Hiroshige Famous Views of the Sixty-Odd Provinces


Book Description

What was Japan like in 1853, when this portrait was started by Utagawa Hiroshige with one print from each of the 69 provinces. It is an outstanding picture book from just before photography. Hiroshige travelled the Tokaido road to participate in an important procession in Kyoto in 1832 and published his 53 Stations of the Tokaido (Hoeido) which was the most popular print series ever made in Japan, see the authors ISBN ES 978-8-413-731-469. It was even more popular than Hokusais series Thirty-six Views of Mount Fuji, which had been recently published and which had influenced Hiroshige tremendously ISBN ES 978-8-411-744-935. The Famous Views from the Sixty-Odd Provinces contains some of Hiroshiges most beloved prints and he again uses the horizontal format he pioneered for landscape prints.




Hiroshige's Journey in the 60-odd Provinces


Book Description

Utagawa Hiroshige (1797-1858) designed a series of seventy landscapes depicting the provinces of Japan between 1854 and 1856. It was the first in a number of sets from the highly productive years of his later life. The designs comprising "Famous Places in the 60-Odd Provinces (Rokuju yoshu meisho zue) are taken from all corners of Japan, thus representing an enormous innovation in the choice of subject matter. Large sets published before this had depicted the famous routes between Edo and Kyoto, the Tokaido and the Kisokaido, but Hiroshige had never before ventured beyond these well-known themes/ The Japanese countryside was already depicted in graphic art, but mostly in travelers' guidebooks and not as full color prints. With this set, Hiroshige brought the Japanese countryside closer to the urban population. It evidently met with high acclaim: the publisher Koshimuraya Heisuke produced a large number of impressions. In this study, the author Marije Jansen briefly discusses Hiroshige's life and the formal aspects of this series. Jansen takes as her point of departure the set in possession of the German collector Gerhard Pulverer, which is generally acknowledged to be a superb example of a first edition, and compares this series to a number of other sets in public and private collections. The detectable printing variations in each design are carefully analyzed, making this an indispensable tool for collectors.







Hiroshige Famous Views of the Sixty-Odd Provinces


Book Description

Utagawa Hiroshige print series Famous Views from the 69 provinces is an outstanding picture book from just before photography, 1853. The Famous Views from the Sixty-Odd Provinces contains some of Hiroshige's most beloved prints and he again uses the horizontal format for his landscapes.




Hiroshige Famous Views of the Sixty-Odd Provinces


Book Description

What was Japan like in 1853, when this portrait was started by Utagawa Hiroshige with one print from each of the 69 provinces. It is an outstanding picture book from just before photography. The Famous Views from the Sixty-Odd Provinces contains some of Hiroshige's most beloved prints with the horizontal format he pioneered for landscape prints.




Hiroshige


Book Description

This magnificent boxed set includes a silk- bound volume of stunning, accordion-fold, color reproductions of Hiroshige’s complete series, accompanied by a separate booklet with background and descriptions of each print. Roughly twenty-five years after Hokusai released his series of ukiyo-e prints depicting Japan’s most recognizable symbol, Hiroshige took on the subject as well—a common practice among the era’s printmakers. This volume features reproductions of the horizontal version of Hiroshige’s woodblock series, first published in 1852, and which reveal a mature artist working at the height of his powers. In the background of each of the views Mount Fuji is featured under varying vantage points and changing lights, towering over sites of sublime beauty, often animated by a few characters living in harmony with nature. These exquisite fold-out plates are perfect for appreciating Hiroshige’s eye for composition, his nontraditional use of line, and the subtle gradations of color and mood. Viewers can also learn much about daily life and culture in 19th-century Japan through carefully applied detail and symbolism. In his introductory booklet, Jocelyn Bouquillard provides captions for each print, as well as an appreciation of the remarkable and painstaking process of woodblock printing. Packaged in an elegant slipcase, these volumes reflect the beautiful artistry and traditions that are embodied in the prints themselves.




Van Gogh and the Seasons


Book Description

A new look at the ways van Gogh represented the seasons and the natural world throughout his career The changing seasons captivated Vincent van Gogh (1853–90), who saw in their unending cycle the majesty of nature and the existence of a higher force. Van Gogh and the Seasons is the first book to explore this central aspect of van Gogh's life and work. Van Gogh often linked the seasons to rural life and labor as men and women worked the land throughout the year. From his depictions of peasants and sowers to winter gardens, riverbanks, orchards, and harvests, he painted scenes that richly evoke the sensory pleasures and deprivations particular to each season. This stunning book brings to life the locales that defined his tumultuous career, from Arles, where he experienced his most crucial period of creativity, to Auvers-sur-Oise, where he committed suicide. It looks at van Gogh's interpretation of nature, the religious implications of the seasons in his time, and how his art was perceived against the backdrop of various symbolist factions, antimaterialist debates, and esoteric beliefs in fin de siècle Paris. The book also features revealing extracts from the artist's correspondence and artworks from his own collection that provide essential context to the themes in his work. Breathtakingly illustrated and featuring informative essays by Sjraar van Heugten, Joan Greer, and Ted Gott, Van Gogh and the Seasons shines new light on the extraordinary creative vision of one of the world's most beloved artists.




Hiroshige's One Hundred Famous Views of Edo


Book Description

A landmark book presenting the early "deluxe" versions of Hiroshige's Edo prints for the first time! Utagawa Hiroshige's unique landscape series One Hundred Famous Views of Edo (modern-day Tokyo), first published in the 1850s, is among the best-known collections of Japanese prints and was revolutionary in its day. Individual prints from this collection are regarded as among the finest works in all of Japanese art. In this series, Hiroshige captures 118 locations in and around Edo, today's Tokyo, during all four seasons and often from hitherto unknown and unique perspectives. These views were first printed in exquisite luxury versions, incorporating innovative woodblock printing features like color gradation. No complete set of the early versions exists today and this is the first book to present a complete set of the deluxe early printings, sourced from 32 different museums and private collections. Author Andreas Marks consulted 4,700 prints in order to compile this definitive guide to Hiroshige's One Hundred Famous Views of Edo. Marks presents the various printed versions along with reference images showing how and where Hiroshige sourced his ideas for each view—from previous books and illustrations. The result is a definitive guide to understanding the complexity of Hiroshige's great work as well as the dynamics of the Japanese print market during this period. Marks' introduction discusses the genesis of the series in the context of Japanese landscape art as well as Hiroshige's personal biography. The book then presents all 118 prints together with their source materials and a map showing the locations of each view, followed by a detailed appendix discussing the great color variations found in subsequent printings of the series.




Hiroshige Famous Views of the Sixty-Odd Provinces


Book Description

The Famous Views from the Sixty-Odd Provinces contains some of Hiroshige's most beloved prints and he again uses the horizontal format he pioneered for landscape prints.