A History of Chinese Buddhist Faith and Life


Book Description

The goal of this book is to study the ways in which Chinese Buddhists expressed their religious faiths and how Chinese Buddhists interacted with society at large since the Northern and Southern dynasties (386-589), through the Ming (1368-1644) and the Qing (1644-1911), up to the Republican era (1912-1949). The book aims to summarize and present the historical trajectory of the Sinification of Buddhism in a new light, revealing the symbiotic relationship between Buddhist faith and Chinese culture. The book examines cases such as repentance, vegetarianism, charity, scriptural lecture, the act of releasing captive animals, the Bodhisattva faith, and mountain worship, from multiple perspectives such as textual evidence, historical circumstances, social life, as well as the intellectual background at the time.




Knowledge and Text Production in an Age of Print: China, 900-1400


Book Description

"The essays in this volume come mostly out of the conference, 'First Impressions: The Cultural History of Print in Imperial China (8th-14th centuries), ' that took place at the Fairbank Center for East Asian Research, Harvard University, June 25-27, 2007"--Acknowledgements.




Chinese Mythology A to Z


Book Description




Shang Han Lun


Book Description

The Shang Han Lun has been a primary treatment theory and practice source for nearly two millenia. Its author, Zhang Zhong Jing, has been named the “Chinese Hippocrates” to highlight the depth and breadth of his contribution to traditional Chinese drug therapy. This edition features the Chinese text, Pinyin transliteration, and an English translation of the entire Song Dynasty text, the content and textual order most used in Asia. Just as in Chinese language editions, it is fully supplemented with notes and commentaries. The notes describe the clinical symptoms Zhang Zhong Jing associated with the Chinese terms. For example, modern interpretations of a “moderate” pulse often refer to the speed of its beats. The same term, when used in the Shang Han Lun, refers to a pulse that is loose, soft, and harmonious. Such notes provide practitioners with the clinical observations necessary to properly apply the information. The commentaries further enhance the text’s clinical utility by explaining the theoretical and practical foundations behind the lines of text. Because entire bodies of theory and practice can be associated with the terms and expressions used in canonical works like the Shang Han Lun, commentaries have become a standard means of knowledge acquisition for Asian students. The commentaries in this edition serve exactly the same purpose, greatly enhancing its utility. The introductory matter explains the background of the text, the conceptual structure of its contents, and the problems of exegesis. The appendices are designed to assist those studying Chinese and the glossary and the full Pinyin-English index make this an easily accessed reference.










The Upright Brush


Book Description

In the history of Chinese calligraphy, few are more famous than the eighth-century statesman Yan Zhenqing (709-785). His style is still taught today as a standard, and Chinese bookstores the world over stock inexpensive reproductions of his works for sale as copybooks. Yet Yan's style cannot be called conventionally attractive. "Correct," "severe," "serious," "forceful" are terms habitually applied to describe his writing--rarely has his calligraphy been called graceful or beautiful. How, then, did Yan earn such an eminent place in the history of art? In The Upright Brush, Amy McNair argues for the political rather than purely aesthetic basis for Yan Zhenqing's artistic reputation. She shows how his prominent position was made for him in the eleventh century by a handful of influential men who sought to advance their own position by associating themselves with Yan's reputation for uprightness. Equating style with personality, they adopted Yan's calligraphic style as a way to clothe themselves in his persona. Sophisticated, informed, and intelligent, The Upright Brush illuminates an episode (one of many) in the history of Chinese culture where the creative reinterpretation of the past was used for contemporary political means. It will be eagerly welcomed by all scholars of Chinese culture and history, as well as by those interested in the making and reading of art.




The First Chinese Travel Record on the Arab World


Book Description

The article by Dr Wan Lei, “The First Chinese Travel Record on the Arab World——Commercial and Diplomatic Communications during the Islamic Golden Age” published by King Fasial Center for Research and Islamic Studies in its bulletin, Qiraat (No. 7 Rabi I - II, 1438; December 2016 - January 2017), is composed of three articles, which are all translations and interpretations from official Chinese historical books recording events during the Tang dynasty (618-917 CE). The first is about Du Huan’s Jingxingji [The Travel Record], who was the first Chinese man who travelled the Arab world; the second article is about Jian Dan’s “Guangzhou tonghai yidao” [The Maritime Route to Alien Countries from Guangzhou]; and the third is about the Dashi (Arab) official visits to the Chinese Tang court, which are recorded in Cefu Yuangui [Archival Palace as Great Oracle Tortoise]. All of these provide modern readers true stories concerning the relationships and communications between the Arab world and China in history.




Glossary of Chinese Medicine - E-Book


Book Description

Anyone who learns the skills of acupuncture or who extends his knowledge of TCM is inevitably confronted with terms which hitherto had always meant something different to him or her. Take the use of the word "wind", for example, to refer to a pathogenic factor contributing to illnesses – rather than its sense as a climatic factor. This difficulty is compounded by the fact that, in most books, these terms are not used in a clear and uniform way. One of the many examples is the Chinese term "xu" which is translated as "insufficiency" but also as "deficiency" or "severity" and is often not even used consistently within one and the same publication. This glossary presents all the Chinese terms (in Chinese characters and in Pinyin script) that are relevant to TCM and provides their English translations. It also provides an explanation of how, for example, the location or the function of an acupuncture point can be concluded from its name. • Teaches the reader to correctly pronounce important terms from TCM, which are increasingly used in pinyin transcription• The significance of TCM concepts provide explanations for the function of points and medications• Written by leading experts in the field• Attractive design throughout




Chinese Character Manipulation in Literature and Divination


Book Description

In Chinese Character Manipulation in Literature and Divination, Anne Schmiedl analyses the little-studied method of Chinese character manipulation as found in imperial sources. Focusing on one of the most famous and important works on this subject, the Zichu by Zhou Lianggong (1612–1672), Schmiedl traces and discusses the historical development and linguistic properties of this method. This book represents the first thorough study of the Zichu and the reader is invited to explore how, on the one hand, the educated elite leveraged character manipulation as a literary play form. On the other hand, as detailed exhaustively by Schmiedl, practitioners of divination also used and altered the visual, phonetic, and semantic structure of Chinese characters to gain insights into events and objects in the material world.