The Face of Britain


Book Description

Simon Schama brings Britain to life through its portraits, as seen in the five-part BBC series The Face of Britain and the major National Portrait Gallery exhibition Churchill and his painter locked in a struggle of stares and glares; Gainsborough watching his daughters run after a butterfly; a black Othello in the nineteenth century, the poet-artist Rossetti trying to capture on canvas what he couldn't possess in life, a surgeon-artist making studies of wounded faces brought in from the Battle of the Somme; a naked John Lennon five hours before his death. In the age of the hasty glance and the selfie, Simon Schama has written a tour de force about the long exchange of looks from which British portraits have been made over the centuries: images of the modest and the mighty; of friends and lovers; heroes and working people. Each of them - the image-maker, the subject, and the rest of us who get to look at them - are brought unforgettably to life. Together they build into a collective picture of Britain, our past and our present, a look into the mirror of our identity at a moment when we are wondering just who we are. Combining his two great passions, British history and art history, for the first time, Schama's extraordinary storytelling reveals the truth behind the nation's most famous portrayals of power, love, fame, the self, and the people. Mesmerising in its breadth and its panache, and beautifully illustrated, with more than 150 images from the National Portrait Gallery, The Face of Britain will change the way we see our past - and ourselves.




The Face of Britain


Book Description

Author of a number of celebrated works, including the bestselling The Story of the Jews and Citizens: A Chronicle of the French Revolution, Simon Schama's latest book fuses history and art to create a tour de force of narrative sweep and illuminating insight. Using images from works-paintings, photographs, lithographs, etchings, sketches-found in London's National Portrait Gallery, The Face of Britain weaves together an account of their composition, framed by their particular moment of creation, and in the process unveils a collective portrait of nation and its history. "Portraits," Schama writes, "have always been made with an eye to posterity." Commissioned to paint Winston Churchill in 1954 Graham Sutherland struggled with how to capture the "savior" of Great Britain honestly and humanely. Schama calls the portrait, initially damned, the "most powerful image of a Great Briton ever executed." Annie Leibovitz's photograph of a nude John Lennon kissing Yoko Ono, taken five hours before his murder, bears "a weight of poignancy she could not possibly have anticipated." Hans Holbein's preparatory sketch for a portrait of Henry VIII depicts "an unstoppable engine of dynastic generation." Here are expressions from across the centuries of normalcy and heroism, beauty and disfigurement, aristocracy and deprivation, the familiar and the obscure-the faces of courtesans, warriors, workers, activists, playwrights, the high and mighty as well as pub-crawlers. Linking them is Schama's vibrant exploration of how their connective power emerges from the dynamic between subject and artist, work and viewer, time and place. Schama's compelling analysis and impassioned evocation of these works create an unforgettable verbal mosaic that at once reveals and transforms the images he places before us. Lavishly illustrated and written with the storytelling brio that is Schama's trademark, The Face of Britain invites us to look at a nation's visual legacies and find its reflection.




Portrait of Britain Volume 3


Book Description

Coming at a pivotal time in UK politics, Portrait of Britain, the British Journal of Photography's annual photography exhibition, is back for 2019 and Hoxton Mini Press will once again be producing the accompanying publication. The winning photographs from this open-call competition are selected by a panel of expert judges and will be displayed on digital billboard screens nationwide at the same time as the book's launch where they are seen by over 10 million people. These captivating portraits celebrate the diversity, culture and identity of Britain at a critical time in its history.




About Faces


Book Description

When nineteenth-century Londoners looked at each other, what did they see, and how did they want to be seen? Sharrona Pearl reveals the way that physiognomy, the study of facial features and their relationship to character, shaped the way that people understood one another and presented themselves. Physiognomy was initially a practice used to get information about others, but soon became a way to self-consciously give information--on stage, in print, in images, in research, and especially on the street. Moving through a wide range of media, Pearl shows how physiognomical notions rested on instinct and honed a kind of shared subjectivity. She looks at the stakes for framing physiognomy--a practice with a long history--as a science in the nineteenth century. By showing how physiognomy gave people permission to judge others, Pearl holds up a mirror both to Victorian times and our own.




Face of Britain


Book Description

Written into our facial features is a story going back generations. it is the story of who we are and where we are from - the history of Britain through war and conquest, migration and racial integration. The Channel 4 series, The Face of Britain, begins with the largest ever research project into the genetic make-up of the British public. The Welcome Trust has given a £2million grant to Oxford geneticist Sir Walter Bodmer to take DNA samples from hundreds of volunteers throughout Britain and find tell-tale fragments of DNA that reveal the biological traces of successive waves of colonisers - Celts, Saxons, Vikings, etc. - in various parts of Britain. These traces in part determine our facial features. In effect, this project will produce a genetic map of our islands revealing where today's Cornish or East Anglians originally came from. The project is unique in that it uses cutting edge technology to question our accepted notions of our history. Added to this, the series and the book will meld science, history and personal stories to investigate our linguistic history, our surnames and placenames and compare findings with the results of the Bodmer study. The Face of Britain will be a launch pad to explore Britain's earliest history while investigating why we look the way we do.




The Power of Art


Book Description

"Great art has dreadful manners," Simon Schama observes wryly at the start of his epic and explosive exploration of the power, and whole point, of art. "The hushed reverence of the gallery can fool you into believing masterpieces are polite things; visions that soothe, charm and beguile, but actually they are thugs. Merciless and wily, the greatest paintings grab you in a headlock, rough up your composure, and then proceed in short order to re-arrange your sense of reality. . . ." With the same disarming force, The Power of Art propels us on an eye-opening, breathtaking odyssey, zooming in on eight extraordinary masterpieces, from Caravaggio's David and Goliath to Picasso's Guernica. Jolting us far from the comfort zone of the hushed art gallery, Schama closes in on intense make-or-break turning points in the lives of eight great artists who, under extreme stress, created something unprecedented, altering the course of art forever. The embattled heroes—Caravaggio, Bernini, Rembrandt, David, Turner, Van Gogh, Picasso and Rothko—each in his own resolute way, faced crisis with steadfast defiance, pitting passion and conviction against scorn and short-sightedness. The masterpieces they created challenged convention, shattered complacency, shifted awareness and changed the way we look at the world. With vivid storytelling and powerfully evocative descriptive passages, Schama explores the dynamic personalities of the artists and the spirit of the times they lived through, capturing the flamboyant theatre of bourgeois life in Amsterdam, the passion and paranoia of Revolutionary Paris, and the carnage and pathos of Civil War Spain. Most compelling of all, The Power of Art traces the extraordinary evolution of eight "eye-popping" world-class works of art. Created in a bolt of illumination, such works "tell us something about how the world is, how it is to be inside our skins, that no more prosaic source of wisdom can deliver. And when they do that, they answer, irrefutably and majestically, the nagging question of every reluctant art-conscript . . . 'OK, OK, but what's art really for?'"




The Face of Britain


Book Description




National Portrait Gallery


Book Description

"A national pantheon of the greatest names in British history and culture, the collections of the National Portrait Gallery contain more than 11,000 paintings, sculptures and works on paper and over a quarter of a million photographs. There are kings and queens, courtiers and courtesans, politicians and poets, soldiers and scientists, artists and writers, philosophers and film stars individuals from every sphere. This book presents a broad selection of the personalities that have shaped the last four centuries of British life, from Elizabeth I to David Beckham, from Shakespeare to Seamus Heaney, portrayed by artists as diverse as Hans Holbein, David Bailey, Joshua Reynolds and Paula Rego. Special features ... provide insights into particular areas of the Collection, and an introductory essay explains the history and purpose of this great public institution"--Publisher's description.




Faces of Britain


Book Description




The Face of the City


Book Description

This is the first full-length study of English Civic Portraiture (portraits of mayors, aldermen, colleges and school heads, livery company masters etc) and the first to consider such portraiture as a form of civic or political discourse in early modern England. The book shows how the portrayal of civic officials (rather than religious figures or members of the aristocracy, court circle or royal family) served to define the cultural and political identity of civic communitie in the post-reformation period.