The Amorous Imagination


Book Description

In The Amorous Imagination, D. Andrew Yost builds upon Jean-Luc Marion's phenomenology of love to argue that through the interpretive activities of the imagination the Beloved appears to the lover as this Other, not the Other. Weaving together insights from Romantic thought and contemporary French philosophy, Yost describes the distinctive role the imagination plays in individuating another person so that they appear radically unique, special, and unsubstitutable. This radical uniqueness—or haecceitas—emerges out of the lovers' engagement in an "endless hermeneutic," an ongoing process of creative and responsive meaning-making that grounds the lovers' lives in each other and opens them up to new possibilities. All of this, Yost argues, is made possible by the amorous imagination. Drawing from the deep well of love poetry, mythology, philosophy, and literature The Amorous Imagination comes to the provocative conclusion that without the productive power of the imagination love itself could not emerge.




The Art of Love Poetry


Book Description

Love begets poetry; poetry begets love. So thinkers from Plato onwards have claimed; and even today, when poetry has largely disappeared from the mainstream of popular culture, it is still commonly considered the most seductive of all forms of art. But why should this be? What are the connections between poetry and love that lead us to associate them so strongly with one another? In this study Erik Gray draws on a broad range of Western thought and poetry to reveal the qualities and structures that love and poetry share. Above all, he argues, both are founded on paradox. Love is at once necessarily public (because interpersonal) and intensely private; hence love both requires expression and resists it. Likewise the experience of love is simultaneously surprising and familiar, singular and conventional. In poetry, especially lyric poetry - which is similarly both dependent on and resistant to language, both exceptionally regular and exceptionally irregular - love finds a natural outlet. The Art of Love Poetry illuminates many of the recurrent tropes that poets across the centuries have employed to represent and express love, exploring such topics as the poetic kiss, the lyric of conjugal love, and the role of animals in love poetry. In describing the inherent erotics of poetry, it offers new insights not only into the long tradition of love lyric but into the nature of love itself.




Excitable Imaginations


Book Description

Excitable Imaginations offers a new approach to the history of pornography. Looking beyond a counter-canon of bawdy literature, Kathleen Lubey identifies a vigilant attentiveness to sex across a wide spectrum of literary and philosophical texts in eighteenth-century Britain. Esteemed public modes of writing such as nationalist poetry, moral fiction, and empirical philosophy, as well as scandalous and obscene writing, persistently narrate erotic experiences--desire, voyeurism, seduction, orgasm. The recurring turn to sexuality in literature and philosophy, she argues, allowed authors to recommend with great urgency how the risqué delights of reading might excite the imagination to ever greater degrees of educability on moral and aesthetic matters. Moralists such as Samuel Richardson and Adam Smith, like their licentious counterparts Rochester, Haywood, and Cleland, purposefully evoke salacious fantasy so that their audiences will recognize reading as an intellectual act that is premised on visceral pleasure. Eroticism in texts like Pamela and Memoirs of a Woman of Pleasure, in Lubey's reading, did not compete with instructive literary aims, but rather was essential to the construction of the self-governing Enlightenment subject.




Erotic Love in Sociology, Philosophy and Literature


Book Description

Why is 'love' taken for granted as a part of human experience? And why is sexual or romantic love in particular so important to us? This book aims to find out, tracing the intellectual history of sexual love, from the ancient Greeks to the modern day. Erotic Love in Sociology, Philosophy and Literature shows how discourses of love have intersected with social and cultural trends, as well as with personal events and experiences. Beginning with the queering of love in Greek antiquity, it looks at how sexual love has been sung about, fictionalized and theorized as a cornerstone of the formation of Western culture. From the courtly love of twelfth-century troubadours and the rise of affective individualism in the eighteenth century, to the way the novel helped catalyze and crystallize the hopes and contradictions of love and marriage, these are decisive episodes in the history of romantic love. Lastly, the book deals with how sociologists and feminist theorists have made sense of the liberalization of sexuality over the last fifty years, especially given the post-romantic pragmatism of commercialized dating practices. Arguing against the over-rationalism of intimate life, Erotic Love in Sociology, Philosophy and Literature recognizes the need to liberate love from patriarchal, racist and homophobic prejudices, and highlights the value of literary and sociological traditions to emphasize how they dignify the rhapsodies and the sufferings of love.




Eros and Creativity in Russian Religious Renewal


Book Description

This book is a fascinating exploration of largely uncharted territory in the history of Russian religious thought. Focusing on four brilliant representatives of the "Russian religious renaissance" of the late nineteenth and early twentieth centuries--Vladimir Solovyov, Vasily Rozanov, Nikolai Berdyaev, and Boris Vysheslavtsev--Anna Lisa Crone masterfully details their efforts, which were at first quite independent of the work of Sigmund Freud and later highly critical of it, to establish the importance of the sex drive in human life and to reinterpret Christianity as a religion of the flesh as well as the spirit. Crone's use of the concept of sexual sublimation (developed by Solovyov and Rozanov before Freud had described it) and its connection with human creativity is the perfect foil for bringing out and clarifying the agreements and differences between the Russian religious thinkers on the one hand and the secular psychoanalysts such as Freud, Carl Jung, and Otto Rank on the other. New light is cast on all these figures by Crone's adroit analyses, which will also be welcomed by anyone interested in the roots of creativity, the cultural significance of sexuality, or the essence of Christianity. James P. Scanlan, Professor Emeritus of Philosophy, The Ohio State University




The Naked Heart: The Bourgeois Experience Victoria to Freud


Book Description

In The Naked Heart, Peter Gay explores the bourgeoisie's turn inward. At the very time that industrialists, inventors, statesmen, and natural scientists were conquering new objective worlds, Gay writes, "the secret life of the self had grown into a favorite and wholly serious indoor sport." Following the middle class's preoccupation with inwardness through its varied cultural expressions (such as fiction, art, history, and autobiography), Gay turns also to the letters and confessional diaries of both obscure and prominent men and women. These revealing documents help to round out a sparkling portrait of an age.




Flower of the Desert


Book Description

Antonio Negri, one of Italy's most influential and controversial contemporary philosophers, offers in this book a radical new interpretation of the nineteenth-century Italian poet Giacomo Leopardi. For Negri, Leopardi is not the bitter, idealistic individualist of conventional literary history, but rather a profoundly materialist thinker who sees human solidarity as the only possible solution to the catastrophes of history and politics. Negri traces Leopardi's resistance to the transcendental idealism of Kant and Hegel, with its emphasis on reason's power to resolve real antagonisms into abstract syntheses, and his gradual development of a sophisticated poetic materialism focused on the constructive power of the imagination and its "true illusions." Like Nietzsche (who admired him), Leopardi provides an alternative to modernity within modernity, expressing a force of rupture and recomposition—a uniquely Italian one—that is as relevant now as it was in the nineteenth century, and which connects to the theory of Empire as the political constitution of the present that Negri has elaborated in collaboration with Michael Hardt.




Amorous Aesthetics


Book Description

Amorous Aesthetics traces the development of intellectual love from its first major expression in Baruch Spinoza’s Ethics, through its adoption and adaptation in eighteenth-century moral and natural philosophy, to its emergence as a Romantic tradition in the work of six major poets.




Before Imagination


Book Description

A study of the practice of vivid, self-directed imagination in the optimistic spirit of the early-modern French writers.




Political Monsters and Democratic Imagination


Book Description

Political Monsters and Democratic Imagination explores the democratic thought of Spinoza and its relation to the thought of William Blake, Victor Hugo, and James Joyce. As a group, these visionaries articulate: a concept of power founded not on strength or might but on social cooperation; a principle of equality based not on the identity of individuals with one another but on the difference between any individual and the intellectual power of society as a whole; an understanding of thought as a process that operates between rather than within individuals; and a theory of infinite truth, something individuals only partially glimpse from their particular cultural situations. For Blake, God is the constellation of individual human beings, whose collective imagination produces revolutionary change. In Hugo's novel, Jean Valjean learns that the greatest truth about humanity lies in the sewer or among the lowest forms of social existence. For Joyce, Leopold and Molly Bloom are everybody and nobody, singular beings whose creative power and truth is beyond categories and social hierarchies.