The Devil Nun


Book Description

A magical gift. A bloody war. A great love. When Pauline's parents are brutally murdered in the turmoil of the Thirty Years' War, the young woman is suddenly alone in the world. But luckily, she has a mysterious gift, with which she can survive in the midst of savagery and caprice - the Evil Gaze. When Pauline meets the mysterious coin forger Jakob Kuhbier, her life finally seems to be turning around. On top of that, the young woman meets the student Sebastian and falls in love with him. But what will her lover say, when he finds out that she has the Evil Gaze? But this problem fades away when Pauline meets the killer of her mother and father once more. To top it all, her magical abilities seem to fade. Will they still be enough to be able to defeat this merciless foe?




The Rite


Book Description

The inspiration for the film starring Anthony Hopkins, journalist Matt Baglio uses the astonishing story of one American priest's training as an exorcist to reveal that the phenomena of possession, demons, the Devil, and exorcism are not merely a remnant of the archaic past, but remain a fearsome power in many people's lives even today. Father Gary Thomas was working as a parish priest in California when he was asked by his bishop to travel to Rome for training in the rite of exorcism. Though initially surprised, and slightly reluctant, he accepted this call, and enrolled in a new exorcism course at a Vatican-affiliated university, which taught him, among other things, how to distinguish between a genuine possession and mental illness. Eventually he would go on to participate in more than eighty exorcisms as an apprentice to a veteran Italian exorcist. His experiences profoundly changed the way he viewed the spiritual world, and as he moved from rational skeptic to practicing exorcist he came to understand the battle between good and evil in a whole new light. Journalist Matt Baglio had full access to Father Gary over the course of his training, and much of what he learned defies explanation. The Rite provides fascinating vignettes from the lives of exorcists and people possessed by demons, including firsthand accounts of exorcists at work casting out demons, culminating in Father Gary's own confrontations with the Devil. Baglio also traces the history of exorcism, revealing its rites and rituals, explaining what the Catholic Church really teaches about demonic possession, and delving into such related topics as the hierarchy of angels and demons, satanic cults, black masses, curses, and the various theories used by modern scientists and anthropologists who seek to quantify such phenomena. Written with an investigative eye that will captivate both skeptics and believers alike, The Rite shows that the truth about demonic possession is not only stranger than fiction, but also far more chilling.




The Nun's Possession


Book Description

Lorelei is a demon, a punisher of the damned. But one fateful day she is able to escape from Hell. Sister Kathleen is a nun, dedicated to helping others. What will she do when an otherworldly being takes up residence in her mind? Can she control the perverse urges of a horny demon? Or will she fall into a sinful, sexy darkness? Find out today in "Hell's Horny Demon: Possession!" ~~~~~ PG Excerpt ~~~~~ If she still had her physical form, Lorelei would be rubbing her hands together in glee. True, the tall, gawky youth in front of Kathleen was not at all the sort of man she would have chosen for her first sexual encounter in thousands of years. But beggars could hardly be choosers, after all. And it had taken all of her considerable cunning to worm her way past Kathleen’s defenses and bring her to this spot to begin with. For a mortal, the woman’s willpower was really quite remarkably strong. So strong, in fact, that Lorelei briefly wondered who was actually doing the choosing. Was she actually corrupting the virginal young nun? Or were her whispered hints and the erotic dreams she had been sending Kathleen nightly only nudging her in a direction she already wished to go? Who cares? She guided Kathleen’s hands to the ridiculous fastenings of Nick’s trousers, teasing the young man with a brush of fingers against his eager manhood. Mortal, angel, or demon, males were all alike. If you were smart enough, you could lead them around by their manhood, and they would be none the wiser for it. With fingers that had learned how to navigate Kathleen’s clothing over the last few days, she undid the buckle of the leather belt, then the button which held Nick’s trousers up. A push, a whisper of falling cloth, and the young man was nude from waist to knee. He swallowed, looking down at her nervously. “Is it…” “It’s beautiful.” And Lorelei couldn’t help but wonder if it was her voice whispering in wonder and awe, or Kathleen’s. She reached out with her host’s body, feeling the hot skin, tight-stretched over the throbbing, pulsing length of Nick’s erection. If her heart had anything left in it but ashes and dust, she might have wept at the sheer, human, ordinariness of him. ~So long,~ she whimpered. It had been so long. When she, along with the rest of the rebellious angels, had been cast out of Heaven, the Almighty had cursed the male demons with a foul ugliness that was could drive a human to madness. Which was why Lorelei had no need or desire for a sexual superman. She had lived for generations with a hideous reality that would make most humans run screaming in horror. Anything, even this untested youth, would be so much better that there was literally no comparison between the two. But… ~Lift up your sweater,~ she urged Kathleen. ~Show him our body.~ A hint of coolness as the soft cloth was pushed upward, a balm on her pain-ravaged senses. Nick’s eyes went wide, and Lorelei stifled a hint of triumph It wasn’t her body, after all. Not yet. But it was still a good one. One to be proud of. The tips of her breasts were tingling, almost aching in their need to be touched. She moved Kathleen’s fingers faster, watching Nick’s face go slack with pleasure. She could do it. Make him climax, bind him to the two of them. But she wanted more. Needed more. “What can I do for you?” Nick asked, his eyes worshipful. “You can love me.” Lorelei took Nick’s hands and put them on her breasts. “I have waited too long. I am tired of waiting. I want to know what it’s like to be with a human. A man,” she corrected quickly, hoping Nick wouldn’t catch the slip. She ran her hands up his chest, savoring the feel, and used her legs to pull him in close. “I need it, Nick. Need to be held, to be touched, to be loved. “Can you do that for me?”




Malignant Man


Book Description

What doesn't kill you makes you stronger! Alan Gates, a cancer patient with a terminal diagnosis, is resigned to his fate...until he discovers that his tumor is actually a mysterious parasite! Granted a second lease on life and incredible, otherworldly powers, Alan must fight against an evil army buried beneath society's skin, all the while unlocking the secrets of his forgotten past. From the dark & twisted mind of James Wan, the creator and director of SAW, MALIGNANT MAN is a sci-fi thriller that can't be missed! Co-written by fan-favorite writer Michael Alan Nelson (28 DAYS LATER, DINGO) and illustrated by rising star artist Piotr Kowalski, with a cover by industry legend Trevor Hairsine!







Demons!


Book Description

THE DEVILS (1971) Ken Russell's horrifying film of the possession and resultant exorcism of the "Loudun Nuns," (based upon the book THE DEVILS OF LOUDON by Aldous Huxley), scourged the eyes of audiences in the 1970s, with its harsh, brutal, and sickening depiction of blasphemous torture, hideous pain, possession, and wild, orgiastic rites to fallen spirits. Now here is the classic full account of this bizarre, startling, and tragic chapter in the history of possession and exorcism, the annals of primitive witch hysteria: the exorcism of the Loudun Nuns, and the subsequent trial and hideous execution, by burning, of Father Urbain Grandier, (claimed by some to have entered into a pact with Satan to torment and afflict the sisters of the afflicted Ursuline order). Was Urbain Grandier an emissary of Satan? Or was he simply a man caught up in the crosshairs of his vindictive enemies and powerful forces, those willing to send a man to his death for purely political reasons? What of the hunchbacked Sister Jeanne? Was she really the focus of a black, demonic incubus? Or was she simply a disturbed, repressed woman, one whose life of piety, self-abnegation, penance, and sacrifice, lead her to the brink of madness? To read this chilling account is to step back through a doorway in time, gaining an insight into the hysteria of the witchcraft hysteria of the old world, and what it might tell us about our own contemporary society. Published by Zem Books




We Don't Go Back


Book Description

Secret, strange, dark, impure and dissonant...Enter the haunted landscapes of folk horror, a world of ­pagan ­village conspiracies, witch finders, and teenagers awakening to evil; of dark fairy tales, backwoods cults and obsolete technologies. Beginning with the classics Night of the Demon, Witchfinder General, The Wicker Man and Blood on Satan's Claw, We Don't Go Back surveys the genre of screen folk horror from across the world. Travelling from Watership Down to The Texas Chain Saw Massacre, with every stop inbetween, We Don't Go Back is a thoughtful, funny and essential overview of folk horror in TV and cinema."A beautiful rumination on the dark films and television that shaped me and a generation of odd children, for good or ill, worth a year of your time, because you won't just read the book, you'll feel a burning desire to watch everything mentioned within." - Robin Ince"A comprehensive, accessible and often riotously funny tome weaving together folk horror in all its forms, from British television to the American backwoods, from Eastern European fairytales to the vengeful ghosts of East Asia. Ingham explores uncanny landscapes haunted by things buried, old cultures converging with the reluctance of contemporary reason, that very tension that gives his book its name. He attempts to both define folk horror and free it from definition, creating the ultimate guide to the genre's manifestations on film and offering a convincing argument as to why the genre resonates so compellingly with people today." - Kier-La Janisse, author of House of Psychotic Women




A Devil in Nun's Veiling and Other Stories


Book Description

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1895 edition. Excerpt: ...worked in connection with the young lady may be gathered by a dialogue which occurred coincidently with the conference between the barristers. Miss Minnie was at home in the morning-room upstairs, and a visitor, whose name was Captain Archibald, or "Archie," Franklin, was sitting on a very uncomfortable chair in front of her. Captain Franklin had his hat in his hand, and was fingering it nervously, while it was apparent that his hostess was not entirely at her ease either. "Mamma will be so sorry she was out," she said. "May I give you some tea?" "Er--no thank you, Miss Liddington. I--er--in point of fact I was hoping I might find you alone." "I don't understand, Captain Franklin." "I have come to say good-bye," he stammered. He was a good-looking young fellow of about thirty, and if ever a man adored a girl in this world, it was plain that /e adored the one he was trying to talk to. "I have come to say 'good-bye.' I am going out to India, and--I shan't see you any more, Miss Liddington." "Your regiment is ordered out to India?" The colour had sunk from her face, and she spoke in a kind of gasp. "No, the regiment isn't going. I--I intend to exchange, that's all." "Oh?" she said. "You are tired of England?" "No--not tired. I--I think it better I should go." There was a pause while they both watched the canary that flapped its wings against its cage. She turned, and her eyes met his own. "Miss Liddington, Minnie," he exclaimed, "don't you know w/zy I'm going? Pm, going because--I haven't the least right to say it, and I...




In a Dark Place


Book Description

The story of the most terrifying case of demonic possession in the United States. It became the basis for the hit film “The Haunting in Connecticut” starring Virginia Madsen. Shortly after moving into their new home, the Snedeker family is assaulted by a sinister presence that preys one-by-one on their family. Exhausting all other resources, they call up the world-renowned demonologists Ed and Lorraine Warren—who have never encountered a case as frightening as this... No one had warned the Snedekers their new house used to be an old funeral home. Their battle with an inexplicable and savage phenomena had only just begun. What started as a simple “poltergeist” escalated into a full-scale war, an average American family battling the deepest, darkest forces of evil—a war this family could not afford to lose.




Nuns Behaving Badly


Book Description

Witchcraft. Arson. Going AWOL. Some nuns in sixteenth- and seventeenth-century Italy strayed far from the paradigms of monastic life. Cloistered in convents, subjected to stifling hierarchy, repressed, and occasionally persecuted by their male superiors, these women circumvented authority in sometimes extraordinary ways. But tales of their transgressions have long been buried in the Vatican Secret Archive. That is, until now. In Nuns Behaving Badly, Craig A. Monson resurrects forgotten tales and restores to life the long-silent voices of these cloistered heroines. Here we meet nuns who dared speak out about physical assault and sexual impropriety (some real, some imagined). Others were only guilty of misjudgment or defacing valuable artwork that offended their sensibilities. But what unites the women and their stories is the challenges they faced: these were women trying to find their way within the Catholicism of their day and through the strict limits it imposed on them. Monson introduces us to women who were occasionally desperate to flee cloistered life, as when an entire community conspired to torch their convent and be set free. But more often, he shows us nuns just trying to live their lives. When they were crossed—by powerful priests who claimed to know what was best for them—bad behavior could escalate from mere troublemaking to open confrontation. In resurrecting these long-forgotten tales and trials, Monson also draws attention to the predicament of modern religious women, whose “misbehavior”—seeking ordination as priests or refusing to give up their endowments to pay for priestly wrongdoing in their own archdioceses—continues even today. The nuns of early modern Italy, Monson shows, set the standard for religious transgression in their own age—and beyond.