Picasso Black and White


Book Description

Published on the occasion of the exhibition Picasso Black and White. Curated by Carmen Gimaenez, Stephen and Nan Swid Curator of Twentieth-Century Art, Solomon R. Guggenheim Foundation, New York.




Monochrome


Book Description

Painting "without color" has long held a fascination for artists. In this striking and original book, the authors explore how and why artists from the 15th century to the present have chosen to paint in black, white, and shades of gray. Sometimes artists used trompe l'oeil monochromatic effects to represent other media, such as sculpture, prints, or photography; others have consciously limited their palette as a means of re-focusing the viewer's attention, while contemporary artists such as Gerhard Richter and Bridget Riley have often found inspiration in pushing black and white to its limits, and in new directions. The authors trace the history of this art form, from the symbolism of sacred images in medieval church ritual - epitomized in Netherlandish painting from the 15th century onwards by Hans Memling and Jan van Eyck - to the modern era and the work of artists such as Josef Albers and Ellsworth Kelly.




James White


Book Description

JamesWhite (b.1967) paints flawless black and white photorealist images. His mundane, almost incidental works, which at first glance appear to be straightforward snapshots, on closer inspection reveal themselves to be beautifully painted images.Whites paintings invest the everyday with a level of attention that is both fascinating and disturbing.White constructs his own focused world from the fragments he chooses to paint, and his works have the intensity of a crime scene photograph an unexplained moment forever captured. The details he documents lend themselves to multiple narratives that might describe the drama that inhabits these inanimate objects. In the search for evidence, the viewer is seduced by the technique of the painting, but closer scrutiny only makes it harder to define the nature of what makes the work appear so photographic, so apparently real. The absolute becomes elusive inWhites work. His world exists on the periphery of vision, where his subject matter begins and ends.




Black and White are Colors


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Jackson Pollock


Book Description

March 1969, Marlborough-Gerson Gallery







New Waves


Book Description

Leading trailblazers in contemporary art reflect on the transformations in ideology and practice that shape today's art market In New Waves, Dutch art historian Marta Gnyp interviews a number of artists and curators about contemporary art's shifting landscape. Her inquest is divided into five chapters that each address a subject of major change in recent years. "Rewriting the Canon" details the rediscovery and revaluation of several postwar artists including painters Joan Semmel, Stanley Whitney and Claudette Johnson. In "Extending New Media," artists Cory Arcangel and Alex da Corte discuss the creative possibilities posed by new technology. "New Approaches to Truth and Morality" sees installation artist Jordon Wolfson and photographer Mohamed Bourouissa reflect on the ethics of art making. "New Classic Art" examines the practices of four artists--Claire Tabouret, Adriana Varejão, Daniel Richter and Jenny Saville--whose work provides a contemporary spin on the classical art tradition. Finally, Gnyp speaks to several curators, collectors and museum directors to discuss the evolving art market in the 21st century.




Charles White


Book Description

A revelatory reassessment of one of the most influential American artists of the 20th century Charles White (1918–1979) is best known for bold, large-scale paintings and drawings of African Americans, meticulously executed works that depict human relationships and socioeconomic struggles with a remarkable sensitivity. This comprehensive study offers a much-needed reexamination of the artist’s career and legacy. With handsome reproductions of White’s finest paintings, drawings, and prints, the volume introduces his work to contemporary audiences, reclaims his place in the art-historical narrative, and stresses the continuing relevance of his insistent dedication to producing positive social change through art. Tracing White’s career from his emergence in Chicago to his mature practice as an artist, activist, and educator in New York and Los Angeles, leading experts provide insights into White’s creative process, his work as a photographer, his political activism and interest in history, the relationship between his art and his teaching, and the importance of feminism in his work. A preface by Kerry James Marshall addresses White’s significance as a mentor to an entire generation of practitioners and underlines the importance of this largely overlooked artist.




Ellsworth Kelly


Book Description

The paintings of Ellsworth Kelly (born 1923) are famous for their hard edges, minimalist abstraction and above all, their bright, vibrant colors. Less known are the black-and-white drawings, collages and paintings that preceded or accompanied many of them, despite the fact that they make up roughly 20 percent of his total output. Ellsworth Kelly: Black & White and the exhibition it accompanies bring together the artist's color-free work for the first time, and offer a fresh take on his long career, emphasizing his use of shape, contrast, texture and his incorporation of such everyday objects as a broken windowpane, a handrail shadow or the leaf of a plant into his abstraction. This catalogue makes clear that the scale of contrast between black and white was key to Kelly's artistic self-discovery and subsequent development, and is crucial to any proper understanding of his oeuvre.




Down-adown-derry


Book Description