Borders of Socialism


Book Description

This fascinating book argues that in Russia the relations between culture and nation, art and life, commodity and trash, often diverged from familiar Western European or American versions of modernity. The essays show how public and private overlapped and shaped each other, creating new perspectives on individuals and society in the Soviet Union.




The Socialist Sixties


Book Description

“A very engaging collection of essays that adds much to an evolving literature on the social history of the Soviet Union and broader socialist societies.” —Choice The 1960s have reemerged in scholarly and popular culture as a protean moment of cultural revolution and social transformation. In this volume socialist societies in the Second World (the Soviet Union, East European countries, and Cuba) are the springboard for exploring global interconnections and cultural cross-pollination between communist and capitalist countries and within the communist world. Themes explored include flows of people and media; the emergence of a flourishing youth culture; sharing of songs, films, and personal experiences through tourism and international festivals; and the rise of a socialist consumer culture and an esthetics of modernity. Challenging traditional categories of analysis and periodization, this book brings the sixties problematic to Soviet studies while introducing the socialist experience into scholarly conversations traditionally dominated by First World perspectives.




Borders in Post-Socialist Europe


Book Description

'Borders' have attracted considerable attention in public and academic debates in light of the impact of globalisation and, in Europe, the end of the divisions of the Cold War era. Instead, being inside or outside of the EU has become a major paradigmatic divide between claimed 'spheres of influence' by 'Brussels' and 'Moscow' respectively. In the aftermath of the end of communism, established certainties no longer seemed to apply. And this included many of the borders within the former eastern Bloc, with some losing their relevance, while others re-assert themselves. As its particular contribution, this book adopts a symbiotic approach to the analysis of borders, drawing on a political-economy perspective, while also recognising the importance of the socio-cultural dimension as found in 'border studies'. This seeks to do greater justice to the complex, composite nature of borders as geo-political, state-legal and cultural-historic constructs in both theory and practice. In addition, the book's approach stretches across spatial scales to capture the multi-level nature of borders. The first part of the book presents the conceptual framework as it sets out to embrace this multi-faceted, multi-layered nature of borders. In the second part, case studies from north-central Europe, including the Baltic Sea Region, exemplify the complexity of borders in the context of post-socialist transformation and continuing EU-isation.




Art beyond Borders


Book Description

This book presents and analyzes artistic interactions both within the Soviet bloc and with the West between 1945 and 1989. During the Cold War the exchange of artistic ideas and products united Europe?s avant-garde in a most remarkable way. Despite the Iron Curtain and national and political borders there existed a constant flow of artists, artworks, artistic ideas and practices. The geographic borders of these exchanges have yet to be clearly defined. How were networks, centers, peripheries (local, national and international), scales, and distances constructed? How did (neo)avant-garde tendencies relate with officially sanctioned socialist realism? The literature on the art of Eastern Europe provides a great deal of factual knowledge about a vast cultural space, but mostly through the prism of stereotypes and national preoccupations. By discussing artworks, studying the writings on art, observing artistic evolution and artists? strategies, as well as the influence of political authorities, art dealers and art critics, the essays in Art beyond Borders compose a transnational history of arts in the Soviet satellite countries in the post war period. ÿ




Defending the Border


Book Description

This book, one of the first in English about everyday life in the Republic of Georgia, describes how people construct identity in a rapidly changing border region. Based on extensive ethnographic research, it illuminates the myriad ways residents of the Caucasus have rethought who they are since the collapse of the Soviet Union. Through an exploration of three towns in the southwest corner of Georgia, all of which are situated close to the Turkish frontier, Mathijs Pelkmans shows how social and cultural boundaries took on greater importance in the years of transition, when such divisions were expected to vanish. By tracing the fears, longings, and disillusionment that border dwellers projected on the Iron Curtain, Pelkmans demonstrates how elements of culture formed along and in response to territorial divisions, and how these elements became crucial in attempts to rethink the border after its physical rigidities dissolved in the 1990s. The new boundary-drawing activities had the effect of grounding and reinforcing Soviet constructions of identity, even though they were part of the process of overcoming and dismissing the past. Ultimately, Pelkmans finds that the opening of the border paradoxically inspired a newfound appreciation for the previously despised Iron Curtain as something that had provided protection and was still worth defending.




Palestine


Book Description

This essay collection presents a compelling and insightful analysis of the Palestinian freedom movement from a socialist perspective. In Palestine: A Socialist Introduction, contributors examine a number of key aspects in the Palestinian struggle for liberation. These essays contextualize the situation in today’s polarized world and offer a socialist perspective on how full liberation can be won. Through an internationalist, anti-imperialist lens, this book explores the links between the struggle for freedom in the United States and that in Palestine, and beyond. Contributors examine both the historical and contemporary trajectory of the Palestine solidarity movement in order to glean lessons for today’s organizers. They argue that, in order to achieve justice in Palestine, the movement must take up the question of socialism regionally and internationally. Contributors include: Jehad Abusalim, Shireen Akram-Boshar, Omar Barghouti, Nada Elia, Toufic Haddad, Remi Kanazi, Annie Levin, Mostafa Omar, Khury Petersen-Smith, and Daphna Thier.




Outside the "Comfort Zone"


Book Description

Traditionally, privacy studies have focused on the liberal democratic societies of the global West, whereas non-democratic contexts have played a marginal role in the discussion of the private and public spheres, not in the least because of the political stances of the Cold War era. This volume offers explorations of highly diversified performances and discourses of privacy by various actors which were embedded into the culturally, economically, and politically specific constructions of late socialism in individual states of the Warsaw Pact. While the experience of socialism varied across the Bloc, there were also some reactions to socialism and some reverse responses of socialist regimes to these reactions that one can trace through all states. Contributions to this volume take us across the Eastern Bloc and beyond it—from the Soviet Union, into late socialist Poland, Romania, and East and West Germany. While looking at specific countries, they provide a glimpse into a broader perspective that reaches beyond the borders of individual late socialist states. Together, these articles document a palette of paradigms of the construction and transformation of the private spheres that overcame the national borders of individual states and left an imprint across the Eastern Bloc, thereby contributing to rethinking Cold War rhetoric in regard to these states.







Socialism . . . Seriously


Book Description

“Katch has done the impossible: he makes socialism sexy . . . eye-opening, inspiring, and funny . . . this book might turn you into a closet socialist” (Judah Friedlander, actor and comedian). Opinion polls show that many people in the United States prefer socialism to capitalism. But after being declared dead and buried for decades, socialism has come to mean little more than something vaguely less cruel and stupid than what we have now. That’s not exactly going to inspire millions to storm the barricades. Danny Katch brings together the two great Marxist traditions of Karl and Groucho to provide an entertaining and insightful introduction to what the socialist tradition has to say about democracy, economics, and the potential of human beings to be something more than being bomb-dropping, planet-destroying racist fools. “The most hilarious book about socialism since Karl Marx and his brother Harpo wrote their joke book.” —Hari Kondabolu, filmmaker and comedian “If The Communist Manifesto and America’s Funniest Home Videos had a baby, it would be Danny Katch’s new book. It’s a hilarious and fun way to think about what’s wrong with our world, how it could be different, and how we might get there. Keep an extra copy of Socialism . . . Seriously in your bag and hand it to the next person who asks you what socialism is all about; as long as that person is not your boss . . . seriously.” —Brian Jones, actor, educator, and activist “A lighthearted, easy read that packs an intro course on socialism into a short volume. With jokes that made me laugh out loud, and a lot of heart. Socialism is for lovers. Indeed.” —Sarah Jaffe, Belabored podcast host




Dropping out of Socialism


Book Description

The essays in this collection make up the first study of “dropping out” of late state socialism in Eastern Europe and the Soviet Union. From Leningrad intellectuals and Berlin squatters to Bosnian Muslim madrassa students and Romanian yogis, groups and individuals across the Eastern Bloc rejected mainstream socialist culture. In the process, multiple drop-out cultures were created, with their own spaces, music, values, style, slang, ideology and networks. Under socialism, this phenomenon was little-known outside the socialist sphere. Only very recently has it been possible to reconstruct it through archival work, oral histories and memoirs. Such a diverse set of subcultures demands a multi-disciplinary approach: the essays in this volume are written by historians, anthropologists and scholars of literature, cultural and gender studies. The history of these movements not only shows us a side of state socialist life that was barely known in the west. It also sheds new light on the demise and eventual collapse of late socialism, and raises important questions about the similarities and differences between Eastern and Western subcultures.