The V-chip Debate


Book Description

The V-chip is a highly significant part of the discussion about whether television (or broadcasting in general) deserves some special attention in terms of its accessibility to children, its particular power to affect conduct, and its invasiveness. But as this notion of filtering and labeling has caught the imagination of the regulator, the legislator, and all those who wish to consider new ways to alter bargaining over imagery in society, the very idea of the V-chip or its equivalent is moving across other technologies, including the Internet. The V-chip issue has also fueled the ongoing debate about violence and sexual practices in society, and how representations on television relate to those practices. Although the initial concept of the V-chip is simple, its flow into the public realm raises so many extraordinary questions that the introduction and production of the chip virtually serves as a case study in problems of law and public policy. The very conceptualization of speech in society is being affected by this issue. Accordingly, the place of the V-chip in this debate is increasingly important; indeed, it may be argued that the V-chip's contribution to legal argumentation may be greater than its ultimate contribution to the relationship between children and imagery. Among the questions the contributors address are: *What research basis is necessary to require a framework for labeling and rating? *What relationship between government and the image-producing industries can be characterized--for constitutional and other reasons--as voluntary as opposed to coercive? *Who should evaluate these images? *To what extent should the evaluation process be centralized and/or distributed? *What assessment is appropriate to evaluate whether the experiment is "successful?" In addition to the V-chip's origin's in Canada and its further evolution in the United States, this book discusses the development of the V-chip and television rating systems in Europe, Australia, and throughout the world. It also includes essays which contrast the very different approaches in Canada and the United States in terms of the role of regulatory agency, industry, and government.




The V-chip Debate


Book Description

The V-chip is a highly significant part of the discussion about whether television (or broadcasting in general) deserves some special attention in terms of its accessibility to children, its particular power to affect conduct, and its invasiveness. But as this notion of filtering and labeling has caught the imagination of the regulator, the legislator, and all those who wish to consider new ways to alter bargaining over imagery in society, the very idea of the V-chip or its equivalent is moving across other technologies, including the Internet. The V-chip issue has also fueled the ongoing debate about violence and sexual practices in society, and how representations on television relate to those practices. Although the initial concept of the V-chip is simple, its flow into the public realm raises so many extraordinary questions that the introduction and production of the chip virtually serves as a case study in problems of law and public policy. The very conceptualization of speech in society is being affected by this issue. Accordingly, the place of the V-chip in this debate is increasingly important; indeed, it may be argued that the V-chip's contribution to legal argumentation may be greater than its ultimate contribution to the relationship between children and imagery. Among the questions the contributors address are: *What research basis is necessary to require a framework for labeling and rating? *What relationship between government and the image-producing industries can be characterized--for constitutional and other reasons--as voluntary as opposed to coercive? *Who should evaluate these images? *To what extent should the evaluation process be centralized and/or distributed? *What assessment is appropriate to evaluate whether the experiment is "successful?" In addition to the V-chip's origin's in Canada and its further evolution in the United States, this book discusses the development of the V-chip and television rating systems in Europe, Australia, and throughout the world. It also includes essays which contrast the very different approaches in Canada and the United States in terms of the role of regulatory agency, industry, and government.




V-chip


Book Description

Summarizes the debate concerning the television industry's rating system designed to implement federal V-chip legislation.




The V-Chip, Ratings and Sex & Violence on Cable. A Status Report


Book Description

Seminar paper from the year 1999 in the subject Communications - Movies and Television, grade: 1- (A-), Ohio University (School of Telecommunication), course: Cable Communication, 22 entries in the bibliography, language: English, abstract: In last Thursday's edition of USA Today concerned parents had no doubt about what was responsible for the High School shootings in Colorado. 49% agreed that TV, movies and music "have a great deal of blame" for the shootings (topped only by 'availability of guns' and 'parents') and 52% spoke out for "more restrictions on TV and movie violence" (USA Today 1999, p. 3A). Violence on television has been an issue for a very long time. This has different reasons: First, children (who seem to be the center of the debate most of the times) are a society's most precious good. Threatening the well-being of their children is probably the worst thing you can do to people. That's why at all times adults were afraid their children could get harmed by whatever media they were exposed to - be it comic books, early movie theaters, rock music or television. I don't want to go into great detail and talk much about research on media effects, but I think it is simplistic and dangerous to assume a direct causality between violence portrayed on television and violent behavior in real life. But tragic incidents like the shooting in Colorado last week will give a boil-up to the discussion of stronger control over violent TV programming and effective measures that can be taken to prevent children from consuming this violence. This paper deals with the technology of the so-called V-Chip and the fairly new television ratings system that were made mandatory by the Telecommunications Act of 1996. The advantages and disadvantages of these appliances will be discussed as well as cable's special role in this significant issue.




Protecting Children in the Digital Era


Book Description

From the mid-1990s onwards concerns regarding the exposure of children to harmful content in the increasingly digital media environment intensified. Soon thereafter policy makers across Europe realised that alternative regulatory instruments, such as self- and co-regulation, might be more appropriate than traditional legislation to address this matter of public interest. Taking the complex and delicate nature of protecting minors into account, this book provides an in-depth legal analysis of the alternative regulatory instruments that can be used to regulate content in the digital era, with particular attention to the protection of fundamental rights, such as freedom of expression, privacy and procedural guarantees, internal market regulation, competition rules, and implementation requirements.




Shocking Entertainment


Book Description

This exploration of violence in films questions why adults are often entertained by films that social and cultural consensus considers extreme and brutal. Hill argues that understanding the process of viewing violence is one way to open up the current debate concerning the effects of violence to include objective and broad-minded responses to this phenomenon.




Media and Sovereignty


Book Description

A study of the relationship between international media regulations and efforts by nation-states to assert sovereignty and shape media at home and abroad.




Television and Its Viewers


Book Description

Television and its Viewers reviews 'cultivation' research, which investigates the relationship between exposure to television and beliefs about the world. James Shanahan and Michael Morgan, both distinguished researchers in this field, scrutinize cultivation through detailed theoretical and historical explication, critical assessments of methodology, and a comprehensive 'meta-analysis' of twenty years of empirical results. They present a sweeping historical view of television as a technology and as an institution. Shanahan and Morgan's study looks forward as well as back, to the development of cultivation research in a new media environment. They argue that cultivation theory offers a unique and valuable perspective on the role of television in twentieth-century social life. Television and its Viewers, the first book-length study of its type, will be of interest to students and scholars in communication, sociology, political science and psychology and contains an introduction by the seminal figure in this field, George Gerbner.




Edited Clean Version


Book Description

"According to Guins, these new "control technologies" are designed to embody an ethos of neoliberal governance - through the very media that have been previously presumed to warrant management, legislation, and policing. Repositioned within a discourse of empowerment, security, and choice, the action of regulation, he reveals, has been relocated into the hands of users."--BOOK JACKET.




Television Violence


Book Description