Origins and Development of Kinetic Art ... Translated ... by Stephen Bann. [With Illustrations.].
Author : Frank Popper
Publisher :
Page : pages
File Size : 10,12 MB
Release : 1968
Category :
ISBN :
Author : Frank Popper
Publisher :
Page : pages
File Size : 10,12 MB
Release : 1968
Category :
ISBN :
Author : Frank Popper
Publisher :
Page : 0 pages
File Size : 37,67 MB
Release : 1968
Category : Kinetic art
ISBN :
Author :
Publisher :
Page : 235 pages
File Size : 21,60 MB
Release : 1922
Category :
ISBN :
Author : Frank Popper
Publisher :
Page : 288 pages
File Size : 17,32 MB
Release : 1968
Category : Art
ISBN :
Author : Kerr Houston
Publisher : BRILL
Page : 282 pages
File Size : 28,38 MB
Release : 2019-05-07
Category : Art
ISBN : 9004400532
In The Place of the Viewer, Kerr Houston offers a richly detailed chronological overview of art historians’ evolving attempts to account for the physical position of the viewer in discussing works of art.
Author : Frank Popper
Publisher :
Page : 272 pages
File Size : 12,80 MB
Release : 1968
Category : Arte cinetico
ISBN :
Author : British Museum. Department of Printed Books
Publisher :
Page : 592 pages
File Size : 16,81 MB
Release : 1971
Category : English imprints
ISBN :
Author : Graduate Theological Union. Library
Publisher :
Page : 1030 pages
File Size : 13,81 MB
Release : 1972
Category : Theology
ISBN :
Author : Gregory Zinman
Publisher : University of California Press
Page : 391 pages
File Size : 26,18 MB
Release : 2020-01-03
Category : Art
ISBN : 0520302737
Making Images Move reveals a new history of cinema by uncovering its connections to other media and art forms. In this richly illustrated volume, Gregory Zinman explores how moving-image artists who worked in experimental film pushed the medium toward abstraction through a number of unconventional filmmaking practices, including painting and scratching directly on the film strip; deteriorating film with water, dirt, and bleach; and applying materials such as paper and glue. This book provides a comprehensive history of this tradition of “handmade cinema” from the early twentieth century to the present, opening up new conversations about the production, meaning, and significance of the moving image. From painted film to kinetic art, and from psychedelic light shows to video synthesis, Gregory Zinman recovers the range of forms, tools, and intentions that make up cinema’s shadow history, deepening awareness of the intersection of art and media in the twentieth century, and anticipating what is to come.
Author : Arthur James Wells
Publisher :
Page : 1852 pages
File Size : 31,82 MB
Release : 1969
Category : Bibliography, National
ISBN :