You're Only Young Twice


Book Description

Original and thought-provoking, You're Only Young Twice reveals the complexities that underlie even the sparest picture book text and the lessons that reside in even the most familiar family movie plots. Moving from classic texts (The Secret Garden, Goodnight Moon) to ephemera (the Hardy Boys, Goosebumps, and Harry Potter series), from the printed page to the silver screen (Willie Wonka, Jumanji, 101 Dalmatians, Beethoven), Tim Morris employs his experience as a parent and teacher to interrogate children's culture and reveal its conflicting messages. Books and films for children--favorites accepted as wholesome fare for impressionable young minds --do not always teach straightforward lessons. Instead, they reflect the anxieties of the times and the desires of adults. At the heart of many a children's classic lies power, often expressed through racism, sexism, or violence. Under Morris's gaze, revered animal stories like Black Beauty turn into litanies of abuse; fantasies of childhood like Big are revealed as patriarchal struggles. You're Only Young Twice redirects the focus on children's literature, asking not "What messages should children receive?" but "What messages do adults actually send?" For example, Morris recounts his own childhood confusion upon viewing Peter Pan, with its queenish, inept pirate and a grown woman (Mary Martin) in tights who pretends to be a crowing boy. Morris shatters our long-held assumptions and challenges our best intentions, demonstrating how children's literature and films lay bare a troubled and troubling worldview.







You're Only Young Twice


Book Description

The science of growing young (neoteny) underpins this book about maintaining or rediscovering ten youthful traits in ourselves as we age. The traits are resilience, optimism, wonder, curiosity, joy, humor, musicality (song and dance), work, play, and learning. Across all, there is love. The reader is encouraged to keep a Young Twice Chronicle for recording thoughts and outcomes as the book suggests do-overs and other activities for growing young-from the inside out.




You're Old, I'm Old . . . Get Used to It!


Book Description

No-nonsense, wryly self-deprecating, and totally persuasive, You're Old, I'm Old...Get Used to It! unabashedly exalts the virtues of aging. Virginia Ironside wants you to know that getting old is a good thing-and not in that dreadful “sixty is the new forty” way. At sixty-five, she has no interest in pretending to be young and neither should you. Virginia celebrates all the “issues” that she and her fellow oldies embrace, including: • Talking about ailments (and the fabulous meds that come with them) • Grandchildren (the reward you get for not killing your children) • Wisdom (random disorganized knowledge you get to put a fancy label on because you're old)




The Lost Art of Dress


Book Description

"A tribute to a time when style -- and maybe even life -- felt more straightforward, and however arbitrary, there were definitive answers." -- Sadie Stein, Paris Review As a glance down any street in America quickly reveals, American women have forgotten how to dress. We lack the fashion know-how we need to dress professionally and beautifully. In The Lost Art of Dress, historian and dressmaker Linda Przybyszewski reveals that this wasn't always true. In the first half of the twentieth century, a remarkable group of women -- the so-called Dress Doctors -- taught American women that knowledge, not money, was key to a beautiful wardrobe. They empowered women to design, make, and choose clothing for both the workplace and the home. Armed with the Dress Doctors' simple design principles -- harmony, proportion, balance, rhythm, emphasis -- modern American women from all classes learned to dress for all occasions in ways that made them confident, engaged members of society. A captivating and beautifully illustrated look at the world of the Dress Doctors, The Lost Art of Dress introduces a new audience to their timeless rules of fashion and beauty -- rules which, with a little help, we can certainly learn again.




Enser’s Filmed Books and Plays


Book Description

This title was first published in 2003. The sixth edition of this compendium of film and television adaptations of books and plays includes several thousand new listings that cover the period from 1992 to December 2001. There are 8000 main entries, covering 70 years of film history, including some foreign language material.




Television Comedy and Femininity


Book Description

Can comedy on television harbour elements of gender transgression or subversion? If a man is permitted to be 'funny peculiar' – playing the underdog or misfit – does a woman seem stranger in his place? Mapping examples from British and American comedy television over the past 60 years, from I Love Lucy to The Big Bang Theory and Smack the Pony to Waiting For God, this book asks: are particular forms of television comedy gendered in specific ways? Paying attention to series which have not been addressed in academic work, as well as more established shows, White offers fresh insights for the fields of television studies, gender and women's studies, cultural history and comedy.




'Purpose-built’ Art in Hospitals


Book Description

This text explores the use of commissioned artwork in hospitals through the dual lens of an artist and healthcare professional, identifying 15 distinct 'purposes' of art in hospitals and arguing for the need for greater variety in art offerings that serve the diverse needs of patients, families, visitors and hospital staff.




Directors in British and Irish Cinema


Book Description

A guide to directors who have worked in the British and Irish film industries between 1895 and 2005. Each of its 980 entries on individuals directors gives a resume of the director's career, evaluates their achievements and provides a complete filmography. It is useful for those interested in film-making in Britain and Ireland.




Public Enemy Number 1--stress


Book Description

It can slowly drain the life force from your body over time. Or kill swiftly without warning. But you will never find it on a medical chart or see it listed on a death certificate. It's called stress. It exacts a tremendous toll on our lives. It saps our strength, robs our youth and makes us old before our time. We encounter it day in and day out, yet do little, if anything about it. It's no wonder. In today's 'pressure cooker society', the average lunch hour lasts about 11 minutes. Dinner is often consumed in less than 6 minutes (usually seated in front of the television). The average workday can last 10 hours or more. We seem to be living in a society where there's virtually no time for quality time. Strictly speaking, stress itself is not among the direct causes of ageing, yet it plays an extremely important role in the ageing process. It is a powerful force that serves as a catalyst in every known mechanism that causes us to age. Readers might be surprised to find out that this book has as much to do with ageing, life extension and specific measures we can take to postpone the inevitable as it does with stress. The fact is that stress and ageing are inextricably bound together.