No Dandy, No Fun


Book Description

A cultural examination of the enigmatically iconic figure of the Dandy, both in history and as a figure for the future. No sooner had the first Dandy entered the scene at the beginning of the nineteenth century than he was declared dead. This enigmatic yet immediately iconic figure would remake an entrance again and again in the decades that followed. Like an elegant harbinger, Dandys arrive in times of crisis when societies are undergoing transformation. Like the hands of a clock, their silhouettes become messengers of change. But they are contours of change that carry no message. While everything is already in flames, they debate the shape of their shoes and sip oysters to combat their depression. For a long time, literature was their playing field. Marcel Duchamp transferred their attitude into the realm art. It is there that Dandyism has to this day run rampant--but as if it were an embarrassing illness to which almost no one wants to admit, yet with which many people are itching to at least flirt. This essay traces out the masked ball of the Dandy and his manner of playing with its rules up to the present day and produces a unique narrative from it: one that offers a view into the future.




Dandy


Book Description

From popular author Ame Dyckman and rising star Charles Santoso comes the laugh-out-loud story of a father desperate to destroy the dandelion marring his perfectly manicured lawn, and his daughter's fierce attempts to save it. When Daddy spots a solitary weed in his lawn, he's appalled (along with all of his neighborhood friends). But his daughter Sweetie has fallen in love with the beautiful flower, even going so far as to name it Charlotte. Racing against time and the mockery of his friends, Daddy has to find a way to get rid of the errant dandelion without breaking his little girl's heart.




Man No Be God


Book Description

man no be God is a story of a willing and driven Canadian doctor who spent his life immersed in the wonderful, complex and interesting lives of the people of western Cameroon. The individuals he went to learn from, to serve, to encourage, to support, and to befriend together provide a fascinating look at familiar struggles and triumphs in an unfamiliar setting. There is nothing more fulfilling or satisfying than being involved in and involved with others. Although this writer has the satisfaction of knowing that he has done what he was called to do, there is a vast and frightening opportunity for the reader to dare to take the same challenge. AIDS does not threaten to destroy a great horde of faceless people—it is far worse. It is destroying lovely, interesting, vibrant, and extremely valuable individuals, one at a time, relentlessly, killing off a significant part of each of us as it marches through Africa. One man’s experience, and willingness to throw talent, brains, and brawn into being a part of people’s individual lives made a difference to many, and enriched him far more than he ever thought possible. (That’s how the mundane becomes meaningful, after all). Therein lies the glimmer of hope, and the challenge. Anyone can, if anyone will, make a difference to at least one other. Doing so in the face of this killer sharpens and focuses that challenge—and its rewards—immensely.




I Am Dandy


Book Description

In a world of uniformity and globalized styles, only some cultivated gentlemen retain their independence over the way they dress and live. In this book, photographer Rose Callahan and writer Nathaniel Adams document the well-kempt lives of 57 protagonists of contemporary dandyism with a keen, yet empathie eye. Their carefully composed portraits not only depict the clothes, accessories, and homes of their subjects, but also capture the essence of their lifestyles in thoroughly entertaining and deeply insightful texts. The diversity of the men portrayed in I am Dandy is striking. They come from a variety of different countries, cultures, and social circles and make their livings in a range of occupations. By showcasing their styles, attitudes, and philosophies in all of their nuances, the book reveals that dandyism today is an attitude and calling that can be cultivated on any budget.




The Dandy at Dusk


Book Description

Philip Mann chronicles the relationship of dandyism and the emerging cultural landscape of modernity via portraits of Regency England's Beau Brummel – the first dandy – and six twentieth-century figures: Austrian architect Adolf Loos, the Duke of Windsor, neo-Edwardian courtier Bunny Roger, writer and raconteur Quentin Crisp, French film producer Jean-Pierre Melville, and New German Cinema enfant terrible and inverted dandy Rainer Werner Fassbinder. He blends memorable anecdotes with acute analysis to explore their style, identity and influence and interweaves their stories with an entertaining history of tailoring and men's fashion. The Dandy at Dusk contextualizes the relationship between dandyism, decadence and modernism, against the background of a century punctuated by global conflict and social upheaval.




Fandom as Methodology


Book Description

An illustrated exploration of fandom that combines academic essays with artist pages and experimental texts. Fandom as Methodology examines fandom as a set of practices for approaching and writing about art. The collection includes experimental texts, autobiography, fiction, and new academic perspectives on fandom in and as art. Key to the idea of “fandom as methodology” is a focus on the potential for fandom in art to create oppositional spaces, communities, and practices, particularly from queer perspectives, but also through transnational, feminist and artist-of-color fandoms. The book provides a range of examples of artists and writers working in this vein, as well as academic essays that explore the ways in which fandom can be theorized as a methodology for art practice and art history. Fandom as Methodology proposes that many artists and art writers already draw on affective strategies found in fandom. With the current focus in many areas of art history, art writing, and performance studies around affective engagement with artworks and imaginative potentials, fandom is a key methodology that has yet to be explored. Interwoven into the academic essays are lavishly designed artist pages in which artists offer an introduction to their use of fandom as methodology. Contributors Taylor J. Acosta, Catherine Grant, Dominic Johnson, Kate Random Love, Maud Lavin, Owen G. Parry, Alice Butler, SooJin Lee, Jenny Lin, Judy Batalion, Ika Willis. Artists featured in the artist pages Jeremy Deller, Ego Ahaiwe Sowinski, Anna Bunting-Branch, Maria Fusco, Cathy Lomax, Kamau Amu Patton, Holly Pester, Dawn Mellor, Michelle Williams Gamaker, The Women of Colour Index Reading Group, Liv Wynter, Zhiyuan Yang




Pearson's Magazine


Book Description




Phone & Spear


Book Description

A visually striking intercultural exploration of the use of mobile phones in Aboriginal communities in Australia. Yuta is the Yolngu word for new. Phone & Spear: A Yuta Anthropology is a project inspired by the gloriously cheeky and deeply meaningful audiovisual media made with and circulated by mobile phones by an extended Aboriginal family in northern Australia. Building on a ten-year collaboration by the community-based arts collective Miyarrka Media, the project is an experiment in the anthropology of co-creation. It is a multivoiced portrait of an Indigenous society using mobile phones inventively to affirm connections to kin and country amid the difficult and often devastating circumstances of contemporary remote Aboriginal life. But this is not simply a book about Aboriginal art, mobile phones, and social renewal. If old anthropology understood its task as revealing one world to another, yuta anthropology is concerned with bringing different worlds into relationship. Following Yolngu social aesthetics—or what Miyarrka Media translate as “the law of feeling”—the book is a relational technology in its own right: an object that combines color, pattern, and story to bring once distant worlds into new sensuously mediated connections.




The Wild Book of Inventions


Book Description

In essays, poems, sketches, and photographs, twenty authors challenge the exclusive human claim to intelligence. Can contemporary art's practitioners change the way we perceive nature? In The Wild Book of Inventions, twenty authors employ a variety of forms, including speculative essays, poems, pencil sketches, and photo essays, to challenge the exclusive human claim to intelligence by pointing to, or inventing, new forms of coexistence for all life-forms. Far more complex than the necessary and continuous exercise of critique, these contributions introduce new ways to experience culture. Contributors Nabil Ahmed, Armen Avanessian, Hannah Black, Kristina Buch, Tyler Coburn, Ann Cotten, Paul Feigelfeld, Fernando García-Dory, Kenneth Goldsmith, Anke Hennig, Ingela Ihrman, Tiphanie Kim Mall, Chus Martínez, Momus, Ingo Niermann, Trevor Paglen, Filipa Ramos, Lin May Saeed, Emily Segal, Johannes Willi




Not Now! Now!


Book Description

The newest issue from the ongoing publication series out of the Academy of Fine Arts, Vienna, Not Now! Now! engages the politics of time in art by examining historical narratives and memory, the unforeseen rhythms of time and the idea of visualizing time. The book connects postcolonial and queer debate around chrono-politics with artistic strategies involving temporal gaps and breaks stutter time, citations and anachronisms, and collapses between time and meaning. An international group of art theorists, artists and artistic researchers highlight how temporal norms organize our biographies and intimate relations, as well as the handling of capital and cultural relations and suggest alternatives to entrenched concepts of what constitutes progressive and regressive cultures. A selection of artworks and recent debates in postcolonial and queer studies create the premise for this challenging conversation. Contributions by Jamika Ajalon, Ingrid Cogne, Elizabeth Freeman, Sharon Hayes, Suzana Milevska and more.