Tending to the Past


Book Description

In many popular depictions of Black resistance to slavery, stereotypes around victimization and the heroic efforts of a small number of individuals abound. These ideas ignore the powers of ordinary families and obscure the systematic working of racism. Tending to the Past: Selfhood and Culture in Children’s Narratives about Slavery and Freedom examines Black-authored historical novels and films for children that counter this distortion and depict creative means by which ordinary African Americans survived slavery and racism in early America. Tending to the Past argues that this important, understudied historical writing—freedom narratives—calls on young readers to be active, critical thinkers about the past and its legacies within the present. The book examines how narratives by children’s book authors, such as Joyce Hansen, Julius Lester, Marilyn Nelson, and Patricia McKissack, and the filmmakers Charles Burnett and Zeinabu irene Davis, were influenced by Black cultural imperatives, such as the Black Arts Movement, to foster an engaged, culturally aware public. Through careful analysis of this rich body of work, Tending to the Past thus contributes to ongoing efforts to construct a history of Black children’s literature and film attuned to its range, specificity, and depths. Tending to the Past provides illuminating interpretations that will help scholars and educators see the significance of the freedom narratives’ reconstructions in a neoliberal era, a time of shrinking opportunities for many African Americans. It offers models for understanding the powers and continuing relevance of the Black child’s creative agency and the Black cultural practices that have fostered it.




"Tending to the Past"


Book Description

In placing Joy Harjo and Natasha Trethewey in conversation with each other, my dissertation analyzes - alongside their poetry and prose - monuments, paintings, television, film, photographs, and performance as connected to understanding the impact of historical legacies on lived experiences within the empire of U.S. America. Toni Morrison's concept of recovering the "unwritten interior life" of the slave experience - a life hidden within slave narratives - assists in understanding the historical poetics of Joy Harjo and Natasha Trethewey as artists engaged in similar projects of reclamation. For Harjo this entails shedding a light on the weight of Native American histories for the descendants of survivors while contesting the myths that abound within popular culture regarding Native peoples. Trethewey's work intervenes within the public memory of the nation by centering on the inner-lives of African Americans as well as other people of color, stressing their various gendered and racialized experiences. The gaps within the records that each poet illuminates do not constitute a failure of history, per se, but rather emphasize limitations concerning traditional methodologies of history-writing. In order to further expand on this argument, throughout my work I rely upon certain ideas from 20th century ethical philosopher Emmanuel Levinas regarding our obligations to the past of the Other as well as the potential violence inherent within Western philosophical rhetoric regarding the Other. "Tending to the Past" argues that due to the gaps within the archival records we need multiple ways of approaching our history. The absence within the archives of the "emotional truths" or "interior lives" of historical subjects proves to emphasize the necessity for the poetic interventions of Joy Harjo and Natasha Trethewey




Tending to the Past


Book Description

Frank Quinn, a veteran American History teacher, has seen a lot in his day--promising students, apathetic students, lessons good and bad, endless mandates, and teachers that become legendary in their own right. Now in the twilight of his career, Quinn is struggling to navigate the ever-changing sea of educational reform being thrust upon teachers, trying to reconcile the current state of education with the experiences he's had and beliefs he's cultivated over his lengthy career. Local teacher and Florida native Jim McGinnis explores through narrative, essays, and poetry what it is that makes teachers like Frank Quinn so fiercely loyal to the art of teaching, so committed to their calling. This novel is a reflection on all that is good in the classroom, giving voice to the beauties, frustrations and truths that make up a teacher's day.




The Collected Poems of Lucille Clifton 1965-2010


Book Description

Winner of the 2013 Hurston/Wright Legacy Award for Poetry "The Collected Poems of Lucille Clifton 1965-2010 may be the most important book of poetry to appear in years."--Publishers Weekly "All poetry readers will want to own this book; almost everything is in it."--Publishers Weekly "If you only read one poetry book in 2012, The Collected Poems of Lucille Clifton ought to be it."—NPR "The 'Collected Clifton' is a gift, not just for her fans...but for all of us."--The Washington Post "The love readers feel for Lucille Clifton—both the woman and her poetry—is constant and deeply felt. The lines that surface most frequently in praise of her work and her person are moving declarations of racial pride, courage, steadfastness."—Toni Morrison, from the Foreword The Collected Poems of Lucille Clifton 1965–2010 combines all eleven of Lucille Clifton's published collections with more than fifty previously unpublished poems. The unpublished poems feature early poems from 1965–1969, a collection-in-progress titled the book of days (2008), and a poignant selection of final poems. An insightful foreword by Nobel Prize–winning author Toni Morrison and comprehensive afterword by noted poet Kevin Young frames Clifton's lifetime body of work, providing the definitive statement about this major America poet's career. On February 13, 2010, the poetry world lost one of its most distinguished members with the passing of Lucille Clifton. In the last year of her life, she was named the first African American woman to receive the $100,000 Ruth Lilly Poetry Prize honoring a US poet whose "lifetime accomplishments warrant extraordinary recognition," and was posthumously awarded the Robert Frost Medal for lifetime achievement from the Poetry Society of America. "mother-tongue: to man-kind" (from the unpublished the book of days): all that I am asking is that you see me as something more than a common occurrence, more than a woman in her ordinary skin.




Tending to the Past


Book Description

"In many popular depictions of Black resistance to slavery, stereotypes around victimization and the heroic efforts of a small number of individuals abound. These ideas ignore the powers of ordinary families and obscure the systematic working of racism. Tending to the Past: Selfhood and Culture in Children's Narratives about Slavery and Freedom examines Black-authored historical novels and films for children that counter this distortion and depict creative means by which ordinary African Americans survived slavery and racism in early America. Tending to the Past argues that this important, understudied historical writing-freedom narratives-calls on young readers to be active, critical thinkers about the past and its legacies within the present. The book examines how narratives by children's book authors, such as Joyce Hansen, Julius Lester, Marilyn Nelson, and Patricia McKissack, and the filmmakers Charles Burnett and Zeinabu irene Davis, were influenced by Black cultural imperatives, such as the Black Arts Movement, to foster an engaged, culturally aware public. Through careful analysis of this rich body of work, Tending to the Past thus contributes to ongoing efforts to construct a history of Black children's literature and film attuned to its range, specificity, and depths. Tending to the Past provides illuminating interpretations that will help scholars and educators see the significance of the freedom narratives' reconstructions in a neoliberal era, a time of shrinking opportunities for many African Americans. It offers models for understanding the powers and continuing relevance of the Black child's creative agency and the Black cultural practices that have fostered it"--




Crave Radiance


Book Description

The first career retrospective by the award-winning poet Elizabeth Alexander, including her poem delivered at Barack Obama's presidential inauguration We crave radiance in this austere world, light in the spiritual darkness. Learning is the one perfect religion, its path correct, narrow, certain, straight. —from "Allegiance" Over twenty years, Elizabeth Alexander has become one of America's most exciting and important poets, and her selection as the inaugural poet by President Obama confirmed her place as one of the indispensable voices of our time. Crave Radiance: New and Selected Poems 1990–2010 gathers twenty pages of new poetry, along with generous selections from her previous work. The result is the definitive volume to date by this American master.




Tending Roses


Book Description

From the #1 New York Times bestselling author of The Book of Lost Friends and Before We Were Yours comes a heartfelt novel about the bonds of family and the power of second chances. When Kate Bowman temporarily moves to her grandmother’s Missouri farm with her husband and baby son, she learns that the lessons that most enrich our lives often come unexpectedly. The family has given Kate the job of convincing Grandma Rose, who’s become increasingly stubborn and forgetful, to move off her beloved land and into a nursing home. But Kate knows such a change would break her grandmother’s heart. Just when Kate despairs of finding answers, she discovers her grandma’s journal. A beautiful handmade notebook, it is full of stories that celebrate the importance of family, friendship, and faith. Stories that make Kate see her life—and her grandmother—in a completely new way....




Dream Tending


Book Description

"A master of dreamwork shows how to awaken the power of the living dream to transform your relationships, career, health, and spirit"--Cover.







Tending Grief


Book Description

“Camille Sapara Barton is a gift to all of us. ... This is what emergent strategy looks like at the precipice.” —adrienne maree brown, author of Pleasure Activism An embodied guide to being with grief individually and in community—practical exercises, decolonized rituals, and Earth-based medicines for healing and processing loss We live in a culture that suppresses our ability to truly feel our grief—deeply, safely, and on our own terms. But each person’s experience is as unique as the grief itself. Here, Camille Sapara Barton’s take on grief speaks directly to the ways that BIPOC and queer readers disproportionately experience unique constellations of loss. Deeply practical and easy to use in times of confusion, trauma, and pain, Tending Grief includes rituals, reflection prompts, and exercises that help us process and metabolize our grief—without bypassing or pushing aside what comes to the fore. Sapara Barton includes exercises that can be done both alone and in community, including: Altar practices to honor and connect with ancestors known and unknown Locating, holding, and dancing your grief Sharing circles for processing communal loss Water, fire, and nature-based rituals Honoring the survival utility of numbness—and knowing when it’s time to release it Peer support and integration Herbal medicines and plant-based healing Sapara Barton honors each and every experience: The loss of displacement from homelands, from severed lineages and ancestral ways of knowing. The grief of colonization and theft. The deep heaviness that burrows into our bodies when society tells us our bodies are wrong. Practical tools and rituals help readers feel into their grief, honor what comes up, and move forward in healing. Written specifically to center and hold the grief of BIPOC readers, Tending Grief is an invitation to reconnect to what we’ve lost, to find community in our grief, and to tend to our own suffering for our individual and collective wellbeing.