Harold Prince and the American Musical Theatre


Book Description

"Foster Hirsch has updated the original edition of this book adding new interviews with Prince. He analyzes Prince's more recent work, including Kiss of the Spider Woman, Parade, and the award-winning revival of Show Boat. He provides a detailed account of the creation and fortunes of Bounce, the 2003 musical that reunited Prince and Sondheim for the first time in twenty years. Illustrated with numerous rare photos, it is a must for any theatre fan."--BOOK JACKET.




Harold Prince


Book Description

"The story of Prince's career is inseparable from the history of the American musical theatre for the past 40 years...In-depth accounts of musicals Fiddler on the Roof, West Side Story, Cabaret, Company, and Sweeney Todd will be of interest to any musical theatre buff." -American Theatre




Sense of Occasion


Book Description

In this fast-moving, candid, conversational, and entertaining memoir, Harold Prince, the most honored director in the history of the American theater (22 Tony Awards and counting), looks back over his 70-year (and counting!) career. Featuring original material from Contradictions: Notes on Twenty-Six Years in the Theatre, Prince provides a fresh, new perspective on his writing from the vantage point of today. Sense of Occasion gives an insider's recollection of the making of such landmark musicals as West Side Story, Fiddler on the Roof, Cabaret, Company, Follies, Sweeney Todd, Evita, and Phantom of the Opera, with Prince's perceptive comments about his mentor George Abbott and his many celebrated collaborators, including Leonard Bernstein, Jerome Robbins, Stephen Sondheim, John Kander, Boris Aronson, Andrew Lloyd Webber, Angela Lansbury, Elizabeth Taylor, Zero Mostel, Carol Burnett, and Joel Grey. As well as detailing his titanic successes that changed the form and content of the American musical theater, Prince even-handedly reflects on the shows that didn't work, most memorably and painfully Merrily We Roll Along. Throughout, he offers insights into the way business is conducted on Broadway, drawing sharp contrasts between past and present. This thoughtful, complete account of one of the most legendary and long-lived careers in theater history, written by the man who lived it, is an essential work of personal and professional recollection.




The Show Makers


Book Description

First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.




Contradictions


Book Description

"Hal Prince's career in the American theatre ... [as of 1974] has encompassed every aspect of producing and directing. Having served his apprenticeship with George Abbott, he co-produced in 1954 (with Robert Griffith and Frederick Brisson) the hit musical The Pajama Game. He went on to produce (with Robert Griffith and Frederick Brisson) Damn Yankees and New Girl in Town. In 1957, he produced (with Robert Griffith and Roger L. Stevens) West Side Story, and two years later (with Robert Griffith), the Pulitzer Prize-winning Fiorello! In addition, he produced Take Her, She's Mine, A Funny Thing Happened on the Way to the Forum, and the record breaking Fiddler on the Roof. He worked in the dual capacity of director and producer on She Loves Me, Cabaret, Zorba, Company, Follies, A Little Night Music, and most recently, Candide. He also directed one film, Something for Everyone. In telling the story of his career, Hal Prince deals self-critically with his experience in the theatre and gives his candid opinions on such varied subjects as the harm a star can do to a show, the single-mindedness of unions, the choice of the right theatre, the power of the critic, good and bad, and most important, the director as producer."--Dust jacket.




The Art of the American Musical


Book Description

Musical theater has captivated American audiences from its early roots in burlesque stage productions and minstrel shows to the million-dollar industry it has become on Broadway today. What is it about this truly indigenous American art form that has made it so enduringly popular? How has it survived, even thrived, alongside the technology of film and the glitz and glamour of Hollywood? Will it continue to evolve and leave its mark on the twenty-first century? Bringing together exclusive and previously unpublished interviews with nineteen leading composers, lyricists, librettists, directors, choreographers, and producers from the mid-1900s to the present, this book details the careers of the individuals who shaped this popular performance art during its most prolific period. The interviewees discuss their roles in productions ranging from On the Town (1944) and Finian's Rainbow (1947) to The Producers (2001) and Bounce (2003). Readers are taken onto the stage, into the rehearsals, and behind the scenes. The nuts and bolts, the alchemy, and the occasional agonies of the collaborative process are all explored. In their discussions, the artists detail their engagements with other creative forces, including such major talents as Leonard Bernstein, Jerome Robbins, Bob Fosse, Liza Minnelli, Judy Garland, Barbra Streisand, Jule Styne, Richard Rodgers and Oscar Hammerstein, Alan Jay Lerner, Zero Mostel, and Gwen Verdon. They speak candidly about their own work and that of their peers, their successes and failures, the creative process, and how a show progresses from its conception through rehearsals and tryouts to opening night. Taken together, these interviews give fresh insight into what Oscar Hammerstein called "a nightly miracle"--the creation of the American musical.




Creating the "new Musical"


Book Description

This volume is a contribution to the aesthetics of the «new musical», which has developed into a high art form over the last thirty years. The decisive breakthrough occurred with Bernstein's West Side Story in 1957. It was the producer of this show, Harold Prince, whose subsequent epoch-making directorial and conceptual work created the basis on which the individual work of Kander, Sondheim and Lloyd Webber reached a unified level of the highest quality. The «new musical» and its creator Harold Prince were the subjects of a symposium held at the Neuköllner Oper in Berlin a few days after the World Premiere of Bounce in the presence of the Broadway Master. Contributors were academics and theatre practitioners offering a double perspective modeled on the outstanding example of the collaboration set by Foster Hirsch and Harold Prince.




A History of the American Musical Theatre


Book Description

From the diverse proto-theatres of the mid-1800s, though the revues of the ‘20s, the ‘true musicals’ of the ‘40s, the politicisation of the ‘60s and the ‘mega-musicals’ of the ‘80s, every era in American musical theatre reflected a unique set of socio-cultural factors. Nathan Hurwitz uses these factors to explain the output of each decade in turn, showing how the most popular productions spoke directly to the audiences of the time. He explores the function of musical theatre as commerce, tying each big success to the social and economic realities in which it flourished. This study spans from the earliest spectacles and minstrel shows to contemporary musicals such as Avenue Q and Spiderman. It traces the trends of this most commercial of art forms from the perspective of its audiences, explaining how staying in touch with writers and producers strove to stay in touch with these changing moods. Each chapter deals with a specific decade, introducing the main players, the key productions and the major developments in musical theatre during that period.




Sense of Occasion


Book Description

(Applause Books). In this fast-moving, candid, conversational, and entertaining memoir, Harold Prince, the most honored director in the history of the American theater (22 Tony Awards and counting), looks back over his 70-year (and counting!) career. Featuring original material from Contradictions: Notes on Twenty-Six Years in the Theatre , Prince provides a fresh, new perspective on his writing from the vantage point of today. Sense of Occasion gives an insider's recollection of the making of such landmark musicals as West Side Story , Fiddler on the Roof , Cabaret , Company , Follies , Sweeney Todd , Evita , and Phantom of the Opera , with Prince's perceptive comments about his mentor George Abbott and his many celebrated collaborators, including Leonard Bernstein, Jerome Robbins, Stephen Sondheim, John Kander, Boris Aronson, Andrew Lloyd Webber, Angela Lansbury, Elizabeth Taylor, Zero Mostel, Carol Burnett, and Joel Grey. As well as detailing his titanic successes that changed the form and content of the American musical theater, Prince even-handedly reflects on the shows that didn't work, most memorably and painfully Merrily We Roll Along . Throughout, he offers insights into the way business is conducted on Broadway, drawing sharp contrasts between past and present. This thoughtful, complete account of one of the most legendary and long-lived careers in theater history, written by the man who lived it, is an essential work of personal and professional recollection.




Big Deal


Book Description

Bob Fosse (1927-1987) is recognized as one of the most significant figures in post-World War II American musical theater. With his first Broadway musical, The Pajama Game in 1954, the "Fosse style" was already fully developed, with its trademark hunched shoulders, turned-in stance, and stuttering, staccato jazz movements. Fosse moved decisively into the role of director with Redhead in 1959 and was a key figure in the rise of the director-choreographer in the Broadway musical. He also became the only star director of musicals of his era--a group that included Jerome Robbins, Gower Champion, Michael Kidd, and Harold Prince--to equal his Broadway success in films. Following his unprecedented triple crown of show business awards in 1973 (an Oscar for Cabaret, Emmy for Liza with a Z, and Tony for Pippin), Fosse assumed complete control of virtually every element of his projects. But when at last he had achieved complete autonomy, his final efforts, the film Star 80 and the musical Big Deal, written and directed by Fosse, were rejected by audiences and critics. A fascinating look at the evolution of Fosse as choreographer and director, Big Deal: Bob Fosse and Dance in the American Musical considers Fosse's career in the context of changes in the Broadway musical theater over four decades. It traces his early dance years and the importance of mentors George Abbott and Jerome Robbins on his work. It examines how each of the important women in his adult life--all dancers--impacted his career and influenced his dance aesthetic. Finally, the book investigates how his evolution as both artist and individual mirrored the social and political climate of his era and allowed him to comfortably ride a wave of cultural changes.