Yugoslav Folklore


Book Description




Newly Composed Folk Music of Yugoslavia


Book Description

In Western political discourse, Yugoslavia was frequently referred to as a “buffer zone,” its independence from the Soviet bloc being the single most salient factor making it politically atypical. Another enduring metaphor, that of a crossroads between East and West, was often invoked to describe Yugoslavia’s heterogeneous culture, owing as much to its geographic position in central/southeast Europe as to its multinational makeup. Yet, if not solely for its socialist brand of communism, the Balkan-Slavic identity of Yugoslavia’s traditional culture shaped the perception of the country as a part of the east European cultural bloc. Like other cultures on the map of Slavic traditions, Yugoslavia presented the casual observer with a colorful variety of village music, ethnic customs and a proliferating national folklore engendered in festival re-enactments of rural life. Rapid social changes following World War II profoundly affected the country’s largely rural-based culture. Despite enormous evidence of vanishing historic practices, the music rooted in the socioeconomic milieu of peasant society remained the main focus of ethnomusico-logical research interest. Yugoslavia’s contemporary culture, originating in such modem institutions as mass media and the market place, did not receive comparable attention.













Yugoslav Folk Music


Book Description

This four-volume work is the most substantial and thorough analysis of Yugoslav folk music ever to be published in the English language. In addition to the editorially corrected reprint of the seventy-five Parry Collection transcriptions, first published in 1951, are the 3,449 facsimile reproductions from Bartók's collection of published and unpublished Yugoslav folk song materials. There are, too, instrumental transcriptions from the Parry collection and other sources, hitherto unpublished, and the prodigious Tabulation of Material, amassed from the data inherent in the source melodies, which appears in Vol. II also in facsimile form. Of equal importance is the reprint in Vol. I of the author's index of Serbo-Croatian refrains, which he originally placed in the third volume (Texts) of Rumanian Folk Music for comparative purposes. The editor, Dr. Benjamin Suchoff, provides introductory narratives in which the historical aspect and the chronology of the various manuscript versions are treated. With the assistance of the foremost present-day Yugoslav ethnomusicologists, he has added detailed chapters on related materials that supplement and update Bartók's findings in Yugoslav Folk Music. Dr. Suchoff has also constructed various tabulations, in accordance with Bartókian procedure followed elsewhere, as an aid to the reader. Of special interest will be the computer-derived lexicographical index of themes in Vol. II, which he prepared by extracting the incipits from more than 8,000 melody sections of different content-structure.




Turbo-folk Music and Cultural Representations of National Identity in Former Yugoslavia


Book Description

Turbo-folk music is the most controversial form of popular culture in the new states of former Yugoslavia. Theoretically ambitious and innovative, this book is a new account of popular music that has been at the centre of national, political and cultural debates for over two decades. Beginning with 1970s Socialist Yugoslavia, Uroš Čvoro explores the cultural and political paradoxes of turbo-folk: described as ’backward’ music, whose misogynist and Serb nationalist iconography represents a threat to cosmopolitanism, turbo-folk’s iconography is also perceived as a ’genuinely Balkan’ form of resistance to the threat of neo-liberalism. Taking as its starting point turbo-folk’s popularity across national borders, Čvoro analyses key songs and performers in Serbia, Slovenia and Croatia. The book also examines the effects of turbo on the broader cultural sphere - including art, film, sculpture and architecture - twenty years after its inception and popularization. What is proposed is a new way of reading the relationship of contemporary popular music to processes of cultural, political and social change - and a new understanding of how fundamental turbo-folk is to the recent history of former Yugoslavia and its successor states.




The Balkans in the Cold War


Book Description

Positioned on the fault line between two competing Cold War ideological and military alliances, and entangled in ethnic, cultural and religious diversity, the Balkan region offers a particularly interesting case for the study of the global Cold War system. This book explores the origins, unfolding and impact of the Cold War on the Balkans on the one hand, and the importance of regional realities and pressures on the other. Fifteen contributors from history, international relations, and political science address a series of complex issues rarely covered in one volume, namely the Balkans and the creation of the Cold War order; Military alliances and the Balkans; uneasy relations with the Superpowers; Balkan dilemmas in the 1970s and 1980s and the ‘significant other’ – the EEC; and identity, culture and ideology. The book’s particular contribution to the scholarship of the Cold War is that it draws on extensive multi-archival research of both regional and American, ex-Soviet and Western European archives.







Vampire Nation


Book Description

Analyzes how the rhetoric of Yugoslav intellectuals and politicians and the U.S.-led Western media and political leadership framed the serbs as metaphorical vampires in the last decades of the twentieth century.