The Marriage of Anansewa


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Edufa


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Unexpected Joy at Dawn


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Fifteen years ago, Mama said, starting her story, I came to Lagos from Ghana. I came to Nigeria because I was considered an alien in that country. The government of Ghana passed a law asking all aliens without resident permits to regularise their stay in the country'. This story of migration, identities and lives undermined by cynical and xenophobic politics pushed to its logical and terrible conclusion pertains to the Ghanaian orders of `alien compliance' issued in 1970-1971, which determined to force all non-ethnic Ghanaians, so called illegal immigrants, to return to their - so stipulated - `home'. The novel thus touches on concerns of deeper relevance to the politics of race and migration of the twenty first century.




Houseboy


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Written in the form of a diary, kept by the Cameroonian houseboy Toundi, this book looks at Toundi's innocence and his awe of the white world of his masters.




Second-class Citizen


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Adah's desire to write is pitted against the forces of an egotistical and unfeeling husband and a largely indifferent white society.




Foriwa


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The Lion and the Jewel


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The Matriarch's Verse


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I am a mongrel; a mixed breed of Ga, Ewe, Akuapem, English, Middle-Eastern and American cultures; I am a Third Culture Kid. Apiorkor's socio-cultural experiences are interesting and might appear to be unique. But the truth is that there are several other Ghanaians who are secret sharers of her life. Such people lack access to platforms that would allow them to tell their collective story, so that their societies and communities can re-think all of the things that affect them. Happily, Apiorkor is an artist over matter and over emotions. She possesses a mastery over words and over the essences of life. Many Ghanaian men, women and children are like her. And her voice represents their voices. In this sensational collection, The Matriarch seeks to celebrate, shock, tickle, challenge and highlight our Ghanaian-ness in the 21st Century. The author peppers our imagination with the following: What does it mean to be Ghanaian? How have we progressed? Why do we stand for the things we stand for? Who really is the modern Ghanaian woman? Where is the global place for the urban Ghanaian space?