Yuri Vella’s Fight for Survival in Western Siberia


Book Description

The book is centred on a fascinating personality, a Western Siberian indigenous poet, reindeer herder and ecological activist, who, in his 40s, made the choice to live in the forest with reindeer. There, he struggled with oil giant LUKoil to ensure his reindeer the possibility to live. A series of essays reflect on his awareness and construction of self and culture, his complex relations with the oil industry, and his native spirituality. It presents insights into what it means to be an indigenous intellectual in post-Soviet Russia at the beginning of the 21st century. Yuri Vella (1948-2013) is not an ordinary representative of his people, but he shows one of the possible forms indigenous leadership could take in Russia, if it aims at giving indigenous peoples the possibility in the near and far future to shape a sustainable relation to nature and their neighbours.




Yuri Vella's World


Book Description

The documentary follows Yuri Vella, writer and social activist of the Forest Nenets living in West-Siberia. To give his grandchildren proper education in their natural environment and teach them reindeer herding skills, he establishes an elementary school in his winter camp.




A Fractured North


Book Description




Academia across the borders


Book Description

This book documents the voices of scholars working in, with, or about Russia in the context of historical collapse. The brief answers, commentaries, and essays collected here were written in response to the four questions asking how academic lives and practices have changed in the aftermath of 24 February 2022. The original project, which was born in Russia at the end of 2022 and intended to be published in Russia and in the Russian language, was never realised. One year later, we are publishing this collection in Germany in the English language. These are no longer snapshots of the current situation, but historical documents that record structural disruptions, ethical and political uncertainties, and individual emotional and analytical reflections from a year ago. Academia is always both an active subject and a passive object under transformation in any continuing political, social, and economic processes; with this publication we hope to contribute to our understanding of diverse implications of the war and shifts in academic landscapes and public discursive regimes. The book/special issue includes 25 responses by young and well-established scholars and two introductions, written by the editors in late 2022 and 2023 respectively.




The Arctic and World Order


Book Description

The Arctic, long described as the world’s last frontier, is quickly becoming our first frontier—the front line in a world of more diffuse power, sharper geopolitical competition, and deepening interdependencies between people and nature. A space of often-bitter cold, the Arctic is the fastest-warming place on earth. It is humanity’s canary in the coal mine—an early warning sign of the world’s climate crisis. The Arctic “regime” has pioneered many innovative means of governance among often-contentious state and non-state actors. Instead of being the “last white dot on the map,” the Arctic is where the contours of our rapidly evolving world may first be glimpsed. In this book, scholars and practitioners—from Anchorage to Moscow, from Nuuk to Hong Kong—explore the huge political, legal, social, economic, geostrategic and environmental challenges confronting the Arctic regime, and what this means for the future of world order.







Galvanizing Nostalgia?


Book Description

Galvanizing Nostalgia? explores critical questions for the survival of Russia in its nominally federal form. Will Russia fall apart along the lines of its internal republics, as did the Soviet Union? Based on cultural anthropology field and historical research in major republics of Eastern Siberia—Sakha (Yakutia), Buryatia, and Tyva (Tuva)—this book highlights Indigenous concerns about self-determination. Marjorie Mandelstam Balzer suggests that a fragile and disorganized dynamic of nested sovereignties has developed within Russia. Ecology activism has grown, given new threats to the environment and accelerating climate challenges, especially in the Arctic. Focus on strategically chosen republics enables comparing and contrasting interethnic relations, language politics, and the salience of gender, demography, resource competition, environmental degradation, and increased spirituality. Republics vary in their neocolonial relationships to Moscow authorities. Some local leaders, such as a politicized shaman, use nostalgia for cultural achievements to galvanize citizens. Since the Soviet Union collapsed, cultural and political revitalization have been relatively more viable, although still difficult, in areas where Siberians have their own republics.




Historical Dictionary of Russian and Soviet Cinema


Book Description

Russian and Soviet cinema occupies a unique place in the history of world cinema. Legendary filmmakers such as Sergei Eisenstein, Vsevolod Pudovkin, Dziga Vertov, Andrei Tarkovsky, and Sergei Paradjanov have created oeuvres that are being screened and studied all over the world. The Soviet film industry was different from others because its main criterion of success was not profit, but the ideological and aesthetic effect on the viewer. Another important feature is Soviet cinema’s multinational (Eurasian) character: while Russian cinema was the largest, other national cinemas such as Georgian, Kazakh, and Ukrainian played a decisive role for Soviet cinema as a whole. The Historical Dictionary of Russian and Soviet Cinema provides a rich tapestry of factual information, together with detailed critical assessments of individual artistic accomplishments. This second edition of Historical Dictionary of Russian and Soviet Cinema contains a chronology, an introduction, and a bibliography. The dictionary section has over 600 cross-referenced entries on directors, performers, cinematographers, composers, designers, producers, and studios. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian and Soviet Cinema.







Jews and Ukrainians in Russia's Literary Borderlands


Book Description

Studies of Eastern European literature have largely confined themselves to a single language, culture, or nationality. In this highly original book, Glaser shows how writers working in Russian, Ukrainian, and Yiddish during much of the nineteenth century and the early part of the twentieth century were in intense conversation with one another. The marketplace was both the literal locale at which members of these different societies and cultures interacted with one another and a rich subject for representation in their art. It is commonplace to note the influence of Gogol on Russian literature, but Glaser shows him to have been a profound influence on Ukrainian and Yiddish literature as well. And she shows how Gogol must be understood not only within the context of his adopted city of St. Petersburg but also that of his native Ukraine. As Ukrainian and Yiddish literatures developed over this period, they were shaped by their geographical and cultural position on the margins of the Russian Empire. As distinctive as these writers may seem from one another, they are further illuminated by an appreciation of their common relationship to Russia. Glaser’s book paints a far more complicated portrait than scholars have traditionally allowed of Jewish (particularly Yiddish) literature in the context of Eastern European and Russian culture.