The Brazilian Art Song and the Non-Brazilian Portuguese Singer


Book Description

Alberto Nepomuceno (1864-1920) is considered to be the father of the Brazilian art song. With a total of seventy songs, Nepomuceno revolutionized and established a new path to the Brazilian art song. His songs were innovative because they: (1) incorporated folk elements in his songs, (2) introduced Portuguese as a language acceptable in bel canto style and (3) established Brazilian songs in the tradition of the European vanguard. His approach influenced several composers including his young student Heitor Villa-Lobos (1887-1959), one of the most significant Latin American composers. The purpose of this research is to inform singers and teachers about one of Brazil's most significant art song composers, and to provide the necessary tools--Brazilian Portuguese diction guide, IPA and poem translations of the selected songs--for effective and accurate performances and interpretations.




The Brazilian Art Song


Book Description







The Brazilian Art Song: Part III. An anthology of Brazilian song with texts, translations and IPA transcriptions in two volumes [includes songs by José Maurício, Carlos Gomes, Alberto Nepomuceno, Heitor Villa-Lobos, Lorenzo Fernandez, Camargo Guarnieri, Francisco Mignone, Waldemar Henrique, César Guerra-Peixe, Cláudio Santoro, Ronaldo Miranda, Marlos Nobre])


Book Description




A Guide to the Latin American Art Song Repertoire


Book Description

A reference guide to the vast array of art song literature and composers from Latin America, this book introduces the music of Latin America from a singer's perspective and provides a basis for research into the songs of this richly musical area of the world. The book is divided by country into 22 chapters, with each chapter containing an introductory essay on the music of the region, a catalog of art songs for that country, and a list of publishers. Some chapters include information on additional sources. Singers and teachers may use descriptive annotations (language, poet) or pedagogical annotations (range, tessitura) to determine which pieces are appropriate for their voices or programming needs, or those of their students. The guide will be a valuable resource for vocalists and researchers, however familiar they may be with this glorious repertoire.







Bossa Nova


Book Description

Bossa nova is one of the most popular musical genres in the world. Songs such as “The Girl from Ipanema” (the fifth most frequently played song in the world), “The Waters of March,” and “Desafinado” are known around the world. Bossa Nova—a number-one bestseller when originally published in Brazil as Chega de Saudade—is a definitive history of this seductive music. Based on extensive interviews with Antonio Carlos Jobim, Jo+o Gilberto, and all the major musicians and their friends, Bossa Nova explains how a handful of Rio de Janeiro teenagers changed the face of popular culture around the world. Now, in this outstanding translation, the full flavor of Ruy Castro’s wisecracking, chatty Portuguese comes through in a feast of detail. Along the way he introduces a cast of unforgettable characters who turned Gilberto’s singular vision into the sound of a generation.




Singing in Brazilian Portuguese


Book Description

Access audio files at: https://soundcloud.com/singing_in_brazilian_portuguese_recorded_examples_marcia_porter While popular forms of Brazilian music include bossa nova and samba, Brazil also has a rich classical music tradition dating back to the 1500s that exhibits a unique and diverse amalgamation of many styles and influences including African, Italian, French, and indigenous. Singing in Brazilian Portuguese: A Guide to Lyric Diction and Vocal Repertoire makes Brazilian modinhas and canções accessible to singers through an overview of the history of the language and music, brief biographies of major composers, and a sampling of selected texts transliterated into the International Phonetic Alphabet (IPA). Part I introduces the alphabet and pronunciation of sounds through IPA and is enhanced by online audio recordings of native Brazilian classical singers. Marcía D. Porter covers such topics as oral and nasal vowels, diagraphs, onset and final consonants, word stress, and syllabification. It also includes an overview of the newly implemented Acordo Ortográfico. Part II provides IPA transliterations and both word-for-word and poetic translations of representative songs, including Villa-Lobos’s Bachianas brasileiras, no. 5. The book also offers a brief overview of the history of Brazilian vocal music and biographical sketches of select major composers from various periods. Singing in Brazilian Portuguese is the first resource of its kind geared toward singers, voice teachers, vocal coaches, collaborative pianists, and others who are interested in exploring, teaching, and performing this beautiful and exciting repertoire.







The Catalan Art Song


Book Description

Signat l'amic del Cor is a song cycle by Nico Gutiérrez for mezzo-soprano, piano, and audio samples. Comprised of five songs, Signat l'amic del Cor is sung entirely in Catalan and is a tribute to two of Catalonia's most prominent and distinguished poets. Based on the texts by Carles Duarte and Màrius Sampere, this cycle explores themes of love, nature and, most importantly, water in a contemporary, neo-impressionist soundscape. Written in 2019, the cycle was premiered by Patricia Caicedo and Nikos Stavlas at the 15th annual Barcelona Festival of Song at the Palau de la Música Catalana. In this cycle, Nicolás Gutierrez knew how to capture the depth of the poetry as well as the rhythm of the Catalan language. Signat l ́amic del cor is a 21st-century cycle; it includes electronic elements, like the sound of the sea or the recording of the voice of one of the poets. These elements contribute to highlighting the meaning of the poem, making the cycle more accessible to contemporary audiences. This cycle brings freshness and diversity to the genre of art song by giving life to the Catalan language, one of the most beautiful and least sung Romance languages. We are sure that this music will be heard in concert halls around the world.