo and its neighbors.” —Ronald Suleski, Suffolk University, Boston “Manchukuo Perspectives is an excellent contribution to the field. Manchukuo was a fascinating and fraught experiment. Colonialism, imperialism, modernism, and nationalism were just some of the many different forces at play there. With an impressive set of contributors bringing both breadth and depth to the study of these issues, this collection fills a void in our understanding of the cultural and literary production of Manchukuo wonderfully.” —James Carter, Saint Joseph’s University




Crossed Histories


Book Description

Crossed Histories represents a collaborative and interdisciplinary approach to "Manchuria" under Japan’s influence from the turn of the twentieth century to 1945. The contributors, who represent the fields of history, literature, film studies, sociology, and anthropology, unpack the complexity of Manchuria as an effect of the geopolitical imaginaries of various individuals and groups shaped by imperialism, colonialism, Pan-Asianism, and the present globalization. Manchuria is thus examined in the imaginations of a Chinese journalist and his Shanghai readers in the 1930s; prewar Japanese city planners and architects; a Manchu princess later executed by the Chinese nationalist government; various audiences of Japanese "goodwill films" of the 1930s and 1940s; the seven thousand Poles who immigrated to northern Manchuria in the late nineteenth and early twentieth centuries; the state makers of Manchukuo (which included both Japanese and Chinese leaders) and North and South Korea during the Cold War era; and a student of Manchuria Nation- Building University in the mid-1940s.




Intoxicating Manchuria


Book Description

In China, both opium and alcohol were used for centuries in the pursuit of health and leisure while simultaneously linked to personal and social decline. The impact of these substances is undeniable, and the role they have played in Chinese social, cultural, and economic history is extremely complex. In Intoxicating Manchuria, Norman Smith reveals how warlord rule, Japanese occupation, and political conflict affected local intoxicant industries. These industries flourished throughout the early twentieth century, even as a vigorous anti-intoxicant movement raged. Through the lens of popular Chinese media depictions of alcohol and opium, Smith analyzes how intoxicants and addiction were understood in this society, the role the Japanese occupation of Manchuria played in their portrayal, and the efforts made to reduce opium and alcohol consumption. This is the first English-language book-length study to focus on alcohol use in modern China and the first dealing with intoxicant restrictions in the region.