Dylan


Book Description

In Dylan, Bob Spitz provides a dramatic yet clear-eyed view of the enigmatic guru of modern music. Drawing on hundreds of interviews with Dylan's family, friends, lovers and fellow musicians. Spitz presents the true Bob Dylan in a vast array of guises: the early years in small-town Minnesota, when Bobby Zimmerman - loner, gadabout and local weirdo - reinvented himself as Bob Dylan and set out to be a star; his struggle to conquer the night world of Greenwich Village in the early 1960s; the cataclysm that rocked the music world when he went electric; the mad years, when drugs and paranoia corrupted his gospel of peace and love; his flirtations with political causes, born-again Christianity, Orthodox Judaism and the glitter of superstardom.




Negative Blue


Book Description

Negative Blue is the culmination of the cycle that won Wright the Pulitzer Prize and National Book Critics Circle Award. Time will append us like suit coats left out overnight On a deck chair, loose change dead weight in the right pocket, Silk handkerchief limp with dew, sleeves in a slow dance with the wind. And love will kill us-- Love, and the winds from under the earth that grind us to grain-out. --from "Still Life with Spring and Time to Burn" When Charles Wright published Appalachia in 1998, it marked the completion of a nine-volume project, of which James Longenbach wrote in the Boston Review, "Charles Wright's trilogy of trilogies--call it 'The Appalachian Book of the Dead'--is sure to be counted among the great long poems of the century." The first two of those trilogies were collected in Country Music (1982) and The World of the Ten Thousand Things (1990). Here Wright adds to his third trilogy (Chickamauga [1995], Black Zodiac [1997], and Appalachia [1998]) a section of new poems that suggest new directions in the work of this sensuous, spirit-haunted poet.




The Lyrics


Book Description

See:




Lyrics:1962-2012


Book Description

WINNER OF THE NOBEL PRIZE IN LITERATURE A beautiful, comprehensive volume of Dylan’s lyrics, from the beginning of his career through the present day—with the songwriter’s edits to dozens of songs, appearing here for the first time. Bob Dylan is one of the most important songwriters of our time, responsible for modern classics such as “Like a Rolling Stone,” “Mr. Tambourine Man,” and “The Times They Are a-Changin’.” The Lyrics is a comprehensive and definitive collection of Dylan’s most recent writing as well as the early works that are such an essential part of the canon. Well known for changing the lyrics to even his best-loved songs, Dylan has edited dozens of songs for this volume, making The Lyrics a must-read for everyone from fanatics to casual fans.




Flashbacks


Book Description

Flashbacks is an eyewitness account of '60s rock as it was being made. Michael Lydon-the first editor of Rolling Stone and a participant in the rock revolution-enjoyed unique access to the people and events when rock was new. His profiles of the founding fathers and mothers of '60s rock are unique in that they are based on first-hand interviews and on-the-spot reporting. This collection includes the first piece written on the Monterey Pop Festival of 1967 (written only 48 hours after the festival, and never before published); an account of the Rolling Stones's U.S. tour of December 1969; Janis Joplin's dramatic rise and equally dramatic fall; The Grateful Dead at home in their communal house in San Francisco and on stage at Winterland; and much more.




Writing Dylan


Book Description

This study of Dylan's mission-driven music reveals a functional approach to art that not only sustained his 60-year career but forever changed an art form. The second edition of Writing Dylan: The Songs of a Lonesome Traveler examines Nobel Laureate Bob Dylan's historic career, yielding unique insights into a distinctively American artist's creative world. The book opens with a short biography and description of Dylan's artistic method before diving into the seven missions of his life's work. Chapters are supported by song lyrics, of which the author's license agreement with Bob Dylan Music enables a definitive presentation. Since the release of the first edition in 2005, the laureate has produced three albums of original material as well as three widely praised albums of American standards. Columbia Records has issued multiple boxed sets chronicling specific periods of Dylan's career, and several films have been made about him. Dylan himself has also given numerous speeches and interviews, often while accepting prestigious awards. This second edition not only features these new materials but draws on them to recast the first edition, presenting Dylan's music as an indelible art form.




Real Punks Don't Wear Black


Book Description

More than thirty years of the author's commentary on music and culture is sampled in this collection of contentious and perceptive writings that examine such diverse topics as Mariah Carey, Public Enemy, Disco, hip-hop, The New York Dolls, Europop, metal, and more. Simultaneous.




Verse


Book Description

Verse is a seminal introduction to prosody for any student learning to read or write poetry, from secondary to graduate school. Discusses iambic pentameter and other kinds of metrical verse, scansion, rhythm and rhyme, free verse, song, and advanced topics such as poetic meter, linguistic approaches to verse, and the computer scansion of metrical poetry Written in a clear, engaging style by a poet and teacher with more than 30 years of experience teaching the subject Supplemented by a user-friendly website with student exercises and additional resources




The New Yorker Stories


Book Description

The perfect book for new fans and decade-long supporters alike, Ann Beattie: The New Yorker provides readers with a lifetime worth of short stories from one of the most original and celebrated voices of her generation. When Ann Beattie began publishing short stories in The New Yorker in the mid-seventies, she emerged with a voice so original, and so uncannily precise and prescient in its assessment of her characters’ drift and narcissism, that she was instantly celebrated as a voice of her generation. Her name became an adjective: Beattiesque. Subtle, wry, and unnerving, she is a master observer of the unraveling of the American family, and of the myriad small occurrences and affinities that unite us. Her characters, over nearly four decades, have moved from lives of fickle desire to the burdens and inhibitions of adulthood and on to failed aspirations, sloppy divorces, and sometimes enlightenment, even grace. Each Beattie story, says Margaret Atwood, is "like a fresh bulletin from the front: we snatch it up, eager to know what’s happening out there on the edge of that shifting and dubious no-man’s-land known as interpersonal relations." With an unparalleled gift for dialogue and laser wit, she delivers flash reports on the cultural landscape of her time. Ann Beattie: The New Yorker Stories is the perfect initiation for readers new to this iconic American writer and a glorious return for those who have known and loved her work for decades.