Saggi Filosofici


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Teoría estética


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Nueva traducción completa de la teoría estética de Adorno, expuesta en relación/confrontación con otras filosofías clásicas, como la kantiana o la hegeliana, así como con la teoría cultural, la filosofía de la historia, la cultura social, etcétera.




The Aesthetics of Thomas Aquinas


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The well-known Italian semiotician and novelist Umberto Eco discloses for the first time to English-speaking readers the unsuspected richness, breadth, complexity, and originality of the aesthetic theories advanced by the influential medieval thinker Thomas Aquinas, heretofore known principally as a scholastic theologian. Inheriting his basic ideas and conceptions of art and beauty from the classical world, Aquinas transformed or modified these ideas in the light of Christian theology and of developments in metaphysics and optics during the thirteenth century. Setting the stage with an account of the vivid aesthetic and artistic sensibility that flourished in medieval times, Eco examines Aquinas's conception of transcendental beauty, his theory of aesthetic perception or visio, and his account of the three conditions of beauty--integrity, proportion, and clarity--that, centuries later, emerged again in the writings of the young James Joyce. He examines the concrete application of these theories in Aquinas's reflections on God, mankind, music, poetry, and scripture. He discusses Aquinas's views on art and compares his poetics with Dante's. In a final chapter added to the second Italian edition, Eco examines how Aquinas's aesthetics came to be absorbed and superseded in late medieval times and draws instructive parallels between Thomistic methodology and contemporary structuralism. As the only book-length treatment of Aquinas's aesthetics available in English, this volume should interest philosophers, medievalists, historians, critics, and anyone involved in poetics, aesthetics, or the history of ideas.




Place in Literature


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Since the 1840s, when Victorian England emerged into the modern era and industrial cities became the new cultural centers, regionalist literature has posited itself as an aesthetic alternative to nationalist culture. Yet what differentiates regionalism's claims of authenticity, derived from blood and soil, from those of nationalism? Through close readings and theoretical elaborations, Roberto M. Dainotto reveals the degree to which regionalism mimics nationalism in valorizing ethnic purity. He interprets regionalism not as a genre in the pastoral tradition but as a rhetorical trope, a way of reading in which regionalism figures as the "other" against a historical process that disrupts the organic wholeness of place. Dainotto traces the genealogy of the idea of place in literature, examining European texts from Victorian England to Fascist Italy. He finds, for example, in Thomas Hardy's The Return of the Native a virtual thesaurus of regionalist commonplaces. Elizabeth Gaskell's North and South mediates between Madame de Stal's privileging of the sophisticated north and Jean-Jacques Rousseau's nostalgia for the naive south. The regionalism of the Sicilian philosopher Giovanni Gentile exhibits a deep longing for the humanities as they define Italy and Western culture. Dainotto concludes with a close look at the rhetoric of Nazism and Fascism, dramatizing the convergence of regionalist aesthetics and nationalist ideology in Italy and Germany between the two World Wars.




Vico and the Transformation of Rhetoric in Early Modern Europe


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Considered the most original thinker in the Italian philosophical tradition, Giambattista Vico has been the object of much scholarly attention but little consensus. In this new interpretation, David L. Marshall examines the entirety of Vico's oeuvre and situates him in the political context of early modern Naples. Marshall presents Vico's work as an effort to resolve a contradiction. As a professor of rhetoric at the University of Naples, Vico had a deep investment in the explanatory power of classical rhetorical thought, especially that of Aristotle, Cicero, and Quintilian. Yet as a historian of the failure of Naples as a self-determining political community, he had no illusions about the possibility or worth of democratic and republican systems of government in the post-classical world. As Marshall demonstrates, by jettisoning the assumption that rhetoric only illuminates direct, face-to-face interactions between orator and auditor, Vico reinvented rhetoric for a modern world in which the Greek polis and the Roman res publica are no longer paradigmatic for political thought.




The sages’ art of living


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Our own philosophy can make us happy or frustrated. Everyone has to deal with issues of money, love, sex, studies and work. The answer to these lies in the way of existence. But which way suits one best?The title of the book ‘The Sages’ Art of Living’ speaks for itself. It reflects the content of 100 pages of freedom and wisdom, which sometimes is so lacking in modern life.Who am I? Why did I come to this world? What do I want from life? To some, these questions may seem childish or rhetorical, there is simply no time for these in the stream of everyday life. But, perhaps, courage and perseverance to ask precisely these questions may help to master the Art of Life. And this book can guide you in your quest."I have written this book to reinforce that ontic call, to recognize it and to live it. So instead of living to die, life becomes living to be. Consequently anxiety, even when you are aware of it, is not experienced.Thinking about teaching a secure path to young people who do not want to wind up on the scarp heap could turn out to be ideological infantilism. However, after considering the various stages of my existence and paths from which I have matured and gained a rare if not unique experience – at least based on my observations from various meetings with people from a range of cultures and countries – I believe I will have fulfilled my duty if I can make accessible to the young some of my knowledge of the art of living.The tree must touch the sky and live with the winds and the sun, without ever detaching its roots from the earth that gives it its place and existence: to be the sky whilst still walking the earth".В формате PDF A4 сохранен издательский макет книги.




Philosophy of Art


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The Philosophical Disenfranchisement of Art


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In this text, first published in 1986, the author explored the inextricably linked but often misunderstood relationship between art and philosophy. In this new edition, Jonathan Gilmore provides a foreword discussing how scholarship has changed in response to it.




Marxism and Philosophy of Praxis


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This book will offer a full reconstruction of the history of Theoretical Marxism in Italy between 1895 and 1935, based on a rigorous philological method. The starting term (1895) is marked by the publication of Antonio Labriola's first essay on historical materialism (In memory of Communist Manifesto); the final term coincides with the conclusion of the "Prison Notebooks" written by Antonio Gramsci. This book analyses the original character of the Marxist philosophy in Italy, which emerged by distinguishing itself from the "orthodoxy" of the Second and Third International. By delineating a significant chapter in the history of Marxism, the book will also propose a specific contribution to the history of Italian Philosophy, which is here studied in relation to the developments of European philosophy, beyond the traditional subdivisions of Positivism, Idealism and Marxism.