Dante and Augustine


Book Description

At several junctures in his career, Dante paused to consider what it meant to be a writer. The questions he posed were both simple and wide-ranging: How does language, in particular 'poetic language,' work? Can poetry be translated? What is the relationship between a text and its commentary? Who controls the meaning of a literary work? In Dante and Augustine, Simone Marchesi re-examines these questions in light of the influence that Augustine's reflections on similar issues exerted on Dante's sense of his task as a poet. Examining Dante's life-long dialogue with Augustine from a new point of view, Marchesi goes beyond traditional inquiries to engage more technical questions relating to Dante's evolving ideas on how language, poetry, and interpretation should work. In this engaging literary analysis, Dante emerges as a versatile thinker, committed to a radical defence of poetry and yet always ready to rethink, revise, and rewrite his own positions on matters of linguistics, poetics, and hermeneutics.







Augustine's Confessions


Book Description

From Pulitzer Prize–winner Garry Wills, the story of Augustine’s Confessions In this brief and incisive book, Pulitzer Prize-winning historian Garry Wills tells the story of the Confessions--what motivated Augustine to dictate it, how it asks to be read, and the many ways it has been misread in the one-and-a-half millennia since it was composed. Following Wills's biography of Augustine and his translation of the Confessions, this is an unparalleled introduction to one of the most important books in the Christian and Western traditions. Understandably fascinated by the story of Augustine's life, modern readers have largely succumbed to the temptation to read the Confessions as autobiography. But, Wills argues, this is a mistake. The book is not autobiography but rather a long prayer, suffused with the language of Scripture and addressed to God, not man. Augustine tells the story of his life not for its own significance but in order to discern how, as a drama of sin and salvation leading to God, it fits into sacred history. "We have to read Augustine as we do Dante," Wills writes, "alert to rich layer upon layer of Scriptural and theological symbolism." Wills also addresses the long afterlife of the book, from controversy in its own time and relative neglect during the Middle Ages to a renewed prominence beginning in the fourteenth century and persisting to today, when the Confessions has become an object of interest not just for Christians but also historians, philosophers, psychiatrists, and literary critics. With unmatched clarity and skill, Wills strips away the centuries of misunderstanding that have accumulated around Augustine's spiritual classic.




The Eighth Arrow


Book Description

Condemned to burn in the eighth circle of Dante's Hell, Odysseus, legendary thief and liar of Homer's Odyssey and Iliad, decides he is going to break out. His adventure begins with a prayer to Athena Parthenos, who appears to him bearing gifts: his armor, his famous bow, a mysterious leather pouch, and seven unusual arrows. She then sends him on a quest through the Underworld along with Diomedes, his friend from the Trojan War who had been sharing in his eternal punishment. To complete their escape, the goddess warns them, they must recover their squandered honor and learn to use "the eighth arrow". At turns exciting, humorous, and edifying, this action-packed epic follows Odysseus and Diomedes as they journey through all the circles of Dante's Hell, where they encounter various characters from Greek mythology, ancient history, and Renaissance literature, including Helen of Troy, Cerberus, Penelope, Homer, Harpies, Centaurs, and eventually Satan himself. With witty banter and wily stratagems, the two Greek warriors fight their way through the obstacles that stand between them and redemption. The Eighth Arrow is a thoroughly entertaining jailbreak story. Full of allusions to great works of old, it is also gently educational, and as such it can be read as a guide or a companion to Dante's Inferno and the works of Homer.




Augustine and Literature


Book Description

The influence of Christianity on literature has been great throughout history, as has been the influence of the great Christian, Augustine. Augustine and Literature considers the influence of Augustine on the theory and practice of an academic discipline of which he himself was not a practitioner-literature, especially poetry and fiction. The essays in this volume explore the many influences of Augustine on literature, most obviously in terms of themes and symbols, but also more pervasively perhaps in proving that literature strives for meaning through and beyond the fictional or metaphorical surface. The authors discussed in these essays, from Dante and Milton to O'Connor and Faulkner, all demonstrate a common concern that literature must be attentive to the highest things and the deepest journeys of the soul. Together these essays offer a compelling argument that literature and Augustine do belong together in the common task of guiding the soul toward the truth it desires.







Dante


Book Description

[The essays] are arranged to follow the order of the "Comedy," and they form the perfect companion for a reader of the poem. Throughout Freccero operates on the fundamental premise that there is always an intricate and crucial dialectic at work between Dante the poet and Dante the pilgrim. -- from cover.




Hellish Imaginations from Augustine to Dante


Book Description

Medieval literature and art abounds in descriptions of grotesque torments (punitive in hell, redemptive in purgatory) being meted out to the unhappy dead. But how can pain be experienced in the absence of the body? Can the main agents of suffering specified in Old Testament prophecies, fire and the worm, actually trouble a disembodied soul? The relative merits of material and metaphorical understandings of the economy of pain were debated throughout the Middle Ages, and extended far beyond, surviving the abolition of purgatory within Protestantism. This book brings to life many of the intellectual clashes, beginning with Augustine’s foundational yet troubling doctrines, proceeding to the problems caused by Aristotle’s insistence that death kills off all sense and sensation, and culminating in a fresh reading of Dante’s Purgatorio, Canto XXV. Wide-ranging, lucid and bristling with ideas on every page, it illustrates superbly well the variety, liveliness and continuous creativity of scholastic thought, particularly in respect of the contribution it made to literary theory.




The Syntax of Desire


Book Description

In medieval culture, the consideration of language is deeply connected to other aspects of the system of knowledge. One interesting connection takes place between theories of language and theories of larger concepts such as love and desire. The Syntax of Desire is an interdisciplinary examination of the interlacing operation of syntax and desire in three medieval 'grammars:' theological, linguistic, and poetic. Exploring three representative aspects of medieval language theory, Elena Lombardi uncovers the ways in which syntax and desire were interrelated in the Middle Ages. She suggests that, in Augustine's theology, the creative act of God in the universe emerges as a syntax that the human individual must interpret by means of desire; in the linguistic theory of the Modistae, she sees the syntax of language as parallel to a syntax of reality, one organized by the desiring interplay of matter and form; in Dante's poetry, she argues that the language of the fallen human is bound together by the syntax of poetry, an act of desire that restores language to its primitive innocence. In addition to detailed analyses of medieval texts, The Syntax of Desire examines some aspects of the same relationship in light of contemporary linguistics, philosophy of language, and psychoanalysis.




The Divine Comedy


Book Description