Art and the Religious Impulse


Book Description

This collection explores the relationship between religion and the arts and challenges presumptions held in society about these two fields. Topics covered include church architecture, folk art, nineteenth-century classical music, contemporary fiction, recent film, performance art, and the battles over public funding of the arts.




Modern Art and the Life of a Culture


Book Description

In 1970, Hans Rookmaaker published Modern Art and the Death of a Culture, a groundbreaking work that considered the role of the Christian artist in society. This volume responds to his work by bringing together a practicing artist and a theologian, who argue that modernist art is underwritten by deeply religious concerns.







Art History


Book Description

Rudolf Steiner understood that the history of art is a field in which the evolution of consciousness is symptomatically and transparently revealed. This informal sequence of thirteen lectures was given during the darkest hours of World War I. It was a moment when the negative consequences of what he called the age of the consciousness soul, which began around 1417, were made most terribly apparent. In these lectures he sought to provide an antidote to pessimism. After describing the movement of consciousness from Greece into Rome, coupled with influences from the Orthodox East, he showed how these influences transformed as the Middle Ages became the Renaissance. The process that begins with Cimabue and Giotto develops, deepens, and becomes more conscious in the great Renaissance masters Leonardo, Michelangelo, and Raphael. Then this movement continues with the Northern masters, D rer and Holbein, as well as the German tradition. One entire lecture is devoted to Rembrandt, followed by one on Dutch and Flemish paintings. Themes are woven together to show how past epochs of consciousness and art live again in our consciousness-soul period. Replete with interesting information and more than 600 color and black-and-white images, these lectures are rich and dense with ideas, enabling us to understand both the art of the Renaissance and the transformation of consciousness it announced. These lectures demonstrate (to paraphrase Shelley) that artists truly are the unacknowledged legislators of the age.




The Invisibility of Religion in Contemporary Art


Book Description

The Invisibility of Religion in Contemporary Art offers a critical guide for rereading and rethinking religion in the histories of modern and contemporary art. Since the turn of the twenty-first century, there has been a marked increase in attention to religion and spirituality in contemporary art among artists and scholars alike, but the resulting scholarship tends to be dispersed, disjointed, and underdeveloped, lacking a sustained discourse that holds up as both scholarship of art and as scholarship of religion. The Invisibility of Religion in Contemporary Art is both a critical study of this situation and an adjustment to it, offering a much-needed field guide to the current discourse of contemporary art and religion. By connecting the work of leading art historians, theologians, philosophers, and sociologists, Jonathan A. Anderson uncovers the gaps and reveals opportunities for scholars to engage more fully with the theological grammars, histories, and concepts at play in modern and contemporary art. By addressing the religious blind spots in existing scholarship, Anderson opens new lines of inquiry and invites deeper dialogue between religious studies, theology, and art history and criticism.




Modern Art and the Death of a Culture


Book Description

Uses popular and lesser-known paintings to show modern art's reflection of a dying culture and how Christian attitudes can create hope in today's society.




U2 and the Religious Impulse


Book Description

U2 and the Religious Impulse examines indications in U2's music and performances that the band work at conscious and subconscious levels as artists who focus on matters of the spirit, religious traditions, and a life guided by both belief and doubt. U2 is known for a career of stirring songs, landmark performances and for its interest in connecting with fans to reach a higher power to accomplish greater purposes. Its success as a rock band is unparalleled in the history of rock 'n' roll's greatest acts. In addition to all the thrills one would expect from entertainers at this level, U2 surprises many listeners who examine its lyrics and concert themes by having a depth of interest in matters of human existence more typically found in literature, philosophy and theology. The multi-disciplinary perspectives presented here account for the durability of U2's art and offer informed explanations as to why many fans of popular music who seek a connection with a higher power find U2 to be a kindred spirit. This study will be of interest to scholars and students of religious studies and musicology, interested in religion and popular music, as well as religion and popular culture more broadly.




No Idols


Book Description

The first in the new Power Polemics series, Thomas Crow's No Idols: The Missing Theology of Art turns away from contemporary cultural theories to face a pervading blindspot in today's art-historical inquiry: religion. Crow pursues a perhaps unpopular notion of Christianity's continued presence in modern abstract art and in the process makes a case for art's own terrain of theology: one that eschews idolatry by means of abstraction. Tracking the original anti-idolatry controversy of the Jansenists, anchored in a humble still life by Chardin, No Idols sets the scene for the development of an art of reflection rather than representation, and divinity without doctrine. Crow's reinstatement of the metaphysical is made through the work of New Zealand artist Colin McCahon and American artists Mark Rothko, Robert Smithson, James Turrell, and Sister Mary Corita Kent. While a tightly selected group of artists, in their collective statute the author explores the proposal that spiritual art, as opposed to "a simulacrum of one," is conceivable for our own time.




Promptings of Desire


Book Description

Through his art, D. H. Lawrence exhorted people to recognize their potential for creative change and to energize it toward a more fulfilling mode of existence. Author Paul Poplawski seeks to define Lawrence's concept of creativity and explores its use as a central structuring principle of his ethical, metaphysical, and aesthetic thought. Viewed in relation to his basic religious beliefs, the concept of creativity provides us with an integrated perspective on his art. Poplawski considers biographical elements of Lawrence's religious formation and traces the path of transmittal of these ideas into the early fiction and particularly The Rainbow. He then continues to demonstrate how religious views and aesthetic theory coalesce in the later works. He also engages critical dialogue by investigating counter-creative trends of elitism and sexism in the corpus.




The Varieties of Religious Experience


Book Description

Harvard psychologist and philosopher William James' The Varieties of Religious Experience: A Study in Human Nature explores the nature of religion and, in James' observation, its divorce from science when studied academically. After publication in 1902 it quickly became a canonical text of philosophy and psychology, remaining in print through the entire century. "Scientific theories are organically conditioned just as much as religious emotions are; and if we only knew the facts intimately enough, we should doubtless see 'the liver' determining the dicta of the sturdy atheist as decisively as it does those of the Methodist under conviction anxious about his soul. When it alters in one way the blood that percolates it, we get the Methodist, when in another way, we get the atheist form of mind."