The Art of Praxiteles


Book Description

Praxiteles is one of the most famous sculptors from ancient Greece. This study looks at both his personal background and the activities of his workshop. Chapters are devoted to placing Praxiteles in the artistic context of the period, alongside his rivals, before Corso examines his birth, family, early life and education. Subsequent chapters look at the work of Praxiteles in the workshop of Cephisodotus the Elder in the late 4th century and the art he created then, before turning to Praxiteles' own workshop and the now famous collection of works that he produced: The kidnapping of Persephone, Persephone descending to the Underworld, The Caryatids, the Maenads, and the bronze statues of Dionysus and Eros, to name just a few.







Etruscology


Book Description

This handbook has two purposes: it is intended (1) as a handbook of Etruscology or Etruscan Studies, offering a state-of-the-art and comprehensive overview of the history of the discipline and its development, and (2) it serves as an authoritative reference work representing the current state of knowledge on Etruscan civilization. The organization of the volume reflects this dual purpose. The first part of the volume is dedicated to methodology and leading themes in current research, organized thematically, whereas the second part offers a diachronic account of Etruscan history, culture, religion, art & archaeology, and social and political relations and structures, as well as a systematic treatment of the topography of the Etruscan civilization and sphere of influence. 




Set in Stone


Book Description

Publisher description




The Fragment


Book Description

The universe may well have begun with an immense act of fragmentation, "the big bang," that sent particles flying in all directions to perform spectacular acts of creation and destruction. The fragment, volatile and unpredictable, is not simply the static part of a once-whole thing but itself something in motion. Drawing upon art history, archaeology, literature, numismatics, philosophy, and film, this book explores the significance of the fragment and addresses the powerful drives that have impelled it into the cultural mainstream. Book jacket.




Raphael and the Antique


Book Description

The Renaissance artist Raphael is known for his extraordinary frescoes, his sublime Madonnas, devotional altarpieces, architectural designs, and his inventive designs for prints and tapestries. It was his use of ancient Roman art—the sculptures, the marble reliefs, the wall-paintings, and the stuccoes—and architecture—the temples, the palaces, and the theaters—as well as the churches and mosaics of early-Christian Rome, that formed his much-admired classical style. In Raphael and the Antique, Claudia La Malfa gives a full account of Raphael’s prodigious career, from central Italy when he was seventeen years old, to Perugia, Siena, and Florence, where he first met with Leonardo and Michelangelo, to Rome where he became one of the most feted artists of the Renaissance. This book brings to light Raphael’s reinvention of classical models, his draftsmanship, and his concept of art—ideas he pursued and was still striving to perfect at the time of his death in 1520 at the young age of thirty-seven.




The Oxford Handbook of Roman Epigraphy


Book Description

The study of inscriptions is critical for anyone seeking to understand the Roman world, whether they regard themselves as literary scholars, historians, archaeologists, anthropologists, or religious scholars. The Oxford Handbook of Roman Epigraphy is the fullest collection of scholarship on the study and history of Latin epigraphy produced to date.




The Printed and the Built


Book Description

The Printed and the Built explores the intricate relationship between architecture and printed media in the fast-changing nineteenth century. Publication history is a rapidly expanding scholarly field which has profoundly influenced architectural history in recent years. Yet, while groundbreaking work has been done on architecture and printing in the Renaissance, the Enlightenment, and the twentieth century, the nineteenth century has received little attention. This is the omission that The Printed and the Built seeks to address, thus filling a significant gap in the understanding of architecture's cultural history. Lavishly illustrated with colourful and eclectic visual material, from panoramas to printed ephemera, adverts, penny magazines, early photography, and even crime reportage, The Printed and the Built consists of five in-depth thematic essays accompanied by 25 short pieces, each examining a particular printed form. Altogether, they illustrate how new genres communicated architecture to a mass audience, setting the stage for the modern architectural era.




Roman Crete: New Perspectives


Book Description

The last several decades have seen a dramatic increase in interest in the Roman period on the island of Crete. Ongoing and some long-standing excavations and investigations of Roman sites and buildings, intensive archaeological survey of Roman areas, and intensive research on artifacts, history, and inscriptions of the island now provide abundant data for assessing Crete alongside other Roman provinces. New research has also meant a reevaluation of old data in light of new discoveries, and the history and archaeology of Crete is now being rewritten. The breadth of topics addressed by the papers in this volume is an indication of Crete’s vast archaeological potential for contributing to current academic issues such as Romanization/acculturation, climate and landscape studies, regional production and distribution, iconographic trends, domestic housing, economy and trade, and the transition to the late-Antique era. These papers confirm Crete’s place as a fully realized participant in the Roman world over the course of many centuries but also position it as a newly discovered source of academic inquiry.




Mutilation and Transformation


Book Description

The condemnation of memory inexorably altered the visual landscape of imperial Rome. This volume catalogues and interprets the sculptural, glyptic, numismatic and epigraphic evidence for damnatio memoriae and ultimately reveals its praxis to be at the core of Roman cultural identity.