Feint of Art:


Book Description

At ten, painting a perfect Mona Lisa made Annie Kincaid a prodigy. A similar copy at seventeen made her a crook. Lesson learned: genuine art is priceless, and forgery gets you arrested. Now Annie puts her artistic talents to honest use as a faux finisher in San Francisco. But her past may not be painted over as well as she thought… Annie’s got bad news for her ex-boyfriend, curator Ernst Pettigrew: the snooty Brock Museum’s new fifteen-million-dollar Caravaggio painting is as fake as a three-dollar bill. And the same night Annie makes her shattering appraisal, the janitor on duty is killed—and Ernst disappears. To top it all off, a well-known art dealer has absconded with multiple Old Master drawings, leaving yet more forgeries in their places. Finding the originals—and pocketing the reward money—will get Annie’s new landlord off her back. But it could also draw her into the underworld of fakes and forgers she swore she’d left behind, starting with a close encounter with a changeable but charming art thief…




Arsenic and Old Paint


Book Description

Former art forger Annie Kincaid has reinvented her life and now operates a legitimate decorative painting business, but memories are long in the art world. Here, with the blessing of the FBI Art Squad, Annie uses her underworld connections to boost her new art investigation business, where she’s partnered with her ex-art thief/love interest Michael X. Johnson. At first it’s strictly business, but she stumbles across a body in an exclusive Nob Hill men’s club. Then an insurance adjuster asks her to find a stolen -- and forged -- erotic painting. Then her Uncle Anton is attacked and Annie’s on the trail of more than just art. Moving easily between high and low circles, she makes the rounds of Nob Hill and Chinatown, a sex club, and the artists’ studios to find justice.




Shooting Gallery


Book Description

San Francisco’s art world is exhibiting murderous tendencies… Geez, make a splash in the world of art forgery at the age of seventeen and people can’t stop bringing it up. Lesson learned: genuine art is priceless, and forgery gets you arrested. Now Annie puts her artistic talents to honest use as a faux finisher in San Francisco. But carving out a new reputation can be a creative challenge… Modernism isn’t Annie’s thing, but even she is surprised to discover that the “sculpture” in a prestigious gallery’s grisly new exhibition is an all-too-real corpse—the artist’s. Meanwhile, a Chagall painting is stolen from the Brock Museum, and Annie’s old friend Bryan is accused of being in on the fix. To track down the missing Chagall, she’ll need the dubious assistance of a certain sexy art thief. And if Michael—or whatever his real name may be—isn’t distraction enough, Annie’s mother shows up in town, acting strangely. Annie’s got to solve these mysteries, and fast—because art is long, but life can be very, very short.




Brush With Death


Book Description

Since she went straight, Annie Kincaid’s been applying her genius for fine art forgery to her own faux finishing business in San Francisco. She hasn’t seen the inside of a jail cell since she was seventeen, although sometimes it takes all of her arts—fine or otherwise—to keep it that way… Annie knows that art security can be inadequate, but it’s crazy to think that an Old Master painting could be hanging unguarded in the local columbarium where she’s doing restoration work. Still, when she gets a tip that the chapel’s copy of Raphael’s exquisite La Fornarina might be the real thing, Annie has to take a look. And when she runs into a certain sexy art thief on the premises, alarm bells go off in her head as well as her heart. Tired of being an art world pariah, Annie hopes that if she can help return the masterpiece to Italy, she’ll finally be redeemed. But when murder enters the picture, Annie realizes that it won’t be so easy to put things at the cemetery to rest… INCLUDES ART TIPS!




Murder on the House


Book Description

Bed-and-breakfast—with a side of ghosts. Word has spread that contractor Mel Turner can communicate with the spirits of the dead, and she’s having a hard time maintaining a low profile. She decides to embrace her reputation for the chance to restore a historic house that calls to her. The new owners, who hope to run a haunted bed-and-breakfast, want Mel to encourage the ghosts that supposedly roam the halls to enhance the house’s paranormal charm. The catch: Mel has to spend one night in the house to win the project. During the spine-chilling sleepover, the estate gains another supernatural occupant when someone doesn’t survive the night. As Mel tries to coax the resident spirits into revealing the identity of the killer, she risks becoming the next casualty of this dangerous renovation.




The R. Crumb Coffee Table Art Book


Book Description

A collection of cartoonist Crumb's work, ranging from his earliest comics published in the mid sixties, to work completed in the nineties with his comentaries interspersed thoughout the book.




Feint of Art


Book Description




The Arts and the Creation of Mind


Book Description

Learning in and through the visual arts can develop complex and subtle aspects of the mind. Reviews in: Journal of aesthetic education. 38(2004)4(Winter. 71-98), available M05-194.




The Vineyards of Champagne


Book Description

Beneath the cover of France's most exquisite vineyards, a city of women defy an army during World War I, from the New York Times bestselling author of The Lost Carousel of Provence.... Deep within the labyrinth of caves that lies below the lush, rolling vineyards of the Champagne region, an underground city of women and children hums with life. Forced to take shelter from the unrelenting onslaught of German shellfire above, the bravest and most defiant women venture out to pluck sweet grapes for the harvest. But wine is not the only secret preserved in the cool, dark cellars... In present day, Rosalyn Acosta travels to Champagne to select vintages for her Napa-based employer. Rosalyn doesn't much care for champagne--or France, for that matter. Since the untimely death of her young husband, Rosalyn finds it a challenge to enjoy anything at all. But as she reads through a precious cache of WWI letters and retraces the lives lived in the limestone tunnels, Rosalyn will unravel a mystery hidden for decades...and find a way to savor her own life again.




The Day the Crayons Quit


Book Description

The hilarious, colorful #1 New York Times bestselling phenomenon that every kid wants! Gift a copy to someone you love today. Poor Duncan just wants to color. But when he opens his box of crayons, he finds only letters, all saying the same thing: His crayons have had enough! They quit! Blue crayon needs a break from coloring all those bodies of water. Black crayon wants to be used for more than just outlining. And Orange and Yellow are no longer speaking—each believes he is the true color of the sun. What can Duncan possibly do to appease all of the crayons and get them back to doing what they do best? With giggle-inducing text from Drew Daywalt and bold and bright illustrations from Oliver Jeffers, The Day the Crayons Quit is the perfect gift for new parents, baby showers, back-to-school, or any time of year! Perfect for fans of Don't Let the Pigeon Drive the Bus by Mo Willems and The True Story of the Three Little Pigs by Jon Sciezka and Lane Smith. Praise for The Day the Crayons Quit: Amazon’s 2013 Best Picture Book of the Year A Barnes & Noble Best Book of 2013 Goodreads’ 2013 Best Picture Book of the Year Winner of the E.B. White Read-Aloud Award * “Hilarious . . . Move over, Click, Clack, Moo; we’ve got a new contender for the most successful picture-book strike.” –BCCB, starred review “Jeffers . . . elevates crayon drawing to remarkable heights.” –Booklist “Fresh and funny.” –The Wall Street Journal "This book will have children asking to have it read again and again.” –Library Media Connection * “This colorful title should make for an uproarious storytime.” –School Library Journal, starred review * “These memorable personalities will leave readers glancing apprehensively at their own crayon boxes.” –Publishers Weekly, starred review “Utterly original.” –San Francisco Chronicle