The Color Prints of Old Japan
Author : William Dallam Armes
Publisher :
Page : 62 pages
File Size : 47,70 MB
Release : 1901
Category : Art
ISBN :
Author : William Dallam Armes
Publisher :
Page : 62 pages
File Size : 47,70 MB
Release : 1901
Category : Art
ISBN :
Author : William Dallam Armes
Publisher : Forgotten Books
Page : 60 pages
File Size : 29,44 MB
Release : 2016-08-26
Category : Art
ISBN : 9781333366247
Excerpt from The Color-Prints of Old Japan What are they? Is a question often asked by those looking for the first time at a collection of Japanese prints. To say that they are chromoxylographs, is to give an answer strictly accurate. But as this is more concise than simple, it may be well to say in non-technical, popular language that they are prints in colors from engraved wooden blocks, as many blocks and impressions ordinarily being required as there are colors. In Europe towards the end of the eighteenth century similar prints were produced, but as their reception by the public was not such as to encourage their makers, there was no development of the art comparable with that in Japan in the same century. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author : William Dallam Armes
Publisher :
Page : 20 pages
File Size : 38,82 MB
Release : 1901
Category : Color prints, Japanese
ISBN :
Author : American Art Association
Publisher :
Page : pages
File Size : 30,99 MB
Release : 1914
Category :
ISBN :
Author : Carol Finley
Publisher : Lerner Publications
Page : 66 pages
File Size : 26,59 MB
Release : 1998-01-01
Category : Juvenile Nonfiction
ISBN : 9780822520771
Focuses on Japanese wood block prints of the Edo period (1600-1868) by explaining the subject matter as well as the technique used in making them.
Author : William Dallam B. 1860 Armes
Publisher :
Page : 58 pages
File Size : 13,95 MB
Release : 2016-08-25
Category : History
ISBN : 9781361551073
Author : Edward Fairbrother Strange
Publisher :
Page : 124 pages
File Size : 44,18 MB
Release : 2009-05
Category : Literary Collections
ISBN : 9781104485276
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Author : Chazen Museum of Art
Publisher : Chazen Museum of Art
Page : 154 pages
File Size : 33,54 MB
Release : 2006
Category : Color prints, American
ISBN : 9780932900647
Color woodcut printmaking was not new to Britain, America, or Japan in the late eighteenth century. Yet after Japan was opened to the West in 1854 and deeper cultural exchange began, Japanese prints captured the European and American imagination. The fresh colors, simplicity of materials, and departure from traditional compositions entranced western artists and the public alike. Likewise, Japanese audiences and artists were intrigued by the styles and techniques of western art, which was broadly available in Japan by the end of the nineteenth century. Artists there created images of the strange foreigners and imagined what American cities looked like. By the beginning of the twentieth century, artists were not content to merely imagine what the other side of the world looked like. As prints traveled around the globe for study so did artists, and with them spread the tricks and techniques of color woodblock printmaking as well as appreciation for the prints. Woodblock printmakers in the West started to investigate Japanese processes, and Japanese publishers began to seriously seek out the print market outside of Japan. Important themes began to emerge; scenes of nature and old-fashioned architecture outnumbered modern city views, and images of animals were nearly as popular as those of human figures. Imagery was often idyllic and beautiful, attractive to an international audience. Twentieth-century art, however, moves at a furious pace, and the ferment of the international woodcut style quickly ran its course. Artists appropriated what they needed from the color woodcut, then developed techniques, subjects, and styles in their own ways. An ever-expanding range of prints became indebted to the artists of the previous generation who had reinvigorated woodblock printmaking styles and practices around the world. This full-color catalogue includes many prints from this colorful exhibition and shows how the progression of styles became more similar as international artists learned from and competed with each other, then stylistically diverged as artists of each country took what they learned in new directions. The three essays each focus on the influences and contributions made to the international style by three countries: Japan, Britain, and America.
Author : John Green
Publisher : Courier Corporation
Page : 52 pages
File Size : 44,64 MB
Release : 2008-09-03
Category : Juvenile Nonfiction
ISBN : 0486468836
Based on antique prints, more than 40 handsome illustrations depict samurai warriors, the imperial villa at Kyoto, a Shinto shrine, tea ceremony, Noh play, and more. Detailed captions offer fascinating facts.
Author :
Publisher :
Page : 26 pages
File Size : 25,84 MB
Release : 1895
Category : Color prints, Japanese
ISBN :