Author : Markus Coester
Publisher :
Page : 720 pages
File Size : 21,33 MB
Release : 2014-01-12
Category : History
ISBN : 9789766372538
Originally published in various sources between 1907 and 1999.
Author : 'H' Patten
Publisher : Routledge
Page : 316 pages
File Size : 34,34 MB
Release : 2022-03-30
Category : Performing Arts
ISBN : 100054642X
This book explores the genealogy of Jamaican dancehall while questioning whether dancehall has a spiritual underscoring, foregrounding dance, and cultural expression. This study identifies the performance and performative (behavioural actions) that may be considered as representing spiritual ritual practices within the reggae/dancehall dance phenomenon. It does so by juxtaposing reggae/dancehall against Jamaican African/neo-African spiritual practices such as Jonkonnu masquerade, Revivalism and Kumina, alongside Christianity and post-modern holistic spiritual approaches. This book will be of great interest to students and scholars in performance studies, popular culture, music, theology, cultural studies, Jamaican/Caribbean culture, and dance specialists.
Author : Dianne M. Stewart
Publisher : Oxford University Press
Page : 361 pages
File Size : 18,11 MB
Release : 2005-07-07
Category : Religion
ISBN : 0198039085
Studies of African-derived religious traditions have generally focused on their retention of African elements. This emphasis, says Dianne Stewart, slights the ways in which communities in the African diaspora have created and formed new religious meaning. In this fieldwork-based study Stewart shows that African people have been agents of their own religious, ritual, and theological formation. She examines the African-derived and African-centered traditions in historical and contemporary Jamaica: Myal, Obeah, Native Baptist, Revival/Zion, Kumina, and Rastafari, and draws on them to forge a new womanist liberation theology for the Caribbean.
Author : Sonjah Stanley Niaah
Publisher :
Page : pages
File Size : 13,33 MB
Release : 2020-04-17
Category :
ISBN : 9789766407506
Dancehall: A Reader on Jamaican Music and Culture contextualizes the emergence of the globally popular dancehall genre, while tracing the complex and often contradictory aspects of its evolution, dispersion and politics. This collection of foundational essays places dancehall in context with cutting-edge analyses of performance modes and expression, genre development, and impact in the wider local, regional and international socio-political milieu of struggles by black Jamaicans in particular and cultural adherents more broadly. Dancehall is one of eight musical genres created in Jamaica and, in the past two decades, it has become one of the most influential Jamaican cultural exports since reggae. The impact of dancehall extends far beyond Jamaica and is evident in music genres (such as hip hop, trip hop, jungle, reggaeton, South African kwaito and Nigerian Afrobeats) and international fashion, film and dance. This interdisciplinary volume documents various aspects of dancehall's global impact, evolution and influence in gender, political economy, geography, ethnomusicology, spirituality, music production, fashion and language. Each selection interrogates the range of meanings ascribed to dancehall culture, a phenomenon which has been seen to be associated with violence, crime and debauchery. This collection exposes the immense cultural work towards self-expression and identity in post-colonial Jamaica which takes shape through dancehall and the contributors apply a new level of seriousness, depth and academic rigour to dancehall studies.
Author : Kenneth Bilby
Publisher : Wesleyan University Press
Page : 257 pages
File Size : 37,39 MB
Release : 2016-05-10
Category : Literary Criticism
ISBN : 0819576042
Celebrating the legendary studio musicians of Jamaican popular music through personal photographs and interviews This is the first book devoted to the studio musicians who were central to Jamaica's popular-music explosion. With color portraits and interview excerpts, over 100 musical pioneers—such as Prince Buster, Robbie Shakespeare, Sly Dunbar, Lee "Scratch" Perry, and many of Bob Marley's early musical collaborators—provide new insights into the birth of Jamaican popular music in the recording studios of Kingston, Jamaica, in the 1950s, 1960s, and 1970s. Includes a listening guide of selected songs.
Author : Anand Prahlad
Publisher : Univ. Press of Mississippi
Page : 332 pages
File Size : 46,2 MB
Release : 2001
Category : Proverbs, Jamaican
ISBN : 9781604736595
In "Reggae Wisdom: Proverbs in Jamaican Music" Swami Anand Prahlad looks at the contexts and origins of these proverbs, using them as a cultural sheet music toward understanding the history of Jamaican culture, Rastafari religion, and the music that isthat culture's worldwide voice.
Author : Julian Henriques
Publisher : Bloomsbury Publishing USA
Page : 496 pages
File Size : 28,44 MB
Release : 2011-09-08
Category : Music
ISBN : 1441163468
The reggae sound system has exerted a major influence on music and popular culture. Out on the streets of inner city Kingston, Jamaica, every night, sound systems stage dancehall sessions for the crowd to share the immediate, intensive and immersive visceral pleasures of sonic dominance. Sonic Bodies concentrates on the skilled performance of the crewmembers responsible for this signature sound of Jamaican music: the audio engineers designing, building and fine-tuning the hugely powerful "sets" of equipment; the selectors choosing the music tracks to play; and MCs(DJs) on the mic hyping up the crowd. Julian Henriques proposes that these dancehall "vibes" are taken literally as the periodic motion of vibrations. He offers an analysis of how a sound system operates - at auditory, corporeal and sociocultural frequencies. Sonic Bodies formulates a fascinating critique of visual dominance and the dualities inherent in ideas of image, text or discourse. This innovative book questions the assumptions that reason resides only in a disembodied mind, that communication is an exchange of information, and that meaning is only ever representation.
Author : Patrick Taylor
Publisher : Indiana University Press
Page : 238 pages
File Size : 19,28 MB
Release : 2001
Category : Music
ISBN : 9780253338358
Dealing with the ongoing interaction of rich and diverse cultural traditions from Cuba and Jamaica to Guyana and Surinam, Nation Dance addresses some of the major contemporary issues in the study of Caribbean religion and identity. The book’s three sections move from a focus on spirituality and healing, to theology in social and political context, and on to questions of identity and diaspora. The book begins with the voices of female practitioners and then offers a broad, interdisciplinary examination of Caribbean religion and culture. Afro-Caribbean religions, Hinduism, Judaism, Islam, and Christianity are all addressed, with specific reflections on Santería, Palo Monte, Vodou, Winti, Obeah, Kali Mai, Orisha work, Spiritual Baptist faith, Spiritualism, Rastafari, Confucianism, Congregationalism, Pentecostalism, Catholicism, and liberation theology. Some essays are based on fieldwork, archival research, and textual or linguistic analysis, while others are concerned with methodological or theoretical issues. Contributors include practitioners and scholars, some very established in the field, others with fresh, new approaches; all of them come from the region or have done extensive fieldwork or research there. In these essays the poetic vitality of the practitioner’s voice meets the attentive commitment of the postcolonial scholar in a dance of "nations" across the waters.
Author : Larisa Kingston Mann
Publisher : UNC Press Books
Page : 243 pages
File Size : 12,33 MB
Release : 2022-01-11
Category : Social Science
ISBN : 1469667258
In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann—DJ, media law expert, and ethnographer—identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann shows, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a world shaped by coloniality, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization.
Author : Mary Caton Lingold
Publisher : University of Virginia Press
Page : 236 pages
File Size : 21,32 MB
Release : 2023-11-28
Category : History
ISBN : 0813949793
Music, that fundamental form of human expression, is one of the most powerful cultural continuities fostered by enslaved Africans and their descendants throughout the Americas. The roots of so much of the music beloved around the world today are drawn directly from the men and women carried across the Atlantic in chains, from the west coast of Africa to the shores of the so-called New World. This important new book bridges African diaspora studies, music studies, and transatlantic and colonial American literature to trace the lineage of African and African diasporic musical life in the early modern period. Mary Caton Lingold meticulously analyzes surviving sources, especially European travelogues, to recover the lives of African performers, the sounds they created, and the meaning their musical creations held in Africa and later for enslaved communities in the Caribbean and throughout the plantation Americas. The book provides a rich history of early African sound and a revelatory analysis of the many ways that music shaped enslavement and colonization in the Americas.
