Book Description
xvii + 114 pp.
Author : John Hilton
Publisher : A-R Editions, Inc.
Page : 146 pages
File Size : 50,36 MB
Release : 2004-01-01
Category : Music
ISBN : 0895795493
xvii + 114 pp.
Author : John Hilton
Publisher :
Page : 114 pages
File Size : 20,91 MB
Release : 1844
Category : Ayres
ISBN :
Author : John Hilton
Publisher :
Page : 0 pages
File Size : 50,12 MB
Release : 1627
Category :
ISBN :
Author : John Hilton
Publisher :
Page : 52 pages
File Size : 33,93 MB
Release : 1844
Category :
ISBN :
Author :
Publisher :
Page : pages
File Size : 19,30 MB
Release :
Category :
ISBN :
Author : John Hilton
Publisher :
Page : 68 pages
File Size : 42,71 MB
Release : 1844
Category : Part songs, English
ISBN :
Author : John Hilton
Publisher :
Page : pages
File Size : 23,25 MB
Release : 1627
Category :
ISBN :
Author : Richard Hudson
Publisher : Cambridge University Press
Page : 282 pages
File Size : 32,99 MB
Release : 1986
Category : Music
ISBN : 0521248523
The first of two volumes devoted to the evolution of the Allemande, the Balletto, and the Tanz from 1540 to 1750.
Author : Megan Kaes Long
Publisher : Oxford University Press, USA
Page : 301 pages
File Size : 15,81 MB
Release : 2020
Category : Music
ISBN : 0190851902
""This book examines a repertoire of homophonic vernacular partsongs composed around the turn of the seventeenth century, and considers how these partsongs exploit rhythm, meter, phrase structure, and form to craft harmonic trajectories. Giovanni Giacomo Gastoldi, Thomas Morley, Hans Leo Hassler, and their contemporaries engineered a particular kind of centricity that is distinctively tonal: they strategically deployed dominant harmonies at regular periodicities and in combination with poetic, phrase structural, and formal cues, thereby creating expectation for tonic harmonies. Homophony provided an ideal venue for these experiments: spurred by an increasing demand for comprehensible texts, composers of partsongs developed rigid text setting procedures that promoted both metrical regularity and consistent phrase rhythm. This rhythmic consistency had a ripple effect: it encouraged composers to design symmetrical phrase structures and to build comprehensive, repetitive, and predictable formal structures. Thus, homophonic partsongs create and exploit trajectories from dominants to tonics on multiple scales, from cadence to sub-phrase to phrase to form. Ultimately, this book argues for a model of tonality-and of tonality's history-that centers not pitch, but rhythm and meter. Metrically oriented harmonic trajectories encourage tonal expectation. And we can locate these trajectories in a variety of repertoires, including those that we traditionally understand as "modal." ""--
Author :
Publisher :
Page : 200 pages
File Size : 44,20 MB
Release : 1871
Category : Bibliography
ISBN :