Seers, Shrines and Sirens


Book Description

Seers, Shrines and Sirens (1965) surveys the history of Greek religion during the great formative and revolutionary era of the sixth century BC. It treats, among other subjects, the rise to prominence of the Delphic oracle, the growth of religious festivals and mysteries, the worship of Dionysus, including the development of the drama and appearance of the Orphic and Pythagorean sects. The sixth century was above all a time when prophets, supermen and sibyls flourished and their impact is discussed in detail.







Feminist Interpretations of Theodor Adorno


Book Description

Adorno is often left out of the &“canon&” of influences on contemporary feminist theory, but these essays show that his work can provide valuable material for feminist thinking about a wide range of issues. Theodor Adorno was a leading scholar of the Institute for Social Research in Frankfurt, Germany, otherwise known as the Frankfurt School. With Max Horkheimer he contributed to the advance of critical theorizing about Enlightenment philosophy and modernity. Inflected by Kant, Marx, Nietzsche, and Freud, Adorno&’s thinking defies easy categorization. Ranging across the disciplines of philosophy, musicology, and sociology, his work has had an impact in many fields. His Dialectic of Enlightenment (written with Max Horkheimer) was profoundly influential as a critique of fascistic and authoritarian impulses in Enlightenment thinking in the context of late capitalism. Questions addressed in the volume range from dilemmas in feminist aesthetic theory to the politics of suffering and democratic theory. The essays are exemplary as works in interdisciplinary scholarship, covering a wide range of issues and ideas in feminism as authors critically interpret the many facets of Adorno&’s work. They take Adorno&’s historical situatedness as a scholar into consideration while exploring the relevance of his ideas for post-Enlightenment feminist theory. His philosophical and cultural investigations inspire reconsideration of Enlightenment principles as well as a rethinking of &“postmodern&” ideas about identity and the self. Feminist Interpretations of Theodor Adorno will introduce feminists to Adorno&’s work and Adorno scholars to modes of feminist critique. It will be especially valuable for senior undergraduate and graduate courses in contemporary political, social, and cultural theory. In addition to the editor, contributors are Paul Apostolidis, Mary Caputi, Rebecca Comay, Jennifer Eagan, Mary Ann Franks, Eva Geulen, Sora Han, Andrew Hewitt, Gillian Howie, Lisa Yun Lee, Bruce Martin, and Lambert Zuidervaart.




A Sulfur Anthology


Book Description

From 1981 to 2000, Sulfur magazine presented an American and international overview of innovative writing across forty-six issues, totaling some 11,000 pages and featuring over eight hundred writers and artists, including Norman O. Brown, Jorie Graham, James Hillman, Mina Loy, Ron Padgett, Octavio Paz, Ezra Pound, Adrienne Rich, Rainer Maria Rilke, and William Carlos Williams. Each issue featured a diverse offering of poetry, translations, previously unpublished archival material, visual art, essays, and reviews. Sulfur was a hotbed for critical thinking and commentary, and also provided a home for the work of unknown and younger poets. In the course of its twenty year run, Sulfur maintained a reputation as the premier publication of alternative and experimental writing. This was due in no small measure to its impressive masthead of contributing editors and correspondents: Marjorie Perloff, James Clifford, Rachel Blau DuPlessis, Keith Tuma, Allen Weiss, Jed Rasula, Charles Bernstein, Michael Palmer, Clark Coolidge, Jayne Cortez, Marjorie Welish, Jerome Rothenberg, Eliot Weinberger, managing editor Caryl Eshleman, and founding editor Clayton Eshleman. A Sulfur Anthology offers readers an expanded view of artistic activity at the century’s end. It’s also a luminous document of international poetic vision. Many of the contributions have never been published outside of Sulfur, making this an indispensible collection of poetry in translation, and poetry in the world.




Monsters in the Italian Literary Imagination


Book Description

They each share a critical interest in how monsters reflect a culture's dominant ideologies.




Frontiers of Pleasure


Book Description

Frontiers of Pleasure calls into question a number of influential modern notions regarding aesthetics by going back to the very beginnings of aesthetic thought in Greece and raising critical issues regarding conceptions of how one responds to the beautiful. Despite a recent rebirth of interest in aesthetics, extensive discussion of this key cluster of topics has been absent. Anastasia-Erasmia Peponi argues that although the Greek language had no formal term equivalent to the "aesthetic," the notion was deeply rooted in Greek thought. Her analysis centers on a dominant aspect of beauty--the aural--associated with a highly influential sector of culture that comprised both poetry and instrumental music, the "activity of the Muses," or mousikê. The main argument relies on a series of close readings of literary and philosophical texts, from Homer and Plato through Kant, Joyce, and Proust. Through detailed attention to such scenes as Odysseus' encounter with the Sirens and Hermes' playing of his lyre for his brother Apollo, she demonstrates that the most telling moments in the conceptualization of the aesthetic come in the Greeks' debates and struggles over intense models of auditory pleasure. Unlike current tendencies to treat poetry as an early, imperfect mode of meditating upon such issues, Peponi claims that Greek poetry and philosophy employed equally complex, albeit different, ways of articulating notions of aesthetic response. Her approach often leads her to partial or total disagreement with earlier interpretations of some of the most well-known Greek texts of the archaic and classical periods. Frontiers of Pleasure thus suggests an alternative mode of understanding aesthetics in its entirety, freed from some modern preconceptions that have become a hindrance within the field.




The Origins of Greek Religion


Book Description

Nilsson's seminal work on Minoan-Myceanaean religion had its second edition in 1950 prior to the decipherment of Linear B; yet he found much in the archaeological record of the Bronze Age which he associated with later Greek religion. In that respect his insights were vindicated by the reading of those tablets which bore the names of classical Greek divinities, though at tme time new conclusions were needed about Indo-European arrival in Greek lands. Dietrich, with Nilsson very much in mind, starts from the premises that beliefs and their associated rites are inherently conservative; that, even where populations change, they tend to do so gradually, creating fusions rather than wholesale disruptions in ritual practice. An understanding of classical Greek religion thus, necessarily, depends on appreciation of its forerunners in the Bronze Age; and they, in turn, on evidence from the better documented religions of the Middle East. Dietrich's four main chapters deal first with those eastern links; then with the old traditions of Minoan Crete; next with the interplay of pre-Greek Minoan and Greek Mycenaean cultures; and finally he attempts to bridge the commonly assumed divide between bronze age and archaic Greece. Appendixes deal with Minoan peak-sanctuaries, with Apollo at Delphi, and (sympathetically) with Nilsson's pervasive view that Greek mythology was first formulated in the Mycenaean age. In these areas a great deal more work has been done since 1974. Dietrich's thoroughly researched work was at once trend-setting and provocative. It is here made available for the first time in paperback; for it still contains much of importance for the student of Greek religion.




The Watkins Dictionary of Magic


Book Description

Over 3000 authoritative, cross-referenced entries, covering magical traditions from all around the world.




Singers, Heroes, and Gods in the "Odyssey"


Book Description

One of the special charms of the Odyssey, according to Charles Segal, is the way it transports readers to fascinating places. Yet despite the appeal of its narrative, the Odyssey is fully understood only when its style, design, and mythical patterns are taken into account as well. Bringing a new richness to interpretation of this epic, Segal looks closely at key forms of social and personal organization which Odysseus encounters in his voyages. Segal also considers such topics as the relationship between bard and audience, the implications of the Odyssey's self-consciousness about its own poetics, and Homer's treatment of the nature of poetry.