Recueil factice d'articles sur le "Molière" de René Benjamin, 1936
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Page : 26 pages
File Size : 34,68 MB
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Author : René Benjamin
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Page : 8 pages
File Size : 19,83 MB
Release : 1932
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Page : 80 pages
File Size : 19,85 MB
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Page : 36 pages
File Size : 10,75 MB
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Author : René Benjamin
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Release : 1936
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Author : René Molinier
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Release : 1935
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Author : Kenneth E. Carpenter
Publisher : Bowdoin College
Page : 280 pages
File Size : 22,45 MB
Release : 1994
Category : Education
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Author : Caroline Potter
Publisher : Routledge
Page : 368 pages
File Size : 22,23 MB
Release : 2016-05-13
Category : Music
ISBN : 1317141792
Erik Satie (1866-1925) was a quirky, innovative and enigmatic composer whose impact has spread far beyond the musical world. As an artist active in several spheres - from cabaret to religion, from calligraphy to poetry and playwriting - and collaborator with some of the leading avant-garde figures of the day, including Cocteau, Picasso, Diaghilev and René Clair, he was one of few genuinely cross-disciplinary composers. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place him at the centre of French musical life. He was a unique figure whose art is immediately recognisable, whatever the medium he employed. Erik Satie: Music, Art and Literature explores many aspects of Satie's creativity to give a full picture of this most multifaceted of composers. The focus is on Satie's philosophy and psychology revealed through his music; Satie's interest in and participation in artistic media other than music, and Satie's collaborations with other artists. This book is therefore essential reading for anyone interested in the French musical and cultural scene of the late nineteenth and early twentieth century.
Author : Michael Sonenscher
Publisher : Princeton University Press
Page : 508 pages
File Size : 14,56 MB
Release : 2018-06-12
Category : History
ISBN : 0691180806
This is a bold new history of the sans-culottes and the part they played in the French Revolution. It tells for the first time the real story of the name now usually associated with urban violence and popular politics during the revolutionary period. By doing so, it also shows how the politics and economics of the revolution can be combined to form a genuinely historical narrative of its content and course. To explain how an early eighteenth-century salon society joke about breeches and urbanity was transformed into a republican emblem, Sans-Culottes examines contemporary debates about Ciceronian, Cynic, and Cartesian moral philosophy, as well as subjects ranging from music and the origins of government to property and the nature of the human soul. By piecing together this now forgotten story, Michael Sonenscher opens up new perspectives on the Enlightenment, eighteenth-century moral and political philosophy, the thought of Jean-Jacques Rousseau, and the political history of the French Revolution itself.